You hold in your hands a recently discovered poetry journal—the poetry journal of a vampire. William Butten was en route to a new land on the Mayflower when he was turned into a vampire by a fellow passenger, a beautiful woman named Katherine. These pages contain his heartbreaking story—the story of a vampire who has lived through (and perhaps caused) some of America's defining events. As he travels the country and as centuries pass, he searches for his lost love and records his adventures and misadventures using the form of poetry known as haiku. As Butten documents bloody wars, a certain tea party in Boston, living the high life during the Great Depression, two Woodstock festivals, the corruption of Emily Dickinson, and hanging out with Davy Crockett, he keeps to the classic 5-7-5 syllable structure of haiku. The resulting poems are hilarious, repulsive, oddly romantic, and bizarre. Read along, and you just may find a new appreciation for—and insight into—various events in American history. And blood.

Dear haiku journal, I think I killed some people. That was no dog bite. This journal contains the poetic musings of a mailman who, after being bitten by what he thinks is a dog, discovers that he is actually now a werewolf. Wreaking havoc wherever he goes, he details his new life and transformations in the 5-7-5 syllable structure of haiku—his poetry of choice. Follow along as our werewolf poet slowly turns from a mostly normal man into the hairy beast that he cannot keep trapped inside. And watch out for carnage when he changes and becomes hungry. No toenail, no entrail, no pigtail will be left behind. And talk about wreaking havoc: His newfound claws and teeth have sent his clothing budget through the roof! He is in love with a woman on his route, but he has never had the courage to tell her. As he fights against his urges during each full moon, he discovers that succumbing to his primal instincts will not only bag him a good meal—it just might help him in his quest for love…Or maybe not.

More Brains... Some race. Some lurch. Others come crawling, limping, staggering—dragging themselves toward anyone who might still have a pulse. Zombies invade the island of Manhattan, and they are hungry. The story of the zombie apocalypse is told through the eyes of Dawn, a ten-year-old girl who has been well-schooled in the undead because of her father's love of zombie movies. As the zombies approach, Dawn and her dad realize the time has come to implement their Zombie Escape Plan, so they gather friends and escape to the Statue of Liberty. Only... the plan doesn't go quite as expected. Dawn documents their downfall in her haiku journal, where the limb-snapping, eye-popping, bone-crunching zombies eventually make her one of their own. In gory detail, and sometimes channeling her favorite poets, she describes the gruesome scenes before her—and her own frightening impulses.

When her father loses his status as Japan's most prominent Yakuza mob boss, Misake travels to South Texas as a college student with the hopes of engaging a notorious Latino vampire named Uriel Santana. After a whirlwind courtship, she seduces and manipulates Uriel to turn her into another vampire, and then returns to Japan as an immortal to help her father regain power in Tokyo's criminal underworld. Poised to reign supreme in Tokyo forever, Misake learns that she is now on the vampire's Most Wanted criminal list for her indiscretions. The governing body in New Orleans dispatches bounty hunter and vampire/warlock hybrid Cyprian Dugas to hunt her down, who happens to be falling for the Japanese bloodsucker. To make matters worse, Queen Mictecacihuatl - the Lady of El Dia de Los Muertos and Goddess creator of Uriel's vampire Latinx coven - feels spurned by Misake's ruse and vows to get revenge by any means necessary. The first book in The Vampire Haiku Chronicles, experience the fusion of Japanese and Hispanic folklore in an epic urban fantasy that begins in the rich Latinx culture of South Texas, parlays into the alluring history of Cajun/African-American New Orleans, and finishes across the sweeping landscape of modern day Japan.

The Millennial War left a sullen void where civilization once stood. But then the whales began their song -- a mysterious song that resounded throughout the polluted seas and told an ancient heartbreaking tale that moved the survivors to revive and honored ritual . . .

Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.

The classic Bubba figure is portrayed in Japanese-style verse, addressing the whole spectrum of redneck culture from RVs and Wal-Mart to monster trucks, and hunting.