Vajra Speech, by Tulku Urgyen Rinpoche, renowned for his extra-ordinary experience and realization, is a wide ranging collection of pith instructions for the Dzogchen yogi. This Tibetan master's advice reduces negative emotions and naturally enables loving kindness, compassion and wisdom to flourish. "A swan can separate water and milk when drinking. The yogi should be like the swan in sepa rating the milk of original wakefulness from the water of ignorance." --Tulku Urgyen Rinpoche "Compared to many years studying books and going through analytical meditation, we found it more beneficial to ask questions of Tulku Urgyen and listen to his answers." --Orgyen Topgyal Rinpoche

Tsongkhapa's A Lamp to Illuminate the Five Stages (1419) is a comprehensive presentation of the highest yoga class of Buddhist tantra, especially the key practices - the so-called five stages (pancakrama) - of the advanced phase of Guhyasamaja tantra. Beginning with a thorough examination of the Indian sources, Tsongkhapa draws particularly from the writings of Nagarjuna, Aryadeva, Candrakirti, and Naropa to develop a definitive understanding of the Vajrayana completion stage. Whereas in the generation stage, meditators visualize the Buddha in the form of the deity residing in a mandala palace, in the completion stage discussed in the present volume, meditators transcend ordinary consciousness and actualize the state of a buddha themselves. Among other things, Tsongkhapa's work covers the subtle human physiology of channels and winds along with the process of dying, the bardo, and rebirth. This definitive statement on Guhyasamaja tantra profoundly affected the course of Buddhist practice in Tibet.

Words of Truth Pacifying the Danger of Weapons is a prayer of the Great Tantric Yogi Thangtong Gyalpo. Mahasiddha Thangtong Gyalpo was a great yogi of fifteenth-century Tibet. In addition, he was a skilled engineer and artist, famous for helping the people of Tibet in very practical ways. He is said to have built fifty-eight iron bridges, sixty wooden bridges, 118 ferry crossings, 120 assembly halls and temples, 111 stupas, and many hundreds of large and small statues, and created innumerable paintings. When there was unceasing war in Kham (Me Nyak), Tibet and nobody was able to create harmony, Thangtong Gyalpo came to Kham, generated bodhicitta and just by merely saying these true words and sprinkling flowers all the vicious minds (jealousy and anger) were completely pacified and the war that had been continuous, ceased. There were prosperous harvests and so forth. The country became auspicious and peaceful. "Through whatever merits have come from making this translation available, may wherever this text is (whichever country) and also by reading this prayer, cause all the people's hearts be filled with loving kindness, bodhicitta and the thought to only benefit and not harm. May the sun of peace and happiness arise and may any wars that are happening stop immediately. May there be harmony, peace and may there never be war or violence again." - Lama Zopa Rinpoche 2020 edition.

A compilation of teachings and practices of the Shangpa Kagyu lineage of Tibetan Buddhism by one of Tibet's greatest Buddhist masters. The Treasury of Precious Instructions by Jamgön Kongtrul Lodrö Taye, one of Tibet's greatest Buddhist masters, is a shining jewel of Tibetan literature, presenting essential teachings from the entire spectrum of practice lineages that existed in Tibet. Volumes in this series may be engaged as practice manuals while also preserving ancient teachings significant to the literature and history of world religions. Volume 11 of the series, Shangpa Kagyu, is the first of two volumes that present teachings and practices from the Shangpa Kagyu practice lineage of Tibetan Buddhism. This tradition derives from the female celestial beings, or ḍākinīs, Niguma and Sukhasiddhi and their disciple, the eleventh-century Tibetan yogi Khyungpo Naljor Tsultrim Gönpo of the Shang region of Tibet. The scriptural source material for this practice tradition is twofold: the yogic teachings of the Six Dharmas of Niguma and the nature of mind instructions from the cycle of teachings Amulet Box Mahamudra. The tantric basis of the Shangpa Kagyu tradition is the five principal deities of the new translation (sarma) traditions and in particular the Five-Deity Cakrasamvara practice. The six parts of this sizable volume include source scriptures, liturgies, supplications, empowerment texts, instructions, and practice manuals composed by Niguma, Virūpa, Tāranātha, the compiler Jamgön Kongtrul, and others.

A compilation of teachings and practices of the Shangpa Kagyu lineage of Tibetan Buddhism by one of Tibet's greatest Buddhist masters. The Treasury of Precious Instructions by Jamgön Kongtrul Lodrö Taye, one of Tibet's greatest Buddhist masters, is a shining jewel of Tibetan literature, presenting essential teachings from the entire spectrum of practice lineages that existed in Tibet. Volumes in this series may be engaged as practice manuals while also preserving ancient teachings significant to the literature and history of world religions. Volume 11 of the series, Shangpa Kagyu, is the first of two volumes that present teachings and practices from the Shangpa Kagyu practice lineage of Tibetan Buddhism. This tradition derives from the female celestial beings, or ḍākinīs, Niguma and Sukhasiddhi and their disciple, the eleventh-century Tibetan yogi Khyungpo Naljor Tsultrim Gönpo of the Shang region of Tibet. The scriptural source material for this practice tradition is twofold: the yogic teachings of the Six Dharmas of Niguma and the nature of mind instructions from the cycle of teachings Amulet Box Mahamudra. The tantric basis of the Shangpa Kagyu tradition is the five principal deities of the new translation (sarma) traditions and in particular the Five-Deity Cakrasamvara practice. The six parts of this sizable volume include source scriptures, liturgies, supplications, empowerment texts, instructions, and practice manuals composed by Niguma, Virūpa, Tāranātha, the compiler Jamgön Kongtrul, and others.

This collection of fifteen articles and talks by Tulku Thondup constitutes a manual on how to transmute the situations encountered in daily life, whether external or internal, into spiritual disciplines and experiences. Among the topics covered are: The fundamental principles of Buddhism. The practice of meditation as a means of arousing compassion. How suffering can become a more powerful tool than happiness in achieving enlightenment. The symbolic significance of holy places, temples, statues, books, and other spiritual artifacts.

This commentary on Guhyasamaja tantra is the seminal guide to deity yoga and tantric visualization for the Geluk school of Tibetan Buddhism. Ocean of Attainments was composed by Khedrup Jé Gelek Palsang (1385–1438), one of Tsongkhapa Losang Drakpa’s most prominent disciples. Its subject is the creation stage, a quintessential Buddhist tantric meditation that together with the completion stage comprises the path of unexcelled tantra. The Guhyasamaja Tantra, referred to as the “king of all tantras,” is revered in Tibet, especially by the Geluk school, for its hermeneutic methods, which are in turn applied to other tantras. In the creation stage, meditators visualize themselves as buddhas at the center of the celestial mandala, surrounded in all directions by male and female bodhisattvas and enlightened beings. Since the core of the practice is visualization, this meditation—perhaps more than other meditations—presumes the creative power of the mind. Visualizations form the basis not only of the creation stage and deity yoga but of all tantric practices and rituals, since tantric practice takes place not in mundane existence but in the illusion-like purity of the enlightened view. While the previously published Essence of the Ocean of Attainments is a concise exposition on the practice of the Guhyasamaja sadhana, Ocean of Attainments is much more detailed, providing extensive scriptural citations, clear explanation of the body mandala, arguments on points of contention, reference to other tantric systems, and critiques of misinterpretations. Complemented by the extensive and clear introduction, this volume is a vital contribution to the growing body of scholarship on Guhyasamaja and on Buddhist tantra in general.