The south is known for the beautiful plantations sitting on the front porch talking to family and friends while drinking a tall cold glass of tea. There is so much rich history in the south. But if you look just under the surface, you can see the dark that begins to emerge with unsettling stories about urban legends. The rich history is true, but what about the urban legends, are they true or not? You be the judge.

A cultural history of the South Bronx that reaches beyond familiar narratives of urban ruin and renaissance, beyond the “inner city” symbol, to reveal the place and people obscured by its myths. For decades, the South Bronx was America’s “inner city.” Synonymous with civic neglect, crime, and metropolitan decay, the Bronx became the preeminent symbol used to proclaim the failings of urban places and the communities of color who lived in them. Images of its ruins—none more infamous than the one broadcast live during the 1977 World Series: a building burning near Yankee Stadium—proclaimed the failures of urbanism. Yet this same South Bronx produced hip hop, arguably the most powerful artistic and cultural innovation of the past fifty years. Two narratives—urban crisis and cultural renaissance—have dominated understandings of the Bronx and other urban environments. Today, as gentrification transforms American cities economically and demographically, the twin narratives structure our thinking about urban life. A Bronx native, Peter L’Official draws on literature and the visual arts to recapture the history, people, and place beyond its myths and legends. Both fact and symbol, the Bronx was not a decades-long funeral pyre, nor was hip hop its lone cultural contribution. L’Official juxtaposes the artist Gordon Matta-Clark’s carvings of abandoned buildings with the city’s trompe l’oeil decals program; examines the centrality of the Bronx’s infamous Charlotte Street to two Hollywood films; offers original readings of novels by Don DeLillo and Tom Wolfe; and charts the emergence of a “global Bronx” as graffiti was brought into galleries and exhibited internationally, promoting a symbolic Bronx abroad. Urban Legends presents a new cultural history of what it meant to live, work, and create in the Bronx.

Arthur Goldstuck - South Africa's urban legends guru - returns with a definitive guide to the hoaxes and rumours that have terrified and confused South Africans over the last twenty years. Why did an estimated 10 000 South Africans go on 'holiday' to Zimbabwe in April 1994? Who, exactly, decided that needles covered in AIDS-infected blood were being left on cinema seats in Cape Town in 1999? How did it come to be reported in several reputable newspapers that the South African government was considering cancelling Christmas in August 2004? Whatever happened to the ' tornado' that was supposed to descend on Johannesburg and Pretoria to devastating effect on 8 October 2007? Did the 100 000 women and children set to be trafficked into South Africa for the 2010 World Cup actually arrive? Have you ever cleared your driveway of 'colour-coded' rubbish, held back from flashing your lights at someone for fear of becoming a victim of a gang initiation rite or forwarded an email about child abduction to your friends and family? If so, have you ever wondered about the origins of these warnings? In this new book, Arthur Goldstuck not only traces the evolution of these urban legends but also digs deep into the human psyche to explain why it is that we are drawn into believing and passing on these warnings even when incontrovertible proof exists that they are false.

This is the tenth book of the urban legends series of the United States. This book is full of locations, directions, pictures, folklore, legends and personal accounts of those who have come in contact with these legends themselves. Travel to the Ohio valley and visit haunted roads, bridges and homes. Head to Oklahoma and check out portals, cryptids and cemeteries. In Oregon you will find haunted lighthouses and witches. Over in Pennsylvania you can go to Asylums, Goblins and Werewolves. This collection of legends is not just the well known legends but the lore only known by the locals. Find new places to adventure to or just enjoy visiting from the comfort of home.

This revised edition of the original reference standard for urban legends provides an updated anthology of common myths and stories, and presents expanded coverage of international legends and tales shared and popularized online. From roasted babies to vanishing hitchhikers to housewives in football helmets, this exhaustive and highly readable encyclopedia provides descriptions of hundreds of individual legends and their variations, examines legend themes, and explains scholarly approaches to the genre. Revised and expanded to include updated versions of the entries from the award-winning first edition, this work provides additional entries on a wide range of new topics that include terrorism, recent political events, and Hurricane Katrina. Entries in Encyclopedia of Urban Legends, Updated and Expanded Edition discuss the presence of urban legends in comic books, literature, film, music, and many other areas of popular culture, as well as the existence of "too good to be true" stories in Argentina, China, Italy, Japan, Mexico, and several other countries. Serving as both an anthology of stories as well as a reference work, this encyclopedia will serve as a valuable resource for students and a source book for journalists, professional folklorists, and others who are researching or interested in urban legends.

A cultural history of the South Bronx that reaches beyond familiar narratives of urban ruin and renaissance, beyond the “inner city” symbol, to reveal the place and people obscured by its myths. For decades, the South Bronx was America’s “inner city.” Synonymous with civic neglect, crime, and metropolitan decay, the Bronx became the preeminent symbol used to proclaim the failings of urban places and the communities of color who lived in them. Images of its ruins—none more infamous than the one broadcast live during the 1977 World Series: a building burning near Yankee Stadium—proclaimed the failures of urbanism. Yet this same South Bronx produced hip hop, arguably the most powerful artistic and cultural innovation of the past fifty years. Two narratives—urban crisis and cultural renaissance—have dominated understandings of the Bronx and other urban environments. Today, as gentrification transforms American cities economically and demographically, the twin narratives structure our thinking about urban life. A Bronx native, Peter L’Official draws on literature and the visual arts to recapture the history, people, and place beyond its myths and legends. Both fact and symbol, the Bronx was not a decades-long funeral pyre, nor was hip hop its lone cultural contribution. L’Official juxtaposes the artist Gordon Matta-Clark’s carvings of abandoned buildings with the city’s trompe l’oeil decals program; examines the centrality of the Bronx’s infamous Charlotte Street to two Hollywood films; offers original readings of novels by Don DeLillo and Tom Wolfe; and charts the emergence of a “global Bronx” as graffiti was brought into galleries and exhibited internationally, promoting a symbolic Bronx abroad. Urban Legends presents a new cultural history of what it meant to live, work, and create in the Bronx.

The folktales and urban legends of the southern Appalachian Mountains are unique, changing with the cultures that carried the tales to the foothills. This book examines the most popular and obscure of these stories, including often overlooked stories from the black community. Thanks to TikTok, message boards, podcasts, and YouTube videos, there's been renewed interest in certain indigenous Cherokee tales, which are included here, as well as some of the newer Appalachian folklore that have gained popularity due to these communities, including feral people, dogman, the Appalachian wendigo, and the Appalachian skinwalker. It doesn't, however, include infamous area-specific localized folklore such as the Grafton monster, the Flatwoods monster, the Loveland frogman, the Kelly-Hopkinsville goblins, the lizardman of Scape Ore Swamp, Mothman, etc. that didn't spread throughout the Smokey Mountains like many others.