This reference has been updated and expanded to include some 100 new listings, and the addition of films and videos. It gives detailed annotations that document the representation of alternative sexuality in novels and stories as well as films; evaluates the writers' overall representation of gay and lesbian issues; and reveals changing popular attitudes toward sexual variance over several centuries. Annotation copyrighted by Book News, Inc., Portland, OR

This book explores the ways in which contemporary writers, artists, directors, producers and fans use the opportunities offered by popular fantasy to exceed or challenge norms of gender and sexuality, focusing on a range of media, including television episodes and series, films, video games and multi-player online role-play games, novels and short stories, comics, manga and graphic novels, and board games. Engaging directly with an enormously successful popular genre which is often overlooked by literary and cultural criticism, contributors pay close attention to the ways in which the producers of fantasy texts, whether visual, game, cinematic, graphic or literary texts, are able to play with gender and sexuality, to challenge and disrupt received notions and to allow and encourage their audiences to imagine ways of being outside of the constitutive constraints of socialized gender and sexual identity. With rich case studies from the US, Australia, UK, Japan and Europe, all concentrating not on the critique of fantasy texts which duplicate or reinforce existing prejudices about gender and sexuality, but on examining the exploration of or attempt to make possible non-normative gendered and sexual identities, this volume will appeal to scholars across the social sciences and humanities, with interests in popular culture, fantasy, media studies and gender and sexualities.

“Weird Worlds” is the third book in David Seargent’s “Weird” series. This book assumes a basic level of astronomical understanding and concentrates on the “odd and interesting” aspects of planetary bodies, including asteroids and moons. From our viewpoint here on Earth, this work features the most unusual features of these worlds and the ways in which they appear “weird” to us. Within our own Solar System, odd facts such as the apparent reversal of the Sun in the skies of Mercury, CO2-driven fountains of dust on Mars, possible liquid water (and perhaps primitive life!) deep within the dwarf planet Ceres, and a variety of odd facts about the planetary moons are all discussed. A special chapter is devoted to Saturn’s giant moon Titan, and its methane-based weather system and “hydrological” cycle. This chapter also includes recent speculation on the possibility of methane-based organisms and the form that these might take, if they really do exist. Beyond our Solar System, the book looks at the range of worlds discovered and hypothesized. In “Weird Worlds,” the author discusses planets where temperatures are so high that it rains molten iron, and others so cold that liquid methane floods across plains of ice! Worlds are described where the lightest element acts like a metal and where winds blow at thousands of miles per hour – as well as possible planets whose orbits are essentially parabolic. In keeping with previous titles in David Seargent’s “Weird” series, “Weird Worlds” contains several projects that astronomers of all levels can undertake.

Science Fiction Audiences examines the astounding popularity of two television "institutions" - the series Doctor Who and ^Star Trek. Both of these programmes have survived cancellation and acquired an following that continues to grow. The book is based on over ten years of research including interviews with fans and followers of the series. In that period, though the fans may have changed, and ways of studying them as "audiences" may have also changed, the programmes have endured intact, with Star Trek for example now in its fourth television incarnation. John Tulloch and Henry Jenkins dive into the rich fan culture surrounding the two series, exploring issues such as queer identity, fan meanings, teenage love of science fiction, and genre expectations. They encompass the perspectives of a vast population of fans and followers throughout Britain, Australia and the US, who will continue the debates contained in the book, along with those who will examine the historically changing range of audience theory it presents. and continue to attract a huge community of fans and followers. Doctor Who has appeared in nine different guises and Star Trek is now approaching its fourth television incarnation.Science Fiction Audiences examines the continuing popularity of two television 'institutions' of our time through their fans and followers. Through dialogue with fans and followers of Star Trek and Dr Who in the US, Britain and Australia, John Tulloch and Henry Jenkins ask what it is about the two series that elicits such strong and active responses from their audiences. Is it their particular intervention into the SF genre? Their expression of peculiarly 'American' and 'British' national cultures. Their ideologies and visions of the future, or their conceptions of science and technology? Science Fiction Audiences responds to a rich fan culture which encompasses debates about fan aesthetics, teenage attitudes to science fiction, queers and Star Trek, and ideology and pleasure in Doctor Who. It is a book written both for fans of the two series, who will be able to continue their debates in its pages, and for students of media and cultural studies, offering a historical overview of audience theory in a fascinating synthesis of text, context and audience study.