Few American writers have revealed their private as well as their public selves so fully as Upton Sinclair, and virtually none over such a long lifetime (1878—1968). Sinclair’s writing, even at its most poignant or electrifying, blurred the line between politics and art–and, indeed, his life followed a similar arc. In Radical Innocent: Upton Sinclair, Anthony Arthur weaves the strands of Sinclair’s contentious public career and his often-troubled private life into a compelling personal narrative. An unassuming teetotaler with a fiery streak, called a propagandist by some, the most conservative of revolutionaries by others, Sinclair was such a driving force of history that one could easily mistake his life story for historical fiction. He counted dozens of epochal figures as friends or confidants, including Mark Twain, Jack London, Henry Ford, Thomas Mann, H. G. Wells, Theodore and Franklin Roosevelt, Albert Einstein, Charlie Chaplin, Albert Camus, and Carl Jung. Starting with The Jungle in 1906, Sinclair’s fiction and nonfiction helped to inform and mold American opinions about socialism, labor and industry, religion and philosophy, the excesses of the media, American political isolation and pacifism, civil liberties, and mental and physical health. In his later years, Sinclair twice reinvented himself, first as the Democratic candidate for governor of California in 1934, and later, in his sixties and seventies, as a historical novelist. In 1943 he won a Pulitzer Prize for Dragon’s Teeth, one of eleven novels featuring super-spy Lanny Budd. Outside the literary realm, the ever-restless Sinclair was seemingly everywhere: forming Utopian artists’ colonies, funding and producing Sergei Eisenstein’s film documentaries, and waging consciousness-raising political campaigns. Even when he wasn’t involved in progressive causes or counterculture movements, his name often was invoked by them–an arrangement that frequently embroiled Sinclair in controversy. Sinclair’ s passion and optimistic zeal inspired America, but privately he could be a frustrated, petty man who connected better with his readers than with members of his own family. His life with his first wife, Meta, his son David, and various friends and professional acquaintances was a web of conflict and strain. Personally and professionally ambitious, Sinclair engaged in financial speculation, although his wealth-generating schemes often benefited his pet causes–and he lobbied as tirelessly for professional recognition and awards as he did for government reform. As the tenor of his work would suggest, Sinclair was supremely human. In Radical Innocent: Upton Sinclair, Anthony Arthur offers an engrossing and enlightening account of Sinclair’s life and the country he helped to transform. Taking readers from the Reconstruction South to the rise of American power to the pinnacle of Hollywood culture to the Civil Rights era, this is historical biography at its entertaining and thought-provoking finest.

Had Upton Sinclair not written a single book after The Jungle, he would still be famous. But Sinclair was a mere twenty-five years old when he wrote The Jungle, and over the next sixty-five years he wrote nearly eighty more books and won a Pulitzer Prize for fiction. He was also a filmmaker, labor activist, women’s rights advocate, and health pioneer on a grand scale. This new biography of Sinclair underscores his place in the American story as a social, political, and cultural force, a man who more than any other disrupted and documented his era in the name of social justice. Upton Sinclair: California Socialist, Celebrity Intellectual shows us Sinclair engaged in one cause after another, some surprisingly relevant today—the Sacco-Vanzetti trial, the depredations of the oil industry, the wrongful imprisonment of the Wobblies, and the perils of unchecked capitalism and concentrated media. Throughout, Lauren Coodley provides a new perspective for looking at Sinclair’s prodigiously productive life. Coodley’s book reveals a consistent streak of feminism, both in Sinclair’s relationships with women—wives, friends, and activists—and in his interest in issues of housework and childcare, temperance and diet. This biography will forever alter our picture of this complicated, unconventional, often controversial man whose whole life was dedicated to helping people understand how society was run, by whom, and for whom.

Upton Sinclair (1878-1968) had a colorful life, to say the least. He was a social activist and one of his most famous works is 'The Jungle' which exposed the terrible conditions of the meat-packing industry in Chicago. He was the Democrat nominee for Governor of Califonia in 1934 but was unsuccessful.

The classic novel that inspired the Academy award-winning film, There Will Be Blood. Penguin Books is proud to now be the sole publisher of Oil!, the classic 1927 novel by Upton Sinclair. After writing The Jungle, his scathing indictment of the meatpacking industry, Sinclair turned his sights on the early days of the California oil industry in a highly entertaining story featuring a cavalcade of characters including senators, oil magnets, Hollywood film starlets, and a crusading evangelist. This lively and panoramic book, which was recently cited by David Denby in the New Yorker as being Sinclair’s “most readable” novel, is now the inspiration for the Paramount Vantage major motion picture, There Will Be Blood. It is the long-awaited film from Paul Thomas Anderson, one of the most admired filmmakers working today whose previous movies, Boogie Nights and Magnolia were both multiple Academy Award nominees. The movie stars Oscar-winner Daniel Day-Lewis (Gangs of New York, My Left Foot) and Paul Dano (Little Miss Sunshine). Paramount Vantage will be releasing the film in New York and Los Angeles on December 26, 2007 and go nationwide in January. This is the same company responsible for Babel and A Mighty Heart and the current releases, Into the Wild, Margot at the Wedding, and The Kite Runner. As wars rage on in the oil region and as anxiety over natural resources rise, the subject of this book, which celebrates its 80th anniversary in 2007, is more timely than ever.

Here, reprinted for the first time since its original publication, is muckraking journalist Upton Sinclair's lively, caustic account of the 1934 election campaign that turned California upside down and almost won him the governor's mansion. Using his "End Poverty in California" movement (more commonly called EPIC) as a springboard, Sinclair ran for governor as a Democrat, equipped with a bold plan to end the Depression in California by taking over idle land and factories and turning them into cooperative ventures for the unemployed. To his surprise, thousands rallied to the idea, converting what he had assumed would be another of his utopian schemes into a mass political movement of extraordinary dimensions. With a loosely knit organization of hundreds of local EPIC clubs, Sinclair overwhelmed the moderate Democratic opposition to capture the primary election. When it came to the general election, however, his opposition employed highly effective campaign tactics: overwhelming media hostility, vicious red-baiting and voter intimidation, high-priced dirty tricks. The result was a resounding defeat in November. I, Candidate tells the story of Sinclair's campaign while also capturing the turbulent political mood of the 1930s. Employing his trademark muckraking style, Sinclair exposes the conspiracies of power that ensured big-money control over the media and other powerful institutions.

Then he went on to the plate-mill, where giant hammers resounded, and steel plates of several inches' thickness were chopped and sliced like pieces of cheese. Here the spectator stared about him in bewilderment and clung to his guide for safety; huge travelling cranes groaned overhead, and infernal engines made deafening clatter upon every side. It was a source of never ending wonder that men should be able to work in such confusion, with no sense of danger and no consciousness of all the uproar.