2020 Shirley Jackson Award finalist, Best Collection 2020 Locus Recommended Reading List, Best Story Collection INCLUDES BONUS STORIES AND EXCERPTS "From heartbreaking character studies to exercises in Grand Guignol excess, from scalpel-sharp poetry to sledgehammers of blood-soaked prose, Mike Allen displays not only his own considerable range, but the range of the horror genre as well. Aftermath of an Industrial Accident will surprise and delight you at every turn." —Nathan Ballingrud, author of Monsterland, now streaming on Hulu "Allen overflows the tank with nightmare fuel in this collection of 23 stories and poems that showcase his ability to find the monstrous in almost any setting . . . the collection dances through hauntings, carnage, body horror, and psychological chills . . . Readers will be impressed by the variety, intensity, and skilled craftsmanship Allen brings to this collection. These horror shorts are sure to linger in the dark corners of readers' minds." — Publishers Weekly, starred review “An incredible read. This collection of horror and dark fantasy poetry and short fiction needs to be on the shelf of any horror reader.” — Cemetery Dance "Allen weds the brute visceral punch of early Clive Barker with the demented whimsy of darker Neil Gaiman." —Craig Laurance Gidney, author of A Spectral Hue A Korean War veteran must rely on wits, improvised weapons, and words from the dread Necronomicon to escape the lair of a deranged cult. A ghost cannot communicate how she died, no matter how desperately she tries, while an unconventional ghost hunter incurs the venomous wrath of the Queen of Night. Murderous conspiracies reveal themselves in online video clips, a saint blasphemes as a serial killer prays for mercy, and corrupt families in ancient kingdoms trade blood and souls for leverage over foes. Enduring nightmares for a living can lead to a fate worse than burnout. A gruesome invasion from outside space and time tests courage—and corporate loyalty—past all rational limits. In these twenty-three stories and poems, two-time World Fantasy Award nominee Mike Allen spins twisted narratives, some wound through the fabric of our world, some set in imagined pasts or futures, all plumbing the depths of human darkness. "The consistency, here, is simply excellence," writes Bram Stoker Award finalist and Punktown creator Jeffrey Thomas in his introduction. "You are holding in your hands an overflowing cornucopia of monstrous goodness." "Each tale in Aftermath of an Industrial Accident packs a punch that will keep you willingly pinned to the wall." —Christina Sng, author of A Collection of Nightmares "Mike Allen habitually upends Lovecraftian tropes with his own brand of cosmic horror." —Laird Barron, author of Swift to Chase "Allen demonstrates again and again his masterful ability to infuse cosmic, existential terror into the most intimate, and mundane aspects of our lives, while never failing to point out the self-made horror already there: from his introductory piece that credits Poe as a conjurer of inescapable, psychic horror and a muse-sinister for Allen, to the title story that force-marches the reader through rising terror, like a tea kettle screaming, for which there is no escape, no sanctuary, even within your own mind." —R. S. Belcher, author of The Brotherhood of the Wheel "Allen deftly imbues each world visited with its own own special kind of dread." —A .C. Wise, author of Catfish Lullaby

“Mike Allen will infect your subconscious with hallucinatory and alarming delight. This book is a must-read for fans of weird fiction and dark fantasy.” —Helen Marshall, World Fantasy Award-winning author of Gifts for the One who Comes After The Spider Tapestries, Mike Allen’s sophomore short story collection, takes a wrecking ball to genre boundaries, showcasing seven stories that mix transhuman noir, Lovecraftian horror, and surrealistic sorcery in an exploration of the further reaches of the Weird. Readers who savored the disorienting strangeness in Allen’s debut collection Unseaming, a Shirley Jackson Award finalist and Amazon.com horror fiction bestseller, will find The Spider Tapestries begins where Unseaming left off. As Nicole Kornher-Stace, author of Archivist Wasp, explains in her introduction, “Allen outdoes himself even further, borrowing and synthesizing across genres with gleeful abandon....This results in stories like ‘Twa Sisters,’ with an atmosphere and setting as if Heironymous Bosch had been brought in as a consultant on Blade Runner. Or ‘Sleepless, Burning Life,’ which, with simultaneous nods to steampunk and metaphysics, explores and upends the familiar trope of Mortal Chosen by the Gods.” More praise for The Spider Tapestries “Elegant language and surrealistic themes defy genre and moral expectations in the weird and transgressive stories found in this collection... Allen’s pairing of individualistic suffering and cosmic hugeness evokes a lyrical friction between dread and wonder.” ­— Publishers Weekly “The seven stories in this slim collection range from dark fantasy to sf to horror—sometimes all within one tale. There are enough spiders here to make an arachnophobe go into hysterics, but they are not the only ones spinning webs ... Allen weaves intriguing connections among his tales, applying dizzying, sensual images.” ­— Library Journal “The aptly named Spider Tapestries forms a stunning picture that is equal parts darkness and light . . . a whirlwind tour through worlds of decadent fantasy, noir-touched future-weird, and elegant horror. Mike Allen offers up intricate mythologies that feel real and lived in, rich-detailed stories for readers to immerse themselves in, and from which they will emerge changed. The stories feel epic in scope, from an assassin climbing through the clockwork gears of the world to rescue a goddess in a cage, to an AI moving through bodies and networks to gather up and reassemble the pieces of his lost love. Allen takes readers on a journey through years and worlds, all in the space of a few pages.” —A.C. Wise, author of The Ultra Fabulous Glitter Squadron Saves the World Again “There was a time before the marketplace sliced our wild fantastic literature into bite sized chunks, a time when visions could be astounding, amazing, and weird all at once, a time when Clark Ashton Smith could mainline a Thousand and One Nights into million-colored suns. Now comes Mike Allen, shredding raw that scar-woven shroud between then, now, and infinity, releasing hallucinatory torrents of jewel-encrusted erotic transhumanism with the intensity of a quasar and stripping bare the secret wheels and cogs of the universe beside those lovers who would destroy them.” —Scott Nicolay, World Fantasy Award-winning author of Do You Like to Look at Monsters? “Mike Allen, among the most dynamic of contemporary fantasists, habitually upends Lovecraftian tropes with his own brand of cosmic horror.” —Laird Barron, Bram Stoker Award-winning author of X’s for Eyes

Provides a novel account of how Shakespeare constructs his great tragic characters.

Dramas and Sonnets of William Shakespeare Vol. 1 is helpful to every learner of William Shakespeare (1564-1616) who, doubtless, saw himself as merely another professional man of the theatre who moved almost casually from play-acting to playwriting. And indeed he was very much a man of his time, a man of the Elizabethan theatre, who learnt to exploit brilliantly the stagecraft, the acting, and the pub¬lic taste of his day. It happens very rarely in the history of literature that a craftsman who has acquired perfect control of his medium, masterly ease in handling the techniques and conventions of his day, is also a universal genius of the highest order, combining with his technical proficiency a unique ability to render experience in poetic language and an uncanny, intuitive understanding of hu¬man psychology. Man of the theatre, poet and expert in the human passions, Shakespeare has appealed equally to those who admire the art with which he renders a story in terms of the acted drama or the insight with which he presents states of mind and complex¬ities of attitude or the unsurpassed brilliance he shows in giving conviction and a new dimension to the utterances of his characters through the poetic speech he puts in their mouths. It is a remark¬able combination of qualities. Yet he was no poetic genius descending on the theatre from above, but a working dramatist who found himself in catering for the public theatre of his day. Unquestionably the greatest poetic dramatist of Europe, he was also Marlowe’s successor, the heir to a tradition of playwriting, which we saw developing in the preceding chapter. His contemporaries saw him as one dramatist among others—a good one, and a popular one, but no transcendent genius who left all others far behind—and to the end of his active life he showed no reluctance to collaborate with other playwrights.

"The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition, Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

WORD JUDGE USA is a compilation of words with 2 to 21 letters from various sources, approved by WGPO (Word Game Players Organization). All words are playable in tournaments and clubs within the North American Continent (Canada, Mexico, United States of America) including the English-speaking countries of Israel, Pakistan, Philippines, and Thailand. All words are verified and validated. WORD JUDGE USA lists over 190,000 words from A through Z, an authoritative reference list of acceptable words for all word game players.