Kriminalroman om en gammel dame, der pludselig dør tilsyneladende af helt naturlige årsager. Hendes læge er ikke tilfreds og beder Peter Wimsey om at undersøge omstændighederne ved hendes død

* JFK's autopsy failed to disclose crucial evidence. * The deaths of John Belushi and Elvis Presley were far more complex than anyone has let on. * Decisive medical findings in the von Bulow affair were consistently overlooked. These are but three of the shocking revelations in Dr. Michael Baden's first-person, no-holds-barred account of his distinguished career in forensic pathology. In determining the causes of tens of thousands of deaths, from those of presidents and rock stars to victims of serial killings, exotic sex rituals, mass disasters, child abuse and drug abuse, Baden has come to the unavoidable conclusion that the search for scientific truth is often sullied by the pressures of expediency. He produces dramatic evidence to demonstrate that political intrigue, influence peddling, and professional incompetence have created a national crisis in forensic medicine. "A fascinating look into the mechanics of forensics and a disconcerting lesson in the politics of death." -- The New York Times Book Review

Unnatural Death by Dorothy L. Sayers - Unnatural Death is a 1927 mystery novel by Dorothy L. Sayers, her third featuring Lord Peter Wimsey. It was published under the title The Dawson Pedigree in the United States in 1928. Plot: Lord Peter Wimsey and his friend Chief Inspector Parker are told about the death, in late 1925, of an elderly woman named Agatha Dawson who had been suffering from terminal cancer. She was being cared for by Mary Whittaker, her great-niece and a trained nurse. Miss Dawson had an extreme aversion to making a will, believing that Miss Whittaker, her only known relative, would naturally inherit everything. Wimsey is intrigued in spite of the fact that there is no evidence of any crime (a post-mortem found no sign of foul play), nor any apparent motive (on Miss Dawson's death her estate did indeed pass, as she had expected and wished, to her great-niece). Wimsey sends his private investigator, Miss Katharine Climpson, to the village of Leahampton to investigate. She discovers that shortly before her death Miss Dawson had dismissed her maids, the sisters Bertha and Evelyn Gotobed. Wimsey places advertisements in the press asking them to get in touch. A few days later, Bertha is found dead in Epping Forest. On the body is a £5 banknote, originally issued to a Mrs Muriel Forrest who lives in an elegant flat in South Audley Street, Mayfair. Wimsey and Parker visit her. She claims not to remember the banknote, but thinks she may have put it on a horse. Wimsey tricks her into providing her fingerprints on a wineglass. In a drawer he finds a hypodermic syringe with a doctor's prescription "to be injected when the pain is very severe". Evelyn Gotobed tells Wimsey of an episode shortly before the sisters were dismissed in which Miss Whittaker had tried to get them to witness Miss Dawson's will, without the latter's knowledge. A mysterious West Indian clergyman named Hallelujah Dawson had also turned up, claiming to be an impecunious distant relative.

The chilling tome that launched an entire genre of books about the often gruesome but always tragic ways people have died in our national parks, this updated edition of the classic includes calamities in Yellowstone from the past sixteen years, including the infamous grizzly bear attacks in the summer of 2011 as well as a fatal hot springs accident in 2000. In these accounts, written with sensitivity as cautionary tales about what to do and what not to do in one of our wildest national parks, Whittlesey recounts deaths ranging from tragedy to folly—from being caught in a freak avalanche to the goring of a photographer who just got a little too close to a bison. Armchair travelers and park visitors alike will be fascinated by this important book detailing the dangers awaiting in our first national park.

Sir Lawrence Linwood is dead. More accurately, he was murdered—savagely beaten to death in his own study with a mediaeval mace. The murder calls home his three adopted children: Alan, an archeologist; Roger, an engineer; and Caroline, a journalist. But his heirs soon find that his last testament contains a strange proviso—that his estate shall go to the heir who solves his murder. To secure their future, each Linwood heir must now dig into the past. As their suspicion mounts—of each other and of peculiar strangers in the churchless town of Linwood Hollow—they come to suspect that the perpetrator lurks in the mysterious origins of their own birth.

The Functions of Unnatural Death in Stephen King: Murder, Sickness, and Plots examines over thirty of King’s works and looks at the character deaths within them, placing them first within the chronology of the plot and then assigning them a function. Death is horrific and perhaps the only universal horror because it comes to us all. Stephen King, known as the Master of Horror, rarely writes without including death in his works. However, he keeps death from being repetitious or fully expected because of the ways in which he plays with the subject, maintaining what he himself has called a childlike approach to death. Although character deaths are a constant, the narrative function of those deaths changes depending on their placement within the plot. By separating out the purposes of early deaths from those that come during the rising action or during the climax, this book examines the myriad ways character deaths in King can affect surviving characters and therefore the plot. Even though character deaths are frequent and hardly ever occur only once in a book, King’s varying approaches to, and uses of, these deaths show how he continues to play with both the subject and its facets of horror throughout his work.

Kay Scarpetta finds herself pitted against a possible bioterrorist in this suspense-filled read from #1 New York Times bestselling author Patricia Cornwell. When a woman turns up dismembered in a landfill, Scarpetta initially suspects the work of a serial killer she’s been tracking. But her investigation turns far more dangerous when she realizes the victim’s skin is covered in an unusual rash—and Scarpetta herself may have just been exposed to a deadly virus.