This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siècle Germany and contemporary Lagos, the formation of ‘deep time’ and ‘timelessness’ in paleontology and ethnographic museums, and the representation of time—past, present, and future alike—in music, film, and science fiction.

An exploration of the darker corners of ancient Rome to spotlight the strange sorcery of anonymous literature. From Banksy to Elena Ferrante to the unattributed parchments of ancient Rome, art without clear authorship fascinates and even offends us. Classical scholarship tends to treat this anonymity as a problem or game—a defect to be repaired or mystery to be solved. Author Unknown is the first book to consider anonymity as a site of literary interest rather than a gap that needs filling. We can tether each work to an identity, or we can stand back and ask how the absence of a name affects the meaning and experience of literature. Tom Geue turns to antiquity to show what the suppression or loss of a name can do for literature. Anonymity supported the illusion of Augustus’s sprawling puppet mastery (Res Gestae), controlled and destroyed the victims of a curse (Ovid’s Ibis), and created out of whole cloth a poetic persona and career (Phaedrus’s Fables). To assume these texts are missing something is to dismiss a source of their power and presume that ancient authors were as hungry for fame as today’s. In this original look at Latin literature, Geue asks us to work with anonymity rather than against it and to appreciate the continuing power of anonymity in our own time.

Since the Gilded Age, social scientists, middle-class reformers, and writers have left the comforts of their offices to "pass" as steel workers, coal miners, assembly-line laborers, waitresses, hoboes, and other working and poor people in an attempt to gain a fuller and more authentic understanding of the lives of the working class and the poor. In this first, sweeping study of undercover investigations of work and poverty in America, award-winning historian Mark Pittenger examines how intellectuals were shaped by their experiences with the poor, and how despite their sympathy toward working-class people, they unintentionally helped to develop the contemporary concept of a degraded and "other" American underclass. While contributing to our understanding of the history of American social thought, Class Unknown offers a new perspective on contemporary debates over how we understand and represent our own society and its class divisions.

From the professor who invented literary forensics--and fingered Joe Klein as the author of Primary Colors--comes the inside story of how he solves his most challenging cases Don Foster is the world's first literary detective. Realizing that everyone's use of language is as distinctive as his or her DNA, Foster developed a revolutionary methodology for identifying the writer behind almost any anonymous document. Now, in this enthralling book, he explains his techniques and invites readers to sit by his side as he searches a mysterious text for the clues that whisper the author's name. Foster's unique skills first came to light when a front-page New York Times article announced his discovery that a previously unattributed poem was written by Shakespeare. A few weeks later, Foster solved the mystery that had obsessed America for months when he identified Joe Klein as the author of Primary Colors. Foster also took on a case involving the elusive Thomas Pynchon. And his contributions to the Unabomber and JonBenet Ramsey cases have led the FBI and several police forces to hire him to train their organizations. Introducing a fascinating new field of forensics, Author Unknown will appeal to mystery fans--and to everyone interested in words and the writer's craft.

Henry Miller was one of the most distinctive voices in twentieth-century literature, yet he remains misunderstood. Better known in Europe than in his native America for most of his career, he achieved international success and celebrity during the 1960s when his banned “Paris” books—beginning with Tropic of Cancer—were published here and judged by the Supreme Court not to be obscene. The Unknown Henry Miller recounts Miller’s career from its beginnings in Paris in the 1930s but focuses on his years living in Big Sur, California, from 1944 to 1961, during which he wrote many of his most important books, including The Rosy Crucifixion trilogy, married and divorced twice, raised two children, painted watercolors, and tried to live out a credo of self-realization. Written with the cooperation of the Henry Miller and Anaïs Nin estates, The Unknown Henry Miller draws on material previously unavailable to biographers, including interviews with Lepska Warren, Miller’s third wife. Behind the “bad boy” image, Arthur Hoyle finds a man whose challenge of literary sexual taboos was part of a broader assault on the dehumanization of man and commercialization during the postwar years, and he makes the case for restoring this groundbreaking writer to his rightful place in the American literary canon. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

While fulfilling his dead father's dream of creating a prosperous farm in California, Joseph Wayne comes to believe that a magnificent tree on the farm embodies his father's spirit. His brothers and their families share in Joseph's prosperity andthe farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, TO A GOD UNKOWN is a mystical tale, exploring one man's attempt to control theforces of nature and to understand the ways of God.