The last twenty years have seen a resurgence of interest in human evolution. A distinction can be made between 'narrow' and 'broad' human evolution and is discussed here using two different approaches: finding where humans 'fit' the expectations of evolutiionary principles; and by applying evolutionary methods to particular human contexts.

This book is concerned with certain classes of nonlinear problems for elliptic systems of partial differential equations: boundary-value problems with free boundaries. The first part has to do with the general theory of boundary-value problems for analytic functions and its applications to hydrodynamics. The second presents the theory of quasiconformal mappings, along with the theory of boundary-value problems for elliptic systems of equations and applications of it to problems in the mechanics of continuous media with free boundaries: problems in subsonic gas dynamics, filtration theory, and problems in elastico-plasticity.

Media Boundaries and Conceptual Modelling forms part of the humanities tradition by facing one of the fundamental problems since antiquity: how different media represent the world we live in. It intersects also with the digital by addressing the problem with the help of a digital humanities method: computer assisted conceptual modelling. And it acknowledges the spatial turn by investigating the boundary between what has traditionally been the two main media for representation of geospatial information: texts and maps. It contributes to the further development of digital humanities and bridges the two areas of digital humanities and intermedia studies. Further, it strengthens the theoretical foundation for research and teaching in spatial digital humanities. The book meets the lack of critical discussion of the practice of digital mapping, offering a theoretically based understanding of such practices from a humanities perspective. More generally, it contributes to the theoretical discussion of modelling in digital humanities.

Current geographical information systems GIS deal almost exclusively with well-defined, static geographical objects ranging from physical landscapes to towns and transport systems. Such objects, exactly located in space, can easily be handled by modern GIS, yet form only a small proportion of all the possible geographical objects.; This book challenges the assumption that the world is compsed of exactly defined and bounded geographic objects such as land parcels, rivers and countries. ignoring the essential complexity of the world, current GIS do not adequately address problems as diverse as the resolution of crime between national boundaries, or the interpretation of views of people from different cultures. This work, bringing together a range of specialists from fields such as linguistics, computer science, land surveying, cartography and soil science, examines current research into the challenges of dealing with geographical phenomena that cannot easily be forced into one of the two current standard data models.

When to say yes, when to say no to take control of your life.

Two crucial moments in the formation and disintegration of musical modernity and the musical canon occurred at the turn of the seventeenth and the first half of the twentieth century. Dr Ljubica Ilic provides a fresh and close look at these moments, exploring the ways musical compositions shift to and away from ideological structures identified with modernity. The focus is on European art music whose grand narrative, defined by tonality and teleological development, begins in the seventeenth century and ends with twentieth-century modernisms. This particular musical "language game" coincides with historical changes in the phenomenological understanding of space and selfhood. A key concept of the book concerns musical compositions that remain without proper conclusions: if the wholesome (musical) work is a manifestation of wholesome subjectivity, the pieces Ilic explores deny it, reflecting conflict of the individual with previous beliefs, with contexts, and even within the self as the basic modern condition. The musical work is, in this case, still bounded and well-defined, but fractured by the incapability or refusal to satisfactorily conclude: the implicit cut forced upon it changes the expected musical flow or - speaking in spatial terms - it influences the musical form. By using the metaphor of space, Ilic explores: how the existence of a separate self as a primary feature of Western modernity becomes negotiated through awareness of the subject's own independence and individuality; innerness as something entirely separate from its surroundings; and the collective space of social interaction. Seeing musical storytelling as a metaphoric representation of selfhood, and modernity as a historical continuum, Ilic examines the boundaries and relationships between the musical work, the subject, and modern European history.