This project began a few years ago: the photos are from different places, different times and different cameras. As it continues to evolve, I look through old images, take new ones, crop images. Along the way, I realized that a random approach to arranging them was the way to go. Each of these photos is meant to be seen next to another, and in that way they become a sentence that forms non-narrative narrative, and that then becomes more than the single image. Each time the work has been exhibited, the curator has chosen from a larger group of photos, and then arranges an order. The series Stills For a Film Not Made (from which this book emerged) is an ongoing, ever changing project."The book is one version, arranged by me by selecting a group of images and letting them fall by chance. I kept pairs that worked and rearranged those that didn't. Like shuffling cards, the images found their own order."

'a controlled and literate work that earns its emotional peaks' - Saturday Paper 'a delight' - The Australian A memoir about staying in one place, told through trees, by the award-winning author of MR WIGG, NEST and WHERE THE TREES WERE. "The understorey is where I live, alongside these plants and creatures. I tend the forest, stand at the foot of trees and look up, gather what has fallen." This is the story of a tree-change, of escaping suburban Brisbane for a cottage on ten acres in search of a quiet life. Of establishing a writers retreat shortly before the Global Financial Crisis hit, and of losing just about everything when it did. It is also the story of what the author found there: the beauty of nature and her own path as a writer. Understory is a memoir about staying in one place, told through trees, by the award-winning author of MR WIGG, NEST and WHERE THE TREES WERE. 'Something powerful ... takes hold of the reader and transports [you] to the forest floor in a kind of awe' - Sydney Morning Herald 'I love the way the reader gets lost in the trees and then lost in Inga's life and then lost in the trees again. Understory feels so rich and nourishing, as if the restorative power of the Australian bush is transmitted through her words.' - Richard Glover, bestselling author and radio presenter 'a fine addition to the genre of Australian nature writing' Books + Publishing **Includes an extract from Simpson's next transporting novel, The Last Woman in the World**

Set in New York City and in a Buddhist monastery in rural Vermont, The Understory is both a mystery and a psychological study and reveals that repression and self-expression can be equally destructive. The Understory—the debut novel from the critically acclaimed author of The Virgins —is the haunting portrayal of Jack Gorse, an ex-lawyer, now unemployed, who walls off his inner life with elaborate rituals and routines. Every day he takes the same walk from his Upper West Side apartment to the Brooklyn Bridge. He follows the same path through Central Park; he stops to browse in the same bookstore, to eat lunch in the same diner. Threatened with eviction from his longtime apartment and caught off-guard by an attraction to a near stranger, Gorse takes steps that lead to the dramatic dissolution of the only existence he’s known. As the narrative alternates between his days in New York City and his present life in a Vermont Buddhist Monastery, The Understory unfolds as both a mystery and a psychological study, revealing that repression and self-expression can be equally destructive.

A lively, engaging ethnography that demonstrates how a volatile politics of race, class, and nation animates the infamously violent struggles over forests in the U.S. Southwest.

National Bestseller • New York Times “100 Notable Books of the Year” • NPR “Favorite Books of 2019” • Guardian “100 Best Books of the 21st Century” • Winner of the National Outdoor Book Award From the best-selling, award-winning author of Landmarks and The Old Ways, a haunting voyage into the planet’s past and future. Hailed as "the great nature writer of this generation" (Wall Street Journal), Robert Macfarlane is the celebrated author of books about the intersections of the human and the natural realms. In Underland, he delivers his masterpiece: an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. In this highly anticipated sequel to his international bestseller The Old Ways, Macfarlane takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Traveling through “deep time”—the dizzying expanses of geologic time that stretch away from the present—he moves from the birth of the universe to a post-human future, from the prehistoric art of Norwegian sea caves to the blue depths of the Greenland ice cap, from Bronze Age funeral chambers to the catacomb labyrinth below Paris, and from the underground fungal networks through which trees communicate to a deep-sunk “hiding place” where nuclear waste will be stored for 100,000 years to come. Woven through Macfarlane’s own travels are the unforgettable stories of descents into the underland made across history by explorers, artists, cavers, divers, mourners, dreamers, and murderers, all of whom have been drawn for different reasons to seek what Cormac McCarthy calls “the awful darkness within the world.” Global in its geography and written with great lyricism and power, Underland speaks powerfully to our present moment. Taking a deep-time view of our planet, Macfarlane here asks a vital and unsettling question: “Are we being good ancestors to the future Earth?” Underland marks a new turn in Macfarlane’s long-term mapping of the relations of landscape and the human heart. From its remarkable opening pages to its deeply moving conclusion, it is a journey into wonder, loss, fear, and hope. At once ancient and urgent, this is a book that will change the way you see the world.

New Hampshire Literary Award Winner NPR Books Summer Reading Selection “My favorite collection of short stories in recent memory.” —NANCY PEARL, NPR Morning Edition “Profound . . . with more to say on the human condition than most full books. . . . A remarkable collection, with pitch-perfect leaps of imagination.” —Minneapolis Star Tribune “Horvath doesn’t just tell a story, he gives readers a window into the hearts, minds and souls of his characters.” —Concord Monitor What if there were a city that consisted only of restaurants? What if Paul Gauguin had gone to Greenland instead of Tahiti? What if there were a field called Umbrology, the study of shadows, where physicists and shadow puppeteers worked side by side? Full of speculative daring though firmly anchored in the tradition of realism, Tim Horvath’s stories explore all of this and more— blending the everyday and the wondrous to contend with age-old themes of loss, identity, imagination, and the search for human connection. Whether making offhand references to Mystery Science Theater, providing a new perspective on Heidegger’s philosophy and forays into Nazism, or following the imaginary travels of a library book, Horvath’s writing is as entertaining as it is thought provoking. Tim Horvath teaches creative writing at New Hampshire Institute of Art and Boston’s Grub Street writing center. He has also worked part-time as a counselor in a psychiatric hospital, primarily with autistic children and adolescents. He lives in New Hampshire with his wife and daughter.

Tragedy haunted her. Her instinct to survive drove her. On the savanna of Zimbabwe, Michelle Schuman watched the tears fall from the eyes of a baby elephant as it mourned its mother, a bloody emptiness where her trunk and face were missing because of ignorance and self-indulgence. Deep in the bamboo forest of the Virunga Mountains, she was touched by a Mountain Gorilla. On the once-pristine shores of Prince William Sound, she bore witness to the sobering spectacle of hundreds of seals ready to give birth, dragging their blackened, distended bellies through the oozing black death of greed spilling from the guts of the Exxon Valdez. Although she also suffered an unbearable loss, and the dangers of working in remote areas of Alaska were real and tangible, the true threat to her survival was not from the natural world, but from the world of men who sought to tame her. Passion and peril are intertwined in this true tale of Michelle's drive to make the natural world a better place; she found her greatest hindrance not in physical challenges but in human adversaries. In the understory, largely concealed from view, are saplings and shrubs, herbs and grasses, rooted in a carpet of moss, beneath the canopy of trees. They provide the sustenance for the magnificent forest, and this is the inspiring story of one woman's battle from beneath the forest canopy to the beyond-in a scramble to undo what has been done.