Improve your knowledge of the ways global trends shape activism with this insightful volume that will supercharge your impact on communities and organizations Undercurrents: Channeling Outrage to Spark Practical Activism brings the perspective of experienced global social innovation leader, scholar and speaker, Steve Davis, to bear on some of the most powerful and helpful macrotrends rippling through society today. The book teaches readers how to harness their outrage and capitalize on global trends to instigate and encourage change across the world. The author identifies five global undercurrents with outsized importance that are shaping our world: Global economies are moving away from the old pyramid model into a diamond, bringing powerful new possibilities for human well-being; Communities are becoming the customer – rather than passive beneficiaries - as social change is increasingly led by local voices and activists; Equity is leveling and reshaping the field of social change and activism; Digital disruption, through the power of data and digital tools, impacts almost everything; and The middle of the journey to social change is becoming surprisingly sexy, as we focus on adapting innovation for widespread impact at scale. The book’s lessons are supported throughout by stories, experiences, data and observations from across the globe. Undercurrents is perfect for activists and leaders of all kinds who aim to increase their impact on their organizations and the world at large, as well as the intellectually curious who hope to increase their understanding of the changing world around them.

For the last twenty years The Wire has fearlessly bypassed fashion in it's search to expose the most innovative, radical, and compelling music from every genre all across the world. As listeners have grown increasingly eclectic and adventurous in their tastes, The Wire has emerged as the most authoritative source on modern music. In Undercurrents some of the best music writers of our time uncover the hidden wiring of the past century's most influential music. Ian Penman discusses how the microphone transformed the human voice and made phantom presences of great singers such as Billie Holiday, Robert Johnson, and Brian Wilson. Christoph Cox demonstrates how the pioneers of live electronic music, the West Coast ensemble Sonic Arts Union, redefined virtuosity for the electronic age. Philip Smith and Peter Shapiro examine Harry Smith's Smithsonian Anthology of American Folk Music, which led to a massive reappraisal of musical values that went far beyond the folk music revival.

Second in the hard-hitting military science fiction Orphan's Legacy series. Ace intelligence operative Lt. Jazen Parker parachutes into a giant habitat known as Paleozoic on a mission to bring down the local politicos. He quickly realizes he's been handed a near-impossible task. Paleozoic is a politically quarantined nightmare world with a culture confined to iron rivet technology and a ruling regime a bit to the right of Heinrich Himmler. Jazen's inclined to abandon this particular hellhole to its ways¾that is, until he uncovers a plot afoot that will throw a five hundred-planet alliance into the death-throes of anarchy. So the local Nazis must go. Unfortunately, all Jazen's got to work with is a handful of rust-bucket tanks, a retread rebellion, and two strong, beautiful women who love him, but think he's tilting at windmills and is about to get himself killed. What they don't know is, once committed, Jazen Parker is the best there is when it comes to getting the dirty job done on the ground. It's the local bullies who are about to be taught a lesson in losing. At the publisher's request, this title is sold without DRM (Digital Rights Management).

Seattle is a city paralyzed by fear. A serial killer is loose on its streets. And as each new victim surfaces-chest slashed, eyes taped open-the tide of panic rises. Driven by guilt and frustration, too exhausted to consider stopping, Detective Lou Boldt thinks he's finally gotten the break he needs to end the Cross Killer's twisted spree. But each new clue contradicts another. And each new corpse mocks Boldt's efforts. To fathom the silent tale told by the latest corpse washed up in Puget Sound, Boldt has to go beyond every state-of-the-art method at his disposal. But as he gets closer to the truth, he travels deeper into the tortured mind of a relentless killer...into the depths of his own fear...and into a whirlpool of madness more frightening than his worst nightmares.

There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.