Avery knew life as an undercover DEA agent was dangerous, but she never imagined that in less than a day her entire world would fall apart. Her cover was blown and the man who exposed her set her up to be taken by her enemies, framed her for taking bribes and killing her partner. Only the intervention of a mysterious group of men saved her from a fate worse than death. Now she is on the run from the very law she used to uphold and her only hope of clearing her name is to find the men who saved her life. Max knows there is nothing he can do to make up for the sins he committed in Black Ops while undercover. As the Dark Sons Road Captain his job is to make sure everyone comes home every time. When he helps his Brothers free women from a human trafficker he makes it his mission to make sure every one of them finds their way home. All except the one who disappeared. When Avery finds her mysterious savior, she finds the two of them have a primal connection that can’t be denied. Max vows to help her in whatever way she needs. When her enemy turns out to be someone from his past will she choose getting her vengeance over their growing love? This is book four in the Dark Sons Motorcycle Club series and can be enjoyed independently. Publisher’s Note: This dark contemporary romance has elements of danger, mystery, suspense, adult themes, possible triggers for some readers, adult content, sensual scenes and power exchange. If any of these offend you, please do not purchase.

By day, Julia Ebner works at a counter-extremism think tank, monitoring radical groups from the outside. But two years ago, she began to feel she was only seeing half the picture; she needed to get inside the groups to truly understand them. She decided to go undercover in her spare hours - late nights, holidays, weekends - adopting five different identities, and joining a dozen extremist groups from across the ideological spectrum. Her journey would take her from a Generation Identity global strategy meeting in a pub in Mayfair, to a Neo-Nazi Music Festival on the border of Germany and Poland. She would get relationship advice from 'Trad Wives' and Jihadi Brides and hacking lessons from ISIS. She was in the channels when the alt-right began planning the lethal Charlottesville rally, and spent time in the networks that would radicalise the Christchurch terrorist. In Going Dark, Ebner takes the reader on a deeply compulsive journey into the darkest recesses of extremist thinking, exposing how closely we are surrounded by their fanatical ideology every day, the changing nature and practice of these groups, and what is being done to counter them.

The exposure of undercover policeman Mark Kennedy in the "eco-activist" movement revealed how the state monitors and undermines political activism. This book shows the other grave threat to our political freedoms - undercover activities by corporations. Secret Manoeuvres in the Dark documents how corporations are halting legitimate action and investigation by activists. Using exclusive access to previously confidential sources, Eveline Lubbers shows how companies such as Nestlé, Shell, and McDonalds use covert methods to evade accountability. She argues that corporate intelligence gathering has shifted from being reactive to pro-active, with important implications for democracy itself. Secret Manoeuvres in the Dark will be vital reading for activists, investigative and citizen journalists, and all who care about freedom and democracy in the 21st century.

A highly decorated veteran DEA agent recounts his incredible undercover career and reveals the shocking links between narcotics trafficking and terrorism What exactly is undercover? From a law-enforcement perspective, undercover is the art of skillfully eliciting incriminating statements. From a personal and psychological standpoint, it’s the dark art of gaining trust—then manipulating that trust. In the simplest terms, it’s playing a chess game with the bad guy, getting him to make the moves you want him to make—but without him knowing you’re doing so. Edward Follis mastered the chess game—The Dark Art—over the course of his distinguished twenty-seven years with the Drug Enforcement Administration, where he bought eightballs of coke in a red Corvette, negotiated multimillion-dollar deals onboard private King Airs, and developed covert relationships with men who were not only international drug-traffickers but—in some cases—operatives for Al Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican federation of cartels. Follis was, in fact, one of the driving forces behind the agency’s radical shift from a limited local focus to a global arena. In the early nineties, the DEA was primarily known for doing street-level busts evocative of Miami Vice. Today, it uses high-resolution-optics surveillance and classified cutting-edge technology to put the worst narco-terror kingpins on the business end of "stealth justice" delivered via Predator drone pilots. Spanning five continents and filled with harrowing stories about the world’s most ruthless drug lords and terrorist networks, Follis’s memoir reads like a thriller. Yet every word is true, and every story is documented. Follis earned a Medal of Valor for his work, and coauthor Douglas Century is a pro at shaping and telling just this kind of story. The first and only insider’s account of the confluence between narco-trafficking and terrorist organizations, The Dark Art is a page-turning memoir that will electrify you from page one.

Angel Ramirez left the safecracking game five years ago, and she's worked hard to make amends and build an honest life. But when her beloved aunt is kidnapped, she must reunite with her girl gang to acquire the unique ransom: Walter Borgola's prized diamonds.

The electrifying, often harrowing memoir of a highly decorated DEA agent who targeted the world's most notorious narco-terrorists through the "dark art" of undercover operations. Edward Follis bought eightballs of coke in a red Corvette. He negotiated multimillion-dollar deals onboard private King Airs. He developed covert relationships with men who were not only international drug traffickers but--in some cases--operatives for Al Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican Federation of cartels. He was a master at the dark art of going undercover. And this is his story... Spanning five continents and filled with harrowing stories about the world's most ruthless drug lords and terrorist networks, The Dark Art is an incredible first hand account of Edward Follis's twenty-seven-year undercover career in the DEA--from doing street-level busts evocative of Miami Vice to using high-resolution-optics surveillance and classified cutting-edge technology to bring down narco-terror kingpins. It also closely examines how, from the early 1990s to today, the DEA underwent its own radical transformation, shifting its focus from local dealers of coke and weed to the billionaire financiers of worldwide terrorism. Every word is true, and every story is documented. A globe-hopping nonfiction thriller, The Dark Art is a page-turning memoir that will electrify you from page one.

A chilling debut thriller in the vein of Dexter and The Talented Mr Ripley. Martin Reese has a hobby: he digs up murder victims. He buys stolen police files on serial killers, and uses them to find and dig up missing bodies. Calls in the results anonymously, taunting the police for their failure to do their job. Detective Sandra Whittal takes that a little personally. She’s suspicious of the mysterious caller, who she names the Finder. Maybe he’s the one leaving the bodies behind. If not, who’s to say he won’t start soon? As Whittal begins to zero in on the Finder, Martin makes a shocking discovery. It seems someone—someone lethal—is very unhappy about the bodies he’s been digging up. Hunted by a cop, hunted by a killer. To escape and keep his family safe, Martin may have to go deeper into the world of murder than he ever imagined. Nathan Ripley is the pseudonym of Naben Ruthnum, a winner of Canada’s prestigious Journey Prize for best short story published by an emerging writer. He lives in Toronto. ‘[Ripley’s] tight prose and masterly manipulation pay dividends.’ SAWeekend ‘One heck of an addictive thriller. Find You in the Dark by Nathan Ripley is an original, inventive take on what happens when you go looking where you shouldn’t.’ Jennifer Hillier, author of Jar of Hearts and Wonderland ‘Detective Sandra Whittal is inspirational in her single-minded focus and toughness...Ripley’s dialogue shines.’ Abbey’s Bookshop ‘Chillingly believable...An impressive debut novel.’ BookMooch ‘The overall story depicting a murderer’s manipulation and depravity is engrossing.’ Library Journal ‘An absorbing read.’ Good Reading ‘A deeply disturbing read, with vivid scenes and complex psychology, Find You in the Dark lingers long after the last page has been devoured...An addictive debut.’ Toronto Star ‘Well planned and executed, Nathan Ripley brings a unique and fresh voice to the crime thriller genre.’ Real Book Spy ‘...a chilling and disquieting debut thriller...You’ll stay up all night with this one.’ Criminal Element ‘A fun, yet disturbing, work.’ Medium ‘Dexter fans will enjoy the creepy vibe.’ Publishers Weekly ‘This debut thriller by the pseudonymous Ripley (Journey Prize winner Naben Ruthnum) is highly recommended for fans of Lee Child and C.J. Box.’ Library Journal ‘This is a novel with a most unique premise...Find You in the Dark is a well-written, if sometimes gruesome tale of one man’s determination...It’s a chilling story of a man who could’ve conceivably become a serial killer pitted against one who actually is.’ New York Journal of Books ‘Massively entertaining, with a lovely dollop of weirdness...Delicious.’ Northern Crime