Police work involves the difficult task of preventing community dysfunction and preserving law and order within the community. Officers who deal with human misery on a daily basis work under a hidden danger not visible on the street: that of psychological harm. UNDER THE BLUE SHADOW was written to provide clinical cases and research in one volume in order to help provide a well-rounded view of police officers who work under these conditions. It will be a valuable resource for helping officers to survive this psychologically dangerous occupation. The authors of this book have both had experienc.

China’s rise and stepped-up involvement in Southeast Asia have prompted a blend of anticipation and unease among its smaller neighbors. The stunning growth of China has yanked up the region’s economies, but its militarization of the South China Sea and dam building on the Mekong River has nations wary about Beijing’s outsized ambitions. Southeast Asians long felt relatively secure, relying on the United States as a security hedge, but that confidence began to slip after the Trump administration launched a trade war with China and questioned the usefulness of traditional alliances. This compelling book provides a snapshot of ten countries in Southeast Asia by exploring their diverse experiences with China and how this impacts their perceptions of Beijing’s actions and its long-term political, economic, military, and “soft power” goals in the region.

"They are so lovely and wear the face of your loved ones, but more beautiful than you could ever imagine. Lovely things shouldn't draw you in and kill you. You almost want them to." Seventeen-year-old Blue Haven, gifted with superhuman sight since birth, dreams of becoming a warrior-not that anything's happened near the wall since Old Man Amos was attacked by that beaver. The Shadow Elves-humans infected by a zombie apocalypse-like plague-have died out over the past 150 years, leaving life altogether boring. In her quiet farming village nestled in the shadows of the Smoky Mountains, warriors are no more than a formality. But Blue's unique sight is beginning to show her some troubling things. A suspicious green-eyed outsider. A strikingly beautiful Shadow Elf. These visions can't be real-because if they are, that means everyone's been wrong. Dead wrong. They are not the last survivors in the world. And they aren't prepared for the reality Blue's eyes are showing her. The outsiders want in, and they're hungry.

Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.

Presents the science of colour from new perspectives and outlines results obtained from the authors’ work in the mathematical theory of colour This innovative volume summarizes existing knowledge in the field, attempting to present as much data as possible about colour, accumulated in various branches of science (physics, phychophysics, colorimetry, physiology) from a unified theoretical position. Written by a colour specialist and a professional mathematician, the book offers a new theoretical framework based on functional analysis and convex analysis. Employing these branches of mathematics, instead of more conventional linear algebra, allows them to provide the knowledge required for developing techniques to measure colour appearance to the standards adopted in colorimetric measurements. The authors describe the mathematics in a language that is understandable for colour specialists and include a detailed overview of all chapters to help readers not familiar with colour science. Divided into two parts, the book first covers various key aspects of light colour, such as colour stimulus space, colour mechanisms, colour detection and discrimination, light-colour perception typology, and light metamerism. The second part focuses on object colour, featuring detailed coverage of object-colour perception in single- and multiple-illuminant scenes, object-colour solid, colour constancy, metamer mismatching, object-colour indeterminacy and more. Throughout the book, the authors combine differential geometry and topology with the scientific principles on which colour measurement and specification are currently based and applied in industrial applications. Presents a unique compilation of the author’s substantial contributions to colour science Offers a new approach to colour perception and measurement, developing the theoretical framework used in colorimetry Bridges the gap between colour engineering and a coherent mathematical theory of colour Outlines mathematical foundations applicable to the colour vision of humans and animals as well as technologies equipped with artificial photosensors Contains algorithms for solving various problems in colour science, such as the mathematical problem of describing metameric lights Formulates all results to be accessible to non-mathematicians and colour specialists Foundations of Colour Science: From Colorimetry to Perception is an invaluable resource for academics, researchers, industry professionals and undergraduate and graduate students with interest in a mathematical approach to the science of colour.

Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as ‘beautiful’. Paul Smith explains what makes these ephemeral effects worthy of such appreciation – or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multidisciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology.