The author has been visiting the same village in Mauritania on the remote edge of the Sahara for over twenty years. This is the story of his most recent journey there—an intense and engaging day-by-day account through which global change and inequality are made human. The Sahel—the "shore" of the Sahara—is where cultures, customs, and climates meet, merge, and clash. Through the numerous characters we meet and from the obviously deep and sympathetic nature of the relationship the author has with the local people, with whom he now runs agricultural projects, we learn of the realities of life in one of the harshest, most marginalised, but also quietly inspiring corners of the world. Searingly honest and refreshing, this is a superbly written piece of travel writing about a little-known part of the world. The author gets under the surface and gives a sensitive account of what life is like. He understands not just the culture and complex social dealings but also how economics and geo-political forces that can profoundly affect the lives of people in a remote community. Illustrated with maps and line drawings, Under an African Sky is a unique journey for the armchair traveler and those interested in development, climate change, global politics, and economics. Peter Hudson has traveled widely in Mauritania and other parts of West Africa and has written several books including Leaf in the Wind, Travels in Mauritania, and Two Rivers.

Under the African Sky provides you with the history of a family following their dream against the backdrop of a stunning and often surprising continent, which is Africa. Their travels take you on a breathtaking journey of peril, hardship, and love into the heart of Africa.

Spanning a wide geographical range, this collection features many of the first generation of African writers, including Chinua Achebe, Bessie Head and Wole Soyinka. It also includes a new generation of writers, such as Ben Okri, Veronique Tadjo and Ken Saro-Wiwa.

Western literature has become more influential in Africa since the independence of many of that continent's countries in the early 1960s. In particular, Greek tragedy has grown as model and inspiration for African theatre artists. This work begins with a discussion of the affinity that modern-day African playwrights have for ancient Greek tragedy and the factors that determine their choice of classical texts and topics. The study concentrates on how African playwrights transplant the dramatic action and narrative of the Greek texts by rewriting both the performance codes and the cultural context. The methods by which African playwrights have adapted Greek tragedy and the ways in which the plays satisfy the prevailing principles of both cultures are examined. The plays are The Bacchae of Euripides by Wole Soyinka, Song of a Goat by J.P. Clark, The Gods Are Not to Blame by Ola Rotimi, Guy Butler's Demea, Efua Sutherland's Edufa, Orestes by Athol Fugard, The Song of Jacob Zulu by Tug Yourgrau, Femi Osofisan's Tegonni, Edward Kamau Brathwaite's Odale's Choice, The Island by Fugard, John Kani, and Winston Ntshona, and Sylvain Bemba's Black Wedding Candles for Blessed Antigone.

UNDER THE AFRICAN SKY is the story of Krishna, a nine-year-old Indian-American boy who struggles to reconcile his Indian heritage with his American identity. In this story, Krishna travels with his parents to Kruger National Park in South Africa for a safari. Krishna can hardly contain his excitement to discover wild animals in their natural habitat. When he gets there, Krishna realizes that while nature can seem tough and unforgiving, amazing experiences await those who are patient and attentive. He strikes up a surprising and touching friendship with Broken Tusk, an elephant who resides in the Park among his herd. Through this friendshipand a nocturnal adventure full of magicBroken Tusk shows Krishna the real splendor of the African wilderness, of nature everywhere, and of Krishnas own unique heritage and experience.