Uncommon Tongues explores the tension between the political value of eloquence and its classical definition in sixteenth-century English literature, locating eccentricity and unfamiliarity at the heart of pedagogical, rhetorical, and literary culture.

The traditional view of Shakespeare’s mastery of the English language is alive and well today. This is an effect of the eighteenth-century canonisation of his works, and subsequently Shakespeare has come to be perceived as the owner of the vernacular. These entrenched attitudes prevent us from seeing the actual substance of the text, and the various types of error that it contains and even constitute it. This book argues that we need to attend to error to interpret Shakespeare’s disputed material text, political-dramatic interventions and famous literariness. The consequences of ignoring error are especially significant in the study of Shakespeare, as he mobilises the rebellious, marginal, and digressive potential of error in the creation of literary drama.

During the sixteenth and early seventeenth centuries, England grew from a marginal to a major European power, established overseas settlements, and negotiated the Protestant Reformation. The population burgeoned and became increasingly urban. England also saw the meteoric rise of commercial theatre in London, the creation of a vigorous market for printed texts, and the emergence of writing as a viable profession. Literacy rates exploded, and an increasingly diverse audience encountered a profusion of new textual forms. Media, and literary culture, transformed on a scale that would not happen again until television and the Internet. The twenty innovative contributions in Gathering Force: Early Modern Literature in Transition, 1557–1623 trace ways that five different genres both spurred and responded to change. Chapters explore different facets of lyric poetry, romance, commercial drama, masques and pageants, and non-narrative prose. Exciting and accessible, this volume illuminates the dynamic relationships among the period's social, political, and literary transformations.

This insightful history explores the stereotype of Dallas Theological Seminary as an anti-intellectual stronghold of fundamentalism and dispensational premillennialism. The tenures of the school s five presidents reveal the tensions that DTS, a blend of differing heritages and of opposing traditions, has experienced amid changes in American religious and cultural life."

A romantic cabin getaway doesn't go exactly as planned. High up on the windswept cliffs of Pale Peak, Faye and Felix celebrate their new engagement. But soon, a chorus of ghastly noises erupts from the nearby woods: the screams of animals, the cries of children, and the mad babble of a hundred mournful voices. A dark figure looms near the windows in the dead of night, whispering to Faye. As the weather turns deadly, Felix discovers that his terrified fiancée isn't just mumbling in her sleep - she's whispering back. Originally a contest-winning story on reddit.com's horror community NoSleep, Stolen Tongues has received widespread acclaim and has been optioned to film.

The expressive and literary capacities of post-Reformation English were largely shaped in response to the Bible. Faith in the Language examines the convergence of biblical interpretation and English literature, from William Tyndale to John Donne, and argues that the groundwork for a newly authoritative literary tradition in early modern England is laid in the discourse of biblical hermeneutics. The period 1525-1611 witnessed a proliferation of English biblical versions, provoking a century-long debate about how and whether the Bible should be rendered in English. These public, indeed institutional accounts of biblical English changed the language: questions about the relation between Scripture and exegetical tradition that shaped post-Reformation hermeneutics bore strange fruit in secular literature that defined itself through varying forms of autonomy vis-a-vis prior tradition.