New York Times Bestselling Author of Solito "Every line resonates with a wind that crosses oceans."—Jamaal May "Zamora's work is real life turned into myth and myth made real life." —Glappitnova Javier Zamora was nine years old when he traveled unaccompanied 4,000 miles, across multiple borders, from El Salvador to the United States to be reunited with his parents. This dramatic and hope-filled poetry debut humanizes the highly charged and polarizing rhetoric of border-crossing; assesses borderland politics, race, and immigration on a profoundly personal level; and simultaneously remembers and imagines a birth country that's been left behind. Through an unflinching gaze, plainspoken diction, and a combination of Spanish and English, Unaccompanied crosses rugged terrain where families are lost and reunited, coyotes lead migrants astray, and "the thin white man let us drink from a hose / while pointing his shotgun." From "Let Me Try Again": He knew we weren't Mexican. He must've remembered his family coming over the border, or the border coming over them, because he drove us to the border and told us next time, rest at least five days, don't trust anyone calling themselves coyotes, bring more tortillas, sardines, Alhambra. He knew we would try again. And again—like everyone does. Javier Zamora was born in El Salvador and immigrated to the United States at the age of nine. He earned a BA at UC-Berkeley, an MFA at New York University, and is a 2016–2018 Wallace Stegner Fellow at Stanford University.

"This book explores the experiences of unaccompanied immigrant youth once they arrive to the United States, with a focus on the professionals who try to help. Once youth are detained at the border, they encounter a wide range of professionals whose job it is to help youth find a family system, obtain legal relief, and enter into the education system. Although many professionals who work to help youth often have youth's best interests in mind, their jobs are shaped by three important strains in U.S. history: border security, racialized child welfare, and neoliberal humanitarianism. Because of this, professionals who work with youth find that they are often complicit in the same oppressive systems that they work against. This book explores the tension in this system by providing a critical lens to those who try to help"--

Fourteen-year-old April May Manning spent her life on airplanes with her flight attendant parents. When her father dies in a crash, April's mom marries a pilot who turns out to be an abusive jerk, and gets Mom confined to a psychiatric hospital. So April takes off, literally, living on airplanes, using her mother's flight benefits, relying on the flight crews who know she's been shuttling between divorcing parents for a year. Then, there's a hijacking, but why is April's "dad" on board? April flees to the cargo hold with another unaccompanied minor she's met before, and they fight to thwart the hijackers, faking a fire, making weapons from things they find in luggage. At last, locked in the cockpit with a wounded police officer, the boy, and his service dog, April tries to remember everything her parents said to do in a crisis above the clouds. But she knows it won't be enough.

Alden Jones is humorous like Twain without being cynical; she treats all her amazing encounters and strangers with mucho love. She makes highly entertaining and fresh stories out of culture clash, traveling as an observant gringa, fluent in Spanish. She arrives at many deep insights about other cultures and ours, while transcending the form of travelogue into amazing and dramatic storytelling. - Josip Novakovich, Man Booker International Prize Finalist and author of April Fool's Day

At the time of her death in 1962, Kathleen M. Murphy was recognized as "the most widely and most knowledgeably travelled Irish woman of her time . . . insofar as she let herself be known to the public at all." An abiding interest in sacred sites and ancient civilizations took Murphy down the Amazon and over the Andes, into the jungles of Southeast Asia and onto the deserts of the Middle East, above the Arctic Circle and behind the Iron Curtain. After the Second World War, Murphy began publishing a series of vivid, humorous, and often harrowing accounts of her travels in The Capuchin Annual, a journal reaching a largely Catholic and nationalist audience in Ireland and the United States. At home in the Irish midlands, Murphy may have been a modest and retiring figure, but her travelogues shuttle between religious devotion and searching curiosity, primitivist assumptions and probing insights, gender decorum and bold adventuring. Unaccompanied Traveler, with its wide-ranging introduction, detailed notes, and eye-catching maps, retrieves these remarkable accounts from obscurity and presents them to a new generation of readers interested in travel and adventure.

“Before I turn 67, I would like to have a lot of sex with a man I like.” This inspired personal ad from Jane Juska drew tremendous response and swept the retired teacher into a whirlwind existence she barely recognized as her own. She relayed her fun and frank exploits in the bestseller A Round-Heeled Woman. Now Juska continues her astonishing story in this much anticipated new adventure. Five years after that fateful ad, Juska has become a friend and confessor for women of all ages who confide in her their poignant, tragic, or blissful stories– unaccompanied women who are alone for now, but ever searching for intimacy. And in spite of Juska’s own success, “unaccompanied” is a description that applies to her as well. She’s still looking for a man to keep her company–not a husband, not even a partner, but simply the perfect lover, once described by Katharine Hepburn as one who “lives nearby and visits often.” Unaccompanied Women embraces not only Juska’s continuing explorations of Eros (note to fans: her younger lover, Graham, is still on the scene) but also a blossoming literary career that catapults her from San Francisco to New York, London, and Paris. At book signings, earnest men place themselves purposely at the end of the line in order to engage her in private conversations, while women linger to confess their own erotic longings and their experiences with the good, the bad, and even the ugly. All the while, Juska is coping with the unnerving possibility of losing her home, a tiny cottage in Berkeley, California–and so her search broadens and intensifies, not just for love, friendship, and sex but also for enough money to keep a roof over her head. Jane Juska shares all this richness of living in a poignant and humorous exploration of emotional terrain rarely discussed in our society. This wise and warmhearted book provides vivid evidence that the pursuit of pleasure and lasting relationships is not just for the young, but also for the young at heart.

This pioneering book by an acclaimed expert is the first to discuss all of Bach's unaccompanied pieces in one volume, including an examination of crucial issues of style and composition type and the options open to interpretation and performance. David Ledbetter, a leading expert on Bach, provides the historical background to Bach's instrumental works, as well as detailed commentaries on each work. Ledbetter argues that Bach's unaccompanied works--the six suites for solo cello, six sonatas and partitas for solo violin, seven works for lute, and the suite for solo flute--should be considered together to enable one piece to elucidate another. This illuminating and significant book is essential for professionals, performers, students, or anybody who wishes to learn more about Bach's music.