The people of Tyrone have the reputation for having 'open hearts and a desire to please' and their folk tales are as varied as their landscape. There are the tales of the amazing feats of the giant Finn McCool and the derring-do of the Red Hand of Ulster as well as the dramatic story of Half-Hung MacNaughton and the hilarious tale of Dixon from Dungannon and his meeting with royalty.All these stories and more are featured in this collection of tales which will take you on an oral tour across the country from the Sperrin Mountains in the west to the flat peatlands of the east.

The Little Book of Tyrone is a compendium of fascinating, obscure, strange and entertaining facts about this much-loved county. Here you will find out about Tyrone’s myth and legend, its proud sporting heritage, its castles and great houses and its famous (and occasionally infamous) men and women. Through quaint villages and bustling towns, this book takes the reader on a journey through County Tyrone and its vibrant past.A reliable reference book and a quirky guide, this can be dipped into time and time again to reveal something new about thepeople, the history and the secrets of this ancient county.

Contains the best of recent Yeats criticism

Here are 125 magnificent folktales collected from anthologies and journals published from the mid-nineteenth century to the present day. Beginning with tales of the ancient times and continuing through the arrival of the saints in Ireland in the fifth century, the periods of war and family, the Literary Revival championed by William Butler Yeats, and the contemporary era, these robust and funny, sorrowful and heroic stories of kings, ghosts, fairies, treasures, enchanted nature, and witchcraft are set in cities, villages, fields, and forests from the wild western coast to the modern streets of Dublin and Belfast. Edited by Henry Glassie With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library

Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.