A paragon of cinema criticism for decades, Roger Ebert—with his humor, sagacity, and no-nonsense thumb—achieved a renown unlikely ever to be equaled. His tireless commentary has been greatly missed since his death, but, thankfully, in addition to his mountains of daily reviews, Ebert also left behind a legacy of lyrical long-form writing. And with Two Weeks in the Midday Sun, we get a glimpse not only into Ebert the man, but also behind the scenes of one of the most glamorous and peculiar of cinematic rituals: the Cannes Film Festival. More about people than movies, this book is an intimate, quirky, and witty account of the parade of personalities attending the 1987 festival—Ebert’s twelfth, and the fortieth anniversary of the event. A wonderful raconteur with an excellent sense of pacing, Ebert presents lighthearted ruminations on his daily routine and computer troubles alongside more serious reflection on directors such as Fellini and Coppola, screenwriters like Charles Bukowski, actors such as Isabella Rossellini and John Malkovich, the very American press agent and social maverick Billy “Silver Dollar” Baxter, and the stylishly plunging necklines of yore. He also comments on the trajectory of the festival itself and the “enormous happiness” of sitting, anonymous and quiet, in an ordinary French café. And, of course, he talks movies. Illustrated with Ebert’s charming sketches of the festival and featuring both a new foreword by Martin Scorsese and a new postscript by Ebert about an eventful 1997 dinner with Scorsese at Cannes, Two Weeks in the Midday Sun is a small treasure, a window onto the mind of this connoisseur of criticism and satire, a man always so funny, so un-phony, so completely, unabashedly himself.

Praise for Two Weeks in the Midday Sun -- About the Author -- Title Page -- Foreword by Martin Scorsese -- Dedication -- Two Weeks in the Midday Sun: A Cannes Notebook -- Postscript, 1997: Scorsese Goes to Dinner

Movies, stars, auteurs, critics, and the sheer excitement of cinema come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we actually understand the forces and meanings that these events embody? Film Festivals offers the first comprehensive overview of the history, people, films, and multiple functions of the festival world. From Sundance to Hong Kong, from the glitter of Cannes to edgier festivals that challenge boundaries or foster LGBTQ cultural production, film festivals celebrate art, promote business, bring cinema to diverse audiences, and raise key issues about how we see our world. Cindy Hing-Yuk Wong situates festivals within changing global practices of film, including their important ties to both Hollywood and independent cinema. She explores how these events have become central in the construction of cinema knowledge as well as the behind-the-scene mechanics of finance, distribution, and evaluation. By linking general structures and connections to specific films and auteurs, Wong addresses the components and creation of film festivals that continue to reshape filmmaking as art and business.

Scrapbook containing letters, souvenir programmes and various news cuttings.

The Royal Artillery played an absolutely vital, though often forgotten, part in the British armed forces successful operation to recapture the Falkland Islands in 1982. The actions of the artillery were recorded by one young officer in a journal which he kept before, during and after the conflict.Second Lieutenant Tom Martin was a Command Post Officer with 29 (Corunna) Field Battery RA which deployed to the South Atlantic in 1982 as part of the Task Force dispatched to retake the Falklands. With its six 105mm Light Guns making the journey on the MV Europic Ferry, the Battery sailed south on the MV Norland with 2 PARA, joining 3 Commando Brigade for the landings. The five gun batteries of the Royal Artillery, totaling thirty light field guns, fired a tremendous number of shells on the Argentine forces. For its part, 29 (Corunna) Field Battery fired the first Fire Mission of the conflict and continued to do so until the Argentinian surrender in the most testing environment and against the odds.Whilst in the South Atlantic, Martin sought to detail and record the action on the Batterys gun position. Supported by the recollections of some of those he served alongside, Martins notes and diary entries form the basis of this book; a vivid, blow-by-blow account which provides a comprehensive picture of the Royal Artillery and its pivotal role in the Falklands War.

In a brutal world an outcast nun and a runaway slave overcome the challenges that come their using her wits and his sword.

At the end of The Godless, Mireea lay in ruins, the dead of the city had risen as ghosts, and the keepers Fo and Bau had been slain by Zaifyr. The Mireeans have now fled to the city of Yeflam with the immortal Zaifyr in chains to barter for their safety. With the threat of war arriving at the Floating Cities, Zaifyr's trial will become the center of political games. However, Zaifyr is intent on using his trial to begin a new war, a motive that many fear is an echo of the dangerous man he once was. Ayae, a young girl cursed with the gift of fire, sees a chance to learn more of her powers here in the floating city, but she is weighed down by her new responsibilities regarding the safety of the Mireean people. Across the far ocean, exiled Baron Bueralan and cartographer Orlan have arrived in the city of Ooila with some chilling cargo: the soul of a dead man. As the two men are accepted into the city's court, they are pulled ever deeper into the Queen's web of lies and deceit. All the while, a rumor begins to spread of a man who has come ashore, whose seemingly innocent presence threatens them all.