“Excellent…Donlea tells a propulsive tale.” – The New York Times The New York Times Best Thrillers This Season | E! NewsRecommended Books | Overdrive Biggest Books of the Month Fans of Verity by Colleen Hoover won’t want to miss this thrilling new suspense novel from the #1 internationally bestselling author of The Girl Who Was Taken! Hiding her own dark past in plain sight, a TV reporter is determined to uncover the truth behind a gruesome murder decades after the investigation was abandoned. But TWENTY YEARS LATER, to understand the present, you need to listen to the past… Avery Mason, host of American Events, knows the subjects that grab a TV audience’s attention. Her latest story—a murder mystery laced with kinky sex, tragedy, and betrayal—is guaranteed to be ratings gold. New DNA technology has allowed the New York medical examiner’s office to make its first successful identification of a 9/11 victim in years. The twist: the victim, Victoria Ford, had been accused of the gruesome murder of her married lover. In a chilling last phone call to her sister, Victoria begged her to prove her innocence. Emma Kind has waited twenty years to put her sister to rest, but closure won’t be complete until she can clear Victoria’s name. Alone she’s had no luck, but she’s convinced that Avery’s connections and fame will help. Avery, hoping to negotiate a more lucrative network contract, goes into investigative overdrive. Victoria had been having an affair with a successful novelist, found hanging from the balcony of his Catskills mansion. The rope, the bedroom, and the entire crime scene was covered in Victoria’s DNA. But the twisted puzzle of Victoria’s private life is just the beginning. And what Avery doesn't realize is that there are other players in the game who are interested in Avery’s own secret past—one she has kept hidden from both the network executives and her television audience. A secret she thought was dead and buried . . . Accused of a brutal murder, Victoria Ford made a final chilling call from the North Tower on the morning of 9/11. Twenty years ago, no one listened. Today, you will. “Breathtaking pacing and clever plot twists.” —Publishers Weekly “An entertaining thriller…surprises lurking around every corner.” —Kirkus Reviews “A superb storyteller.” —Robert Dugoni, New York Timesbestselling author

In Twenty Years of Life, Suzanne Bohan exposes the ugly truth that health is largely determined by zip code. Life expectancies in wealthy versus poor neighborhoods can vary by as much as twenty years. Bohan chronicles a bold experiment to challenge that inequity. The California Endowment, one of the nation's largest health foundations, is upending the old-school, top-down charity model and investing $1 billion over ten years to help distressed communities advocate for their own interests. With compassion and insight, Bohan shares stories of students and parents, former street shooters, urban farmers, and a Native American tribe who are tapping into their latent political power to make their neighborhoods healthier. Their stories will fundamentally change how we think about the root causes of disease and the prospects for healing.

"Three years ago, the artist James Drake (born 1946) began the ambitious project of creating 1,242 drawings that would trace and reference all of the developments of his multifaceted career. Known as both a sculptor and video artist, Drake has always considered draftsmanship to be a key to his process, and this body of drawings does not disappoint. It is both a fascinating tour of Drake's creative thinking and a testament to the simple power of graphite and ink on paper in the hands of a master of the craft. The volume is published to accompany a touring exhibition (titled The Anatomy of Drawing and Space) opening at The Museum of Contemporary Art San Diego in July 2014--the largest show of Drake's work to date"--Publisher's website.

The papers from the first two International Study Association on Teachers and Teaching conferences are presented in this title as book chapters. Each paper has historical value, marking as they do, both a change in topic focus and a revolution in research practice. They also have a practical value in that they provide a large reference source for, and a wide range of examples of, both topics and methods of research. Value for the future can be found in the texts that note lacunae in research and unresolved issues. Further, since the chapters derive from research conducted in a variety of national contexts, revealing some evidence of common constraints and opportunities impinging on education at the time, questions are stimulated about what has changed and what has stayed the same in the interim.

This book focuses on measures pertaining to the three-pillar implementation strategy of R2P and examines how and to what extent the three pillars have been practised. Rich in its geographical scope, this edited book provides a critical analysis of R2P practice over the last two decades by focusing on representative cases from different regions. Analysing not only recent and/or underexplored cases but also widely studied cases from a fresh and alternative perspective, it sheds light on the depth and scope of the norm as well as the variety of actors involved and how they impact R2P practice. Diverging from most accounts, this edited book does not approach the cases as a ‘success’ or ‘failure’ of R2P. By studying the background to the conflicts and making assessments on a pillar-by-pillar basis, each chapter addresses the root causes, traces the process of implementation, investigates the actions of the actors involved, identifies elements of success and failure and finally questions the sustainability of the protection provided to date. Meanwhile, the conceptual chapters complement the case analyses through an overall evaluation of R2P’s first two decades and the progress achieved so far with the aim to draw lessons for future implementations of R2P.

Alexandre Dumas's novel 'Twenty Years After' is a sequel to his 'The Three Musketeers' and precedes 'The Vicomte de Bragelonne'. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent royalty. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.