Only daughter of Ireland's ruling queen, Isolde has always known that she will take over the rule of the sacred Island of the West when her time comes. Until then she practises her skills as a healer and struggles to hold back her mother, a passionate, headstrong woman under the sway of her champion, Sir Marhaus, who is determined to make war. Attacking Cornwall, Sir Marhaus wounds the king's nephew, Sir Tristan of Lyonesse, so badly that he can only be saved by Isolde, the most noted healer of the isles. And when the King of Cornwall decides to marry Isolde, unaware of the young couple's growing love, the stage is set for the mythic tale of star-crossed lovers that the world knows so well. Like Arthur's queen Guenevere, her friend from their girlhood days on Avalon, Isolde is fated to a lifelong struggle between duty and desire before finding peace. Tristan too relies on his dearest friend at the Round Table, Sir Lancelot of the Lake, as he strives to balance his loyalty to his king against the dictates of his heart. Set in Ireland, Cornwall and Camelot, ISOLDE offers a compelling new version of the familiar legend rich in Celtic magic and mythology, yet firmly grounded in the well-loved Arthurian world. Merlin, Arthur, Guenevere, and all their knights appear once again to delight those who enjoyed Rosalind Miles's previous forays into this enchanted terrain.

"I believe this fluent, accurate, readable translation of Tristan and Isolde will become the standard English edition of Gottfried's literary masterpiece. Wisely choosing not to recreate the end rhyme of the original, Whobrey has created a text that stays true to the original Middle High German while rendering it into modern English prose. The inclusion of Ulrich von Türheim’s Continuation is a great strength of this book. For the first time, English speakers will be able to read Gottfried's work in tandem with Ulrich's and explore—via Whobrey’s discussion of Ulrich’s sources—the rich Tristan literary tradition in the Middle Ages and the ways in which Gottfried’s achievement resonated well after his death. The footnotes provide helpful cultural, historical, and interpretive information, and Whobrey's Introduction offers a nice overview of Gottfried’s biography, a discussion of Gottfried's important literary excursus, his place within the literature and genres of his time, and the source material for his Tristan. Particularly useful is Whobrey’s discussion of the intricate and masterful structure of Gottfried’s text." —Scott Pincikowski, Hood College

First Published in 2002.

A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland. Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.

When two boys save an old man from robbers, they learn of a competition in Londinium to decide the next king of Britain. The elder, Kay, is determined to prove himself worthy as a knight or a king. The younger is Arthur, a farm boy through and through - until he sees the sword in the stone.

The legendary love story is presented in full orchestral score with complete instrumentation. Commentary by Felix Mottl, great Wagnerian conductor and scholar. Reprinted authoritative edition prepared by C. F. Peters, Leipzig, ca. 1910.