This work is filled with 350 works by well-known artists such as Joyce Kozloff, Ed Ruscha, Julian Schnabel, and Olafer Eliasson. All are wayfinders, charting the highways and byways of the spirit and the topography of the soul.

River Confluences and the Fluvial Network brings together state of the art thinking on confluence dynamics tributary impacts and the links between processes at these scales and river network functions. The book is unique in focus, content, scope and in bringing together engineering, ecological and geomorphological approaches to the three key areas of river system science. Taking a global approach this multi-authored text features a team of carefully selected, internationally renowned, experts who have all contributed significantly to recent ground breaking advancements in the field. Each chapter includes a comprehensive review of work to date highlighting recent discoveries and the main thrust of knowledge, previously unpublished research and case studies, challenges and questions, detailed references as well as a forward looking assessment of the state of the science.

In the mid-1800s, three immigrant familiesIrish, Japanese, and Mexicansettle along the American River in Northern California. A century later, only one family remains. Owen McPhalans Mockingbird Valley Ranch is still a thriving family business in 1959. But when his wife, Marian, leaves Mockingbird to follow her dream of becoming a successful artist, she ignites a firestorm that impacts the descendants of all three families. As artists, musicians, writers, and politicians inherit their immigrant parents hopes, they are torn apart by ambition, prejudice, and deception while struggling through the turbulent 1960s. From the concert halls of Europe to Kyotos ancient avenues, and Manhattans artists lofts to San Franciscos North Beach, they each learn the price they must pay in order to realize their dreams. But just as the river is drawn to the sea, they eventually find themselves pulled back to the place that forged the original link between their destiniesa place called Mockingbird. American River: Tributaries follows three California families as the descendants of Irish, Japanese, and Mexican immigrants embark on unique journeys to pursue their dreams amid an unsettled 1960s world.

A pioneering volume comparing the great historical empires, such as the Roman, Mughal and Ottoman. Leading interdisciplinary thinkers study tributary empires from diverse perspectives, illuminating the importance of these earlier forms of imperialism to broaden our perspective on modern concerns about empire and the legacy of colonialism.

Maps are magical. Every graphic, like every story, has a point of view, and New York is rife with mapmaking possibilities, thick with mythology, and glutted with history. You Are Here: NYC assembles some two hundred maps charting every inch and facet of the five boroughs, depicting New Yorks of past and present, and a city that never was. "A Nightclub Map of Harlem" traces a boozy night from the Radium and the Cotton Club to the Savoy and then the Lafayette; "Wonders of New York" pinpoints three hundred sites of interest, including the alleged location of Captain Kidd's buried treasure; the Ghostbusters subway map plots the route from Astral Projections Place to Stay Puft Street; and a rejected proposal of ornate topiaries illustrates a Central Park that might have been. This sequel to the best-selling You Are Here includes original essays by Bob Mankoff, Maria Popova, Sarah Boxer, and Rebecca Cooper, among others.

In Tributaries, poet Laura Da’ lyrically surveys Shawnee history alongside personal identity and memory. With the eye of a storyteller, Da’ creates an arc that flows from the personal to the historical and back again. In her first book-length collection, Da’ employs interwoven narratives and perspectives, examines cultural archetypes and historical documents, and weaves rich images to create a shifting vision of the past and present. Precise images open to piercing meditations of Shawnee history. In the present, a woman watches the approximation of a scalping at a theatrical presentation. Da’ writes, “Soak a toupee with cherry Kool-Aid and mineral oil. / Crack the egg onto the actor’s head. / Red matter will slide down the crown / and egg shell will mimic shards of skull.” This vivid image is paired with a description of the traditional removal path of her own Shawnee ancestors through small towns in Ohio. These poems range from the Midwestern landscapes of Ohio and Oklahoma to the Pacific Northwest, and the importance of place is apparent. Tributaries simultaneously offers us an extended narrative rumination on the impact of Indian policy and speaks to the contemporary experiences of parenthood and the role of education in passing knowledge from one generation to the next. This collection is composed of four sections that come together to create an important new telling of Shawnee past and present.