While Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism. Transnationalism and Imperialism: Endurance of the Global Western Film traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. By viewing Western films through a transnational lens and focusing on the reinterpretations, appropriations, and parallel developments of the genre outside the US, editors Hervé Mayer and David Roche contribute to a growing body of literature that debunks the pervasive correlation between the genre and American identity. Perfect for media studies and political science, Transnationalism and Imperialism reveals that Western films are more than cowboys; they are a critical intersection where issues of power and coloniality are negotiated.

From Imperialism to Transnationalism This study of the political, economic, and socio-cultural relationship between the Dominican Republic and the United States follows its evolution from the middle of the nineteenth century to the mid-1990s. It deals with the interplay of these dimensions from each country's perspective and in both private and public interactions. From the U.S. viewpoint, important issues include interpretation of the rise and fall of the Dominican Republic's strategic importance, the legacy of military intervention and occupation, the problem of Dominican dictatorship and instability, and vacillating U.S. efforts to "democratize" the country. From the Dominican perspective, the essential themes involve foreign policies adopted from a position of relative weakness, ambivalent love-hate views toward the United States, emphasis on economic interests and the movement of Dominicans between the two countries, international political isolation, the adversarial relationship with neighboring Haiti, and the legacy of dictatorship and the uneven evolution of a Dominican-style democratic system. The Dominican Republic and the United States is the eleventh book in The United States and the Americas series, volumes suitable for classroom use. "(An) extremely well written and intelligently crafted work". -- Choice "Undoubtedly the most useful book to date on Cuba-United States relations". -- The Journal of American History "A masterful overview. Perez's surehanded delineation of continuing themes in Cuban-American relations provides a context for specific events that clarifies their meaning. Clearly written, economical, and focused on what is really important, this bookis an excellent introduction". -- The Journal of Southern History "Thompson and Randall have succeeded magnificently. This is an important book that promises to become a standard in the field". -- The Journal of American History "Two respected historians have purposely broadened their approach to their subject, venturing for beyond a mere history of the foreign relations between the United States and Canada". -- Library Journal "A sure-footed assessment". -- American Historical Review "Informative and entertaining". -- Times Literary Supplement

This book explores the unsettling ties between colonialism, transnationalism, and anarchism. Anarchism as prefigurative politics has influenced several generations of activists and has expressed the most profound libertarian desire of Southern Mediterranean societies. The emergence of anarchist and anti-authoritarian movements and collective actions from Morocco to Palestine, Algeria, Tunis, Egypt, Lebanon, Syria and Jordan has changed the focus of our attention in the last decade. How have these anarchist movements been formulated? What characteristics do they share with other libertarian experiences? Why are there hardly any studies on anarchism in the South of the Mediterranean? In turn, the book critically reviews the anti-authoritarian geographies in the South of the Mediterranean and reassesses the postcolonial status of these emancipatory projects. Colonialism, Transnationalism, and Anarchism in the South of the Mediterranean invites us to revisit the necessity of decolonizing anarchism, which is enunciated, in many cases, from a privileged epistemic position reproducing neocolonial power relations.

"Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject." —Darrell William Davis, University of New South Wales "Michael Baskett removes imperial Japanese film from its solitary confinement and commandingly analyzes how it functioned internationally. He commits a depth of research rarely found in English-language studies of Japanese cinema, and his mastery of the primary and secondary sources from beyond Japan’s borders distinctly set his book apart from previous scholarship on the subject. Not only is this a work that historians and film scholars will appreciate but also one that I look forward to assigning to undergraduates." —Barak Kushner, Cambridge University Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture. In this stimulating new study, Michael Baskett traces the development of Japanese film culture from its unapologetically colonial roots in Taiwan and Korea to less obvious manifestations of empire such as the semicolonial markets of Manchuria and Shanghai and occupied territories in Southeast Asia. Drawing on a wide range of previously untapped primary sources from public and private archives across Asia, Europe, and the United States, Baskett provides close readings of individual films and trenchant analyses of Japanese assumptions about Asian ethnic and cultural differences. Finally, he highlights the place of empire in the struggle at legislative, distribution, and exhibition levels to wrest the "hearts and minds" of Asian film audiences from Hollywood in the 1930s as well as in Japan’s attempts to maintain that hegemony during its alliance with Nazi Germany and Fascist Italy.

Explores the central role of the British Empire in developing transnational ideas, institutions and social movements of increasing scope and influence in the eras of high imperialism and the two world wars. Chapters follow transnational dynamics and debates over sovereignty in the domains of sexuality, law, politics, culture and religion.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book analyses black Atlantic studies, colonial discourse analysis and postcolonial theory, providing paradigms for understanding imperial literature, Englishness and black transnationalism. Its concerns range from the metropolitan centre of Conrad's Heart of Darkness to fatherhood in Du Bois's The Souls of Black Folk; from the marketing of South African literature to cosmopolitanism in Achebe; and from utopian discourse in Parry to Jameson's theorisation of empire.

This book provides unique "insider" critical insights into the ever-growing field of Postcolonial Studies, from one of the field's original architects.