Tragic Consequences was written for Americans who are concerned about the cultural decline they see all around them, people who watch the nightly news and ask themselves, “What is happening to our country?” It seems we have become a nation of people who are offended by everything but sin. What is happening to our country is simple to explain but sad observe: We are seeing what a culture of sin can do to a country. It is a culture of darkness and depravity, a culture lacking in moral restraint, and a culture where life has little value. When a nation rejects God and accepts sin, the lurid stories carried on nightly news programs are the inevitable result. Within the problem is the solution. Biblical morality reestablished in America by an uprising of God's people standing for righteousness will bring God's forgiveness and our healing.

This book can be downloaded as a PDF file from here. Hindi in Australia

A “brilliant” examination of American complacency and how it puts the nation’s—and the world’s—security at risk (The Wall Street Journal). The ancient Greeks hard-wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great-power peace and a quarter-century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late. “Literate and lucid—sure to interest to readers of Fukuyama, Huntington, and similar authors as well as students of modern realpolitik.” —Kirkus Reviews

Nowhere are clashes between competing ethical perspectives more prevalent than in the realm of International Relations. Thus, understanding tragedy is directly relevant to understanding IR. This volume explores the various ways that tragedy can be used as a lens through which international relations might be brought into clearer focus.

Why most modern revolutions have ended in bloodshed and failure--and what lessons they hold for today's world of growing extremism. Why have so many of the iconic revolutions of modern times ended in bloody tragedies? And what lessons can be drawn from these failures today, in a world where political extremism is on the rise and rational reform based on moderation and compromise often seems impossible to achieve? In YOU SAY YOU WANT A REVOLUTION?, Daniel Chirot examines a wide range of right- and left-wing revolutions around the world--from the late eighteenth century to today--to provide important new answers to these critical questions. A powerful account of the unintended consequences of revolutionary change, YOU SAY YOU WANT A REVOLUTION? is filled with critically important lessons for today's liberal democracies struggling with new forms of extremism."--Back cover

This book focuses on expressions of the tragic in Spanish cinema. Its main premise is that elements from the classical and modern tragic tradition persist and permeate many of the cultural works created in Spain, especially the films on which the book centers this study. The inscrutability and indolence of the gods, the mutability of fortune, the recurrent narratives of fall and redemption, the unavoidable clash between ethical forces, the tension between free will and fate, the violent resolution of both internal and external conflicts, and the overwhelming feelings of guilt that haunt the tragic heroine/hero are consistent aspects that traverse Spanish cinema as a response to universal queries about human suffering and death.

The first book to argue for the concept of tragic dilemmas in Christian ethics Moral dilemmas arise when individuals are unable to fulfill all of their ethical obligations. Tragic dilemmas are moral dilemmas that involve great tragedy. The existence of moral and tragic dilemmas is debated in philosophy and often dismissed in theology based on the notion that there are effective strategies that completely solve hard ethical situations. Yet cases from real-life events in war and bioethics offer compelling evidence for the existence of tragic dilemmas. In Tragic Dilemmas in Christian Ethics, Jackson-Meyer expertly explores the thought of Augustine and Aquinas to show the limits of their treatment of hard cases, as well as where their thought can be built on and expanded in relation to tragic dilemmas. She recognizes and develops a new theological understanding of tragic dilemmas rooted in moral philosophy, contemporary case studies, and psychological literature on moral injury. Jackson-Meyer argues that in tragic dilemmas moral agents choose between conflicting nonnegotiable moral obligations rooted in Christian commitments to protect human life and the vulnerable. Personal culpability is mitigated due to constrained situations and society is also culpable when tragic dilemmas are a result of structural sin. In response, Jackson-Meyer implores Christian communities to offer individual and communal healing after tragic dilemmas and to acknowledge their own participation in injustice. Tragic Dilemmas in Christian Ethics offers practical strategies that Christian communities can use to provide healing to those who have acted in tragic dilemmas and to transform the unjust structures that often cause these tragedies.