Contending that criticism of Marlowe’s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe’s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowe’s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martin’s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern period’s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowe’s six other plays similarly argue that throughout Marlowe’s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma.

The Tragical History of Doctor Faustus by Christopher Marlowe: A seminal work of Elizabethan drama, this play follows the tragic journey of Dr. Faustus, a scholar who makes a pact with the devil in exchange for unlimited knowledge and power. Marlowe's masterpiece explores themes of ambition, morality, and the consequences of unchecked desires, leaving readers pondering the nature of human ambition and the choices we make. Key Aspects of the Book “The Tragical History of Doctor Faustus”: Immerse yourself in the world of Elizabethan drama and theatrical tradition. Reflect on the timeless themes of ambition, morality, and the human condition. Engage with the complex character of Dr. Faustus and his fateful choices. Christopher Marlowe, an English playwright, poet, and translator, was a prominent figure in the Elizabethan era and a contemporary of William Shakespeare. Marlowe's plays, including Doctor Faustus and Tamburlaine the Great, showcased his innovative use of blank verse and explored themes of ambition, power, and the human condition. His dramatic works, characterized by their intellectual depth and poetic language, contributed to the development of English Renaissance drama. Despite his untimely death at a young age, Marlowe's impact on English literature remains profound, and his plays continue to be performed and studied today.

Focusing upon Marlowe the playwright as opposed to Marlowe the man, the essays in this collection position the dramatist's plays within the dramaturgical, ethical, and sociopolitical matrices of his own era. The volume also examines some of the most heated controversies of the early modern period, such as the anti-theatrical debate, the relations between parents and children, Machiavaelli1s ideology, the legitimacy of sectarian violence, and the discourse of addiction. Some of the chapters also explore Marlowe's polysemous influence on the theater of his time and of later periods, but, most centrally, upon his more famous contemporary poet/playwright, William Shakespeare.

Set in Malta, a European island off the coast of Italy, The Famous Tragedy of the Rich Jew of Malta by Christopher Marlowe follows a rich Jewish merchant, Barabas, who enjoys the privileges that his wealth allows. When the governor of Malta, Ferneze, summons Barabas to his office, Barabas is intrigued and complies immediately. However, when the governor tells Barabas of a deal he is keeping with the Turks, Barabas is appalled. Ferneze demands that Barabas gives up half of his wealth in order to help the government pay tribute to the Turks, but the merchant refuses to cooperate, protesting the injustice. Filled with anger, Ferneze then decides to seize all of Barabas’ assets, including his home. Unable to dispute the decision, Barabas leaves to begin plotting his revenge. First, he is determined to recover the treasure he has hidden around his home, which Ferneze turned into a convent to mock Barabas’ own religious beliefs. After his plan to steal back some of the hidden fortune in his house is successful, Barabas begins to enact his revenge. Using his daughter as a pawn, Barabas promises to marry her to two men. As Barabas continues his cunning scheme to harm Ferneze, a chain of tragedies ensues, involving manipulation, murder, and even the threat of war. Christopher Marlowe’s The Famous Tragedy of the Rich Jew of Malta was an immediate success following its first performance in 1592. Compelled by the drama, characterization and the complex themes of religion, class, capitalism, and prejudice, audiences have been invested in Marlowe’s tragedy for centuries. This edition of The Famous Tragedy of the Rich Jew of Malta by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, The Famous Tragedy of the Rich Jew of Malta is restored to modern standards while the original genius and vivid imagery of Marlowe’s work is preserved.

Christopher Marlowe was the most successful dramatist of his time, his untimely death cutting short a career that may well have rivalled Shakespeare's. His four major works (Doctor Faustus, Edward II, The Jew of Malta and Tamburlaine) are remarkable pieces of theatre, daring explorations of themes such as the nature of kingship, salvation and damnation, sexuality and ethnic prejudice. This book looks in depth at extracts from each of the plays, exploring them in parallel to uncover key concerns, including heroes and anti-heroes, gender and power and politics. As well as guiding readers in an understanding of the place of these issues in their Elizabethan context, and inviting them to consider their resonance today, the book looks in depth at Marlowe's style: his use of rhythm, the complexities and richness of his poetry, and his evolving development of 'character'. Particular attention is given throughout to the plays in performance.