Bilan des vingt années d'existence de la revue Palimpsestes en hommage à son fondateur, réunissant des analyses théoriques sur la traduction mais également des analyses sur ses applications pratiques. Une réflexion sur l'acte de traduire au XXIe siècle et sur sa dimension créative.

Lance Hewson's book on translation criticism sets out to examine ways in which a literary text may be explored as a translation, not primarily to judge it, but to understand where the text stands in relation to its original by examining the interpretative potential that results from the translational choices that have been made. After considering theoretical aspects of translation criticism, Hewson sets out a method of analysing originals and their translations on three different levels. Tools are provided to describe translational choices and their potential effects, and applied to two corpora: Flaubert's Madame Bovary and six of the English translations, and Austen's Emma, with three of the French translations. The results of the analyses are used to construct a hypothesis about each translation, which is classified according to two scales of measurement, one distinguishing between "just" and "false" interpretations, and the other between "divergent similarity", "relative divergence", "radical divergence" and "adaptation".

The Routledge Handbook of Translation Studies provides a comprehensive, state-of-the-art account of the complex field of translation studies. Written by leading specialists from around the world, this volume brings together authoritative original articles on pressing issues including: the current status of the field and its interdisciplinary nature the problematic definition of the object of study the various theoretical frameworks the research methodologies available. The handbook also includes discussion of the most recent theoretical, descriptive and applied research, as well as glimpses of future directions within the field and an extensive up-to-date bibliography. The Routledge Handbook of Translation Studies is an indispensable resource for postgraduate students of translation studies.

This is a book about reading, or rather about the moment when the usual frames of interpretation no longer apply. That is where the Othering Excursion begins. Through disruptive forms of rhetoric, writers discard the structures and norms of the cultural system and use the disorders thus created to suggest what lies beyond it. Cultivating distortion, conceptual blocks and chaotic constructions, their texts flout normal processes of interpretation. Whereas traditional approaches often overlook these disorders or treat them as a form of informational noise, in this study they become the basis of critical reflection. Harding and Martin elaborate a critical concept and a range of reading methods to deal with what seem to be zones of obscurity in literary texts. Cutting across boundaries of race, ethnicity and gender, they treat a wide range of poetry and short fiction that challenges traditional interpretations. Giving new readings of canonical texts, the book examines works by American authors that are widely read and taught, like Elizabeth Bishop, A.R. Ammons, Don DeLillo, Leslie Marmon Silko, or Sandra Cisneros. At the same time, it includes studies of emerging writers like Kate Braverman, Dan Chaon, or Chase Twichell. "There is something deeply moving in witnessing the birth of a new concept. And indeed Wendy Harding and Jacky Martin’s concept of “Othering” is a welcome addition to an already crowded field, where concepts like “difference”, “alterity” or “hybridity” are firmly established. But the new concept is more than an addition, it is more in the nature of a substitution, as it aims to replace the now exhausted concepts, allows the authors to avoid the trivialities of a criticism based on gender and race, and, by focusing on form and language (or style), to recapture the now largely lost intuitions of close reading. This combination of close reading and a firm grasp of theory is one of the attractions of the book. I am impressed by their mastery of the intricacies of theory and the range of their literary corpus (in terms both of genres and texts). I have no doubt that their book will be a major contribution to the renewal of the study of contemporary American literature." —Professor Jean-Jacques Lecercle, University of Nanterre, Paris In Beyond Words, Wendy Harding and Jacky Martin offer “a new attitude to reading” that approaches true diversity by ignoring trends toward traditional groupings of authors by race and gender and instead examining, democratically, recent American literature in terms of its unique and peculiar achievements. In choosing texts that employ “the rhetoric of the inexpressible,” the authors have identified “Othering” as the common thread running through short fiction and poetry by authors as varied as Allen Ginsberg, Raymond Carver, Sandra Cisneros, Adrienne Rich, and Li-Young Lee. In transliterating the language of the ineffable and unspoken, Beyond Words employs its superbly original methodology toward unfolding previously inaccessible layers of meaning and provoking a fuller understanding of the creative process and its cultural milieu. —Michael Waters, Professor of English at Salisbury University, USA "A germinal study from an "other" (in this case, European) perspective of an at once idiosyncratic and indicative range of American texts with a view of how they, themselves, encounter the unexamined and unexpected." —Marilyn Hacker, Professor at City College of New York and CUNY Graduate Center "Invigorating and original, Beyond Words: The Othering Excursion in Contemporary American Literature challenges conventional ways of approaching literary texts. Eschewing binaries, Wendy Harding and Jacky Martin propose a new approach to reading and analyzing the heterogeneity of recent American literature. By juxtaposing both well-known and less-familiar poetry and short fiction by authors as various as Gayl Jones, John Ashbery, Russell Banks, and Marilyn Nelson, Harding and Martin consider a stimulating variety of texts that cross aesthetic, generic, canonical and political boundaries. Harding and Martin’s polysemous approach to literary texts, a procedure they call “othering,” is groundbreaking and enlightening. Beyond Words provides rich insights for scholars and general readers alike. Harding and Martin’s new mapping of American literature is a remarkable achievement, certain to provoke dialogue for decades to come." —Sue Standing, Jane Ruby Professor of English, Wheaton College, Norton, Massachusetts "In this new book with the apt title Beyond Words: the Othering Excursion in Contemporary American Literature, Wendy Harding and Jacky Martin promise to generate intense conversation about their conceptual approach to reading canonical, as well as newer texts in late twentieth century American literature. Beyond Words favors a shift in thinking about all texts that defy conventional analysis, and it resists the cleavages that it finds in unsatisfactory terms like “alterity” and “hybridity” conceived to account for differences in gender-racial, ethnic, and class contexts. Re-conceiving Othering as a corroborative and complementary methodology rather than a splintered one, Beyond Words invites an illuminating, comprehensive analysis of literary production in late twentieth century American texts." —Helena Woodard, Associate Professor of English, Department of English, University of Texas at Austin, USA

Spanning four centuries from the Renaissance to today's avant-garde, Migration and Mutation explores how the sonnet has evolved in and out of translation. Contributors examine little-studied translation trajectories in the early modern period, such as the pivotal role of France between Italy and England or the first German sonnets and their Italian, French, Dutch and Scottish origins. Essays then shed new light on major European sonneteers In the 19th and 20th centuries, including Shakespeare, Keats, Yeats, Rilke and Pessoa, alongside lesser-known contemporaries and with novel approaches. And finally, contributors explore how translation and adaptation create metaphorical space in the 21st century. Migration and Mutation also pays attention to the political or subversive dimension of the sonnet, with essays on women, gay or postcolonial reclaimings of the sonnet and recent experiments such as post-Soviet Sonnets on shirts by Genrikh Sagpir. It takes the sonnet out of the confines of enclosed national traditions bringing it into renewed contact with mostly European, but also other, cultures.