Charles Wright identifies the characteristic features of Irish Christian literature which influenced Anglo-Saxon vernacular authors. As a full-length study of Irish influence on Old English religious literature, the book will appeal to scholars in Old English literature, Anglo-Saxon studies, and Old and Middle Irish literature.

A collection of essays presenting an "insider" view of the Irish poetic tradition. It brings together some of the best-known poets and critics writing in Ireland today, exploring the multiple traditions and influences within Anglo-Irish poetry from the 19th century to the present.

Intro -- Contents -- Preface -- Introduction -- Chapter 1: A Lost Pastoral Rhythm: The Poetry of John Montague -- Chapter 2: "The God in the Tree" : Seamus Heaney and the Pastoral Tradition -- Chapter 3: "Love Poems, Elegies: I am losing my place " : Michael Longley's Environmental Elegies -- Chapter 4: Learning the Lingua Franca of a Lost Land: Eavan Boland's Suburban Pastoral -- Chapter 5: "In My Handerkerchief of a Garden" : Medbh McGuckian's Miniature Pastoral Retreats -- Chapter 6: "When Ireland Was Still under a Spell" : Miraculous Transformations in the Poetry of Nuala Ní Dhomhnaill -- Conclusion: The Future of Pastoral -- Notes -- Bibliography -- Index.

Traces the history of twentieth century Irish poetry and examines the Irish literary tradition

Irish literature exists in two languages. A dual approach is necessary if the tradition, with its historical, political and semantic tensions, is to be understood-indeed, if some of its features are to be appreciated at all. Separate Gaelic and Anglo-Irish anthologies and commentaries have long been readily available, but commentaries dealing with the total Irish literary response are rare. In The Dual Tradition Thomas Kinsella presents a view of poetry in Ireland from early times to the present day, concentrating on the periods of most radical adjustment and change: the coming of Christianity; Norman and later settlement; the end of the bardic period; colonialism and dispossession; politics before Famine and in the nineteenth and twentieth centuries. He brings Yeats and Joyce into new focus and considers in special detail the poetry of Austin Clarke, Patrick Kavanagh and Samuel Beckett. The translations from the Irish are by the author.

The book provides a new perspective on the establishment of Irish literature in English. This emerged in the early nineteenth century in an effort to create an independent writing in Ireland. the author explores the activities of these early years to later investigate canon formation in the twentieth century as well as contemporary definitions of Irish writing in English. She finally proposes the existence of another literature in the early twentieth century in Ireland and proffers an explanation for its exclusion from the new canon.