It's not just rap music. Hip-hop has transformed theater, dance, performance, poetry, literature, fashion, design, photography, painting, and film, to become one of the most far-reaching and transformative arts movements of the past two decades.American Book Award-winning journalist Jeff Chang, author of the acclaimed Can't Stop Won't Stop: A History of the Hip-Hop Generation, assembles some of the most innovative and provocative voices in hip-hop to assess the most important cultural movement of our time. It's an incisive look at hip-hop arts in the voices of the pioneers, innovators, and mavericks.With an introductory survey essay by Chang, the anthology includes: Greg Tate, Mark Anthony Neal, Brian “B+” Cross, and Vijay Prashad examining hip-hop aesthetics in the wake of multiculturalism. Joan Morgan and Mark Anthony Neal discussing gender relations in hip-hop. Hip-hop novelists Danyel Smith and Adam Mansbach on "street lit" and "lit hop". Actor, playwright, and performance artist Danny Hoch on how hip-hop defined the aesthetics of a generation. Rock Steady Crew b-boy-turned-celebrated visual artist DOZE on the uses and limits of a "hip-hop" identity. Award-winning writer Raquel Cepeda on West African cosmology and "the flash of the spirit" in hip-hop arts. Pioneer dancer POPMASTER FABEL's history of hip-hop dance, and acclaimed choreographer Rennie Harris on hip-hop's transformation of global dance theatre. Bill Adler's history of hip-hop photography, including photos by Glen E. Friedman, Janette Beckman, and Joe Conzo. Poetry and prose from Watts Prophet Father Amde Hamilton and Def Poetry Jam veterans Staceyann Chin, Suheir Hammad, Marc Bamuthi Joseph and Kevin Coval. Roundtable discussions and essays presenting hip-hop in theatre, graphic design, documentary film and video, photography, and the visual arts. “Total Chaos is Jeff Chang at his best: fierce and unwavering in his commitment to document the hip-hop explosion. In beginning to define a hip-hop aesthetic, this gathering of artists, pioneers, and thinkers illuminates the special truth that hip-hop speaks to youth around the globe.” (Bakari Kitwana, author of The Hip-Hop Generation)

An ex-cop takes on the mafia in the blockbuster novel that kicks off the Marseilles trilogy with what “may be the most lyrical hard-boiled writing yet” (The Nation). In Jean-Claude Izzo’s “Mediterranean noir” mysteries, the city of Marseilles is explosive, breathtakingly beautiful, and deadly. Total Chaos introduces readers to Fabio Montale, a disenchanted cop who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands. Ugo, Manu, and Fabio grew up together on the mean streets of Marseilles where friendship means everything. They promised to stay true to one another and swore that nothing would break their bond. But people and circumstances change. Ugo and Manu have been drawn into the criminal underworld of Europe’s toughest and most violent city. When Manu is murdered and Ugo returns from abroad to avenge his friend’s death, only to be killed himself, it is left to the third in this trio, Det. Fabio Montale, to ensure justice is done. Despite warnings from both his colleagues in law enforcement and his acquaintances in the underworld, Montale cannot forget the promise he once made Manu and Ugo. He’s going to find their killer no matter the consequences. “One of the masterpieces of modern noir.” —The Washington Post “Like the best noir writers—and make no mistake, he is among the best—Izzo not only has a keen eye for detail . . . but also digs deep into what makes men weep.” —Time Out New York “The holy grail of noir fiction . . . a fast paced and stylishly told modern tragedy.” —NB Magazine

The Total Enemy explores the most radicalized forms of enmity, trying to unravel some of its historical and contemporary expressions. Starting from the premise that one of modernity's constitutive values is non-violence, the book explores how non-violence, or rather the making of a world free of violence, becomes a cause of violence, in some instances even extreme violence and totalitarian terror. The book consists of six case studies each exploring and discussing historically specific expressions of depicting an enemy as one the actors believe they can only deal with violently. It begins by looking at two important sites in the development of the total enemy, the French Revolution and the emergence of terrorist thinking in the middle of the nineteenth century. The book then turns to the twentieth century, beginning with the pre-WWII conceptualizations of the "total" in European political thought as an answer to a liberal state deemed unfit to manage and control mass society. Secondly, it considers the totalitarian enemy in Nazi Germany, especially Soviet Russia. Finally the book turns to two forms of contemporary total enmity: Islamism and in right-wing extremism. These concluding chapters look specifically at what happens to the total enemy concept once it goes from the state concept of the twentieth century to the private practice of the twenty-first.

Chaos is a perennial source of fear and fascination. The original "formless void" (tohu-wa-bohu) mentioned in the book of Genesis, chaos precedes the created world: a state of anarchy before the establishment of cosmic order. But chaos has frequently also been conceived of as a force that persists in the cosmos and in society and threatens to undo them both. From the cultures of the ancient Near East and the Old Testament to early modernity, notions of the divine have included the power to check and contain as well as to unleash chaos as a sanction for the violation of social and ethical norms. Yet chaos has also been construed as a necessary supplement to order, a region of pure potentiality at the base of reality that provides the raw material of creation or even constitutes a kind of alternative order itself. As such, it generates its own peculiar 'formations of the formless'. Focusing on the connection between the cosmic and the political, this volume traces the continuities and re-conceptualizations of chaos from the ancient Near East to early modern Europe across a variety of cultures, discourses and texts. One of the questions it poses is how these pre-modern 'chaos theories' have survived into and reverberate in our own time.

The most comprehensive guide to the history of DC Comics ever published In 1938, Superman led the charge. The world's first Super Hero was soon followed by his Justice League teammates Batman, Wonder Woman, the Flash, Aquaman, Shazam! and Green Lantern. These heroes, and their Super-Villainous foes such as Lex Luthor and The Joker, became the foundation of DC Comics. You can trace these characters' evolution, and learn about the company and creators who made them the enduring pop culture icons they are today in DC Comics Year By Year: A Visual Chronicle - the most comprehensive, chronological history of DC Comics ever published. Fully updated, this best-selling, visually stunning book details the debuts and careers of every major hero and villain in the DC Universe. It also chronicles the company's fascinating 85-year history, highlighting its publishing milestones and expansion into movies and television, alongside the real-world events that shaped the times. Created in full collaboration with DC Comics and written by leading comics historians Matthew K. Manning, Daniel Wallace, Mike McAvennie, Alex Irvine, Alan Cowsill and Melanie Scott, the new edition brings the DC Comics story right up to date, covering recent landmark events such as Rebirth, Dark Nights: Metal, Doomsday Clock and Heroes in Crisis. DC Comics Year By Year: A Visual Chronicle is guaranteed to keep fans enthralled for hours on end. (TM) & © DC Comics. (s19)

Wind In The Attic is one of the most moving and compelling personal accounts of growing up Pagan. This book helps people discover new social and magickal systems coined by the author, systems like the wheel of truths, social evolutionism and more. With detailed personal accounts, practical understanding of Chaos and Elven High Magick, and with easy to follow instructions, Wind In The Attic is one of the most revealing books on the Market.

By exploring the transcultural nature of Mediterranean crime fiction, Barbara Pezzotti advocates for a regional 'reading' of the genre.