The first full-length biography of the Western legend Tom Jeffords, immortalized by Jimmy Stewart in 1950’s Broken Arrow. This book tells the true story of a man who headed West drawn by the lure of the Pike’s Peak Gold Rush in 1858; made a life for himself over a decade as he scouted for the army, prospected, became a business man; then learned the Apache language and rode alone into Cochise’s camp in order to negotiate peaceful passage for his stagecoach company. In his search for the real story of Jeffords, Cochise, and the parts they played in mid-nineteenth century American history and politics, author Doug Hocking reveals that while the myths surrounding those events may have clouded the truth a bit, Jeffords was almost as brave and impressive as the legend had it.

When it acquired New Mexico and Arizona, the United States inherited the territory of a people who had been a thorn in side of Mexico since 1821 and Spain before that. Known collectively as Apaches, these Indians lived in diverse, widely scattered groups with many names—Mescaleros, Chiricahuas, and Jicarillas, to name but three. Much has been written about them and their leaders, such as Geronimo, Juh, Nana, Victorio, and Mangas Coloradas, but no one wrote extensively about the greatest leader of them all: Cochise. Now, however, Edwin R. Sweeney has remedied this deficiency with his definitive biography. Cochise, a Chiricahua, was said to be the most resourceful, most brutal, most feared Apache. He and his warriors raided in both Mexico and the United States, crossing the border both ways to obtain sanctuary after raids for cattle, horses, and other livestock. Once only he was captured and imprisoned; on the day he was freed he vowed never to be taken again. From that day he gave no quarter and asked none. Always at the head of his warriors in battle, he led a charmed life, being wounded several times but always surviving. In 1861, when his brother was executed by Americans at Apache Pass, Cochise declared war. He fought relentlessly for a decade, and then only in the face of overwhelming military superiority did he agree to a peace and accept the reservation. Nevertheless, even though he was blamed for virtually every subsequent Apache depredation in Arizona and New Mexico, he faithfully kept that peace until his death in 1874. Sweeney has traced Cochise’s activities in exhaustive detail in both United States and Mexican Archives. We are not likely to learn more about Cochise than he has given us. His biography will stand as the major source for all that is yet to be written on Cochise.

The Apache chief, Cochise, and Tom Jeffords, government scout, succeed in achieving peace after the army fails

Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals, the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.

In the autumn of 1872, Brigadier General Oliver O. Howard and his aid-de-camp, Lieutenant Joseph Alton Sladen, entered Arizona's rocky Dragoon Mountains in search of the elusive Chiricahua Apache chief, Cochise. They sought to convince him that the bloody fighting between his people and the Americans must stop. Cochise had already reached that conclusion, but he had found no American official he could trust.

The history of American Indians on screen can be compared to a light shining through a prism. We may have seen bits and pieces of the genuine culture portrayed, but rarely did we see a satisfying and informative whole picture. Savages and Saints deals with the changing image of the American Indian in the Western film genre, contrasting the fictionalized images of native Americans portrayed in classic films against the historical reality of life on the American frontier. The book tells the stories of frontier warriors, Indian and white, revealing how their stories were often drastically altered on screen according to the times the films were made, the stars involved in the film's production, and the social/political beliefs of the filmmakers. Studio correspondence, letters from government files, and passages from western novels adapted for the screen are used to illustrate the various points. Instructors considering this book for use in a course may request an examination copy here.