This book explores the idea of time travel from the first account in English literature to the latest theories of physicists such as Kip Thorne and Igor Novikov. This very readable work covers a variety of topics including: the history of time travel in fiction; the fundamental scientific concepts of time, spacetime, and the fourth dimension; the speculations of Einstein, Richard Feynman, Kurt Goedel, and others; time travel paradoxes, and much more.

Broken Time Machines: Daisy Patton, designed by Joshua Gamma and edited by Yasmeen Siddiqui, is comprised of writings by award-winning Irish poet and novelist Elaine Feeney; celebrated American poet Sommer Browning; British scholar Salma Ahmad Caller; French feminist literary critic Adèle Cassigneul; American historian William Max Nelson; and American critic Kealey Boyd. Together these contributors have created a sensitively designed book that behaves as a way-finding device for interpreting the work of emerging artist Daisy Patton.

Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. 'Sonic Time Machines' aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal effect in a techno-cultural context and as a source of knowledge and information. Ernst creates a new term for the concept at the heart of the book, "sonicity," a flexible and powerful term that allows him to consider sound with all its many physical, philosophical, and cultural valences.

"Beautifully written, eloquently reasoned…Mr. Buonomano takes us off and running on an edifying scientific journey." —Carol Tavris, Wall Street Journal In Your Brain Is a Time Machine, leading neuroscientist Dean Buonomano embarks on an "immensely engaging" exploration of how time works inside the brain (Barbara Kiser, Nature). The human brain, he argues, is a complex system that not only tells time, but creates it; it constructs our sense of chronological movement and enables "mental time travel"—simulations of future and past events. These functions are essential not only to our daily lives but to the evolution of the human race: without the ability to anticipate the future, mankind would never have crafted tools or invented agriculture. This virtuosic work of popular science will lead you to a revelation as strange as it is true: your brain is, at its core, a time machine.

The Time Machine by H. G. Wells is a science fiction classic, which lends itself well to visualization. This version, illustrated by Yoann Laurent-Rouault, an illustrator master who graduated from the Beaux-Arts, and published in the international literary collection Memoria Books, is a reference on the time travel theme. Wells transports us in the year 802 701, in a society made up of the “Elois”, who live peacefully in a kind of big Garden of Eden, eating fruits and sleeping high up, while underground lives another species, also descending from men, the “Morlocks”, who do not stand the light anymore, living in the dark for too long now. At night, they return to the surface, going back up by the wells, in order to kidnap some Elois that they eat ; these last became livestock unknowingly. In The Time Machine, made into a movie several times, the last of them in 2002 by Simon Wells, the great-grandson of H. G. Wells, time is both a pretext to move the class struggle and warn... and also, in a way, a full character, who fascinates, arbitrates, transcends... The illustrations come to reinforce the time travel and provide a new experience to the reader.

Bridging modernist studies and science fiction scholarshipModernism and Time Machines places the fascination with time in canonical works of twentieth-century literature and art side-by-side with the rise of time-travel narratives and alternate histories in popular culture. Both modernism and this cardinal trope of science fiction produce a range of effects and insights that go beyond the exhilarations of simply sliding back and forth in history. Together the modernist time-obsession and the fantasy of moving in time help us to rethink the shapes of time, the consistency of timespace and the nature of history.Key FeaturesDraws on insights from a range of sources, including critical geography, postcolonial theory, science and technology studies, and time studiesExamines different kinds of objects together: SF, Impressionism, and Henri Lefebvre's rhythmanalysis; evolutionary biology, Eliot's The Waste Land, and Leinster's "e;Sidewise in Time"e;; Woolf, Philip K. Dick's alternate history, and the film Interstellar; bullet time, Faulkner's racialized lag, and Jessica Hagedorn's postcolonial anachronism; "e;big history,"e; Olaf Stapledon's two-billion-year novel of the human species, and Terrence Malick's film Tree of Life

Do you know: What might happen if you fall into a black hole? That the Universe does not have an edge? That the reason it gets dark at night is proof of the Big Bang? That cosmic particles time-travel through the atmosphere defying death? That our past, present and future might all coexist "out there"? With two remarkable ideas, Albert Einstein revolutionized our view of the Universe. His first was that nothing can travel faster than light-the ultimate speed limit. This simple fact leads to the unavoidable conclusion that space and time must be linked together forever as Spacetime. With his second monumental insight, Einstein showed how Spacetime is warped and stretched by the gravity of all objects in the Universe and even punctured by black holes. But such possible twisting of Spacetime allowed a magic not even Einstein could have imagined: time-travel. Theoretical physicist Jim Al-Khalili finally lays science fiction to rest as he opens up Einstein's Universe. Leading us gently and light-heartedly through the dizzying world of our space and time, he even gives us the recipe for a time machine, capable of taking us Back to the Future, to Alice's Wonderland, or on a trip with the Terminator.