Iris Rainer Dart, bestselling author of BEACHES, brings you a hilarious, semiautobiographical story about a wary thirty-seven-year-old lady and a gorgeous younger man who's stealing her heart.

What do you do when your life isn't living up to your dreams? When the man you love is unavailable, and yet you long for a family, a home? What is the cost of compromising until the real thing comes along? Reading Elizabeth Berg is like having a friend sit down and talk with you about the deepest truths and most perplexing issues in life, and in this exquisite new novel the bestselling author of Talk Before Sleep and The Pull of the Moon once again gives us superb fiction about a passionate woman who solves life's problems in a way that is far from traditional, but close to the wise dictums of the heart. Patty Ann Murphy says she's "Ms. Runner-Up" in life. Rarely the bridesmaid, never mind the bride, Patty sells houses for a living (well, she's sold one house so far), longs to be married and have a family, but is irresistibly drawn to the wrong man. Ethan seems perfect for Patty--handsome, generous, and sensitive--but he's hopelessly unavailable. Patty's frustration leads her to feelings she doesn't admire--jealousy of her beautiful best friend, Elaine, for instance, about whom she says, "Find me one woman who doesn't withhold just a bit from another woman who looks like that." She's also worried about her mother, with whom she's very close but who is beginning to act strangely. Patty longs more and more for the consolation of loving and being loved, but for the moment feels she must content herself with waiting--until she can wait no more. Andre Dubus said about Elizabeth Berg's Durable Goods, "Elizabeth Berg writes with humor and a big heart about resilience, loneliness, love and hope. And the transcendence that redeems." And the same will be said about Until the Real Thing Comes Along.

Ranging from ragtime to bebop and from Bennie Moten to Charlie Parker, this work aims to capture the golden age of Kansas City jazz. It showcases the lives of the great musicians who made Kansas City swing, with profiles of jazz figures such as Mary Lou Williams, Big Joe Turner, and others.

Andy Kirk's Clouds of Joy came from Kansas City to find nationwide fame in the later 1930s. The many records they made between 1929 and 1949 came to exemplify the Kansas City style of jazz, but they were also criticized for their populism and inauthenticity. In The Recordings of Andy Kirk' and his Clouds of Joy, George Burrows considers these records as representing negotiations over racialized styles between black jazz musicians and the racist music industry during a vital period of popularity and change for American jazz. The book explores the way that these reformative negotiations shaped and can be heard in the recorded music. By comparing the band's appropriation of musical styles to the manipulation of masks in black forms of blackface performance--both signifying and subverting racist conceptions of black authenticity--it reveals how the dynamic between black musicians, their audiences and critics impacted upon jazz as a practice and conception.

"The songs selected for this compilation are a result of an exhaustive effort to represent the many styles of music that make up that beloved idiom we call jazz. The styles found in this collection include: traditional, swing, bebop, Latin/bossa nova, hard bop/modern jazz and Tin Pan Alley standards/show tunes..."--about this book.

(Fake Book). The Real Vocal Book has many of the selections from Volumes 1 and 2 of the instrumental Real Books, but now with complete lyrics added to the pre-existing melody line. This edition features 300 essential songs arranged for low voice, including: Alfie * All of Me * Autumn Leaves * Bewitched * Bluesette * Don't Get Around Much Anymore * Fever * Georgia on My Mind * Misty * Moon River * My Funny Valentine * Satin Doll * and more. Looking for a particular song? Check out the Real Book Songfinder here.