Thunderstruck is a man's story of mental illness, trauma, and redemption.Michael Jarosi had a loving family, athletic promise, and had earned a soccer scholarship to The University of Virginia. But two weeks before his high school graduation, Michael and his father Frank were both struck by lightning on a soccer field. Frank was killed and Michael, standing yards away, was rendered unconscious and burned. The lightning strike left Michael with Post Traumatic Stress Disorder (PTSD) which went undiagnosed and untreated for years.After his third year at college, Michael was hospitalized and diagnosed with type I bipolar disorder. The remainder of his adult life has been marked by bipolar manic episodes and hospitalizations. Michael escaped an Alabama criminal psychiatric facility where he was being tortured, and has also been homeless.Along the way, Michael earned a law degree at age 35, passed the Ohio Bar Exam, and is a licensed attorney today. After being homeless then taken in by a Salvation Army shelter in Chicago in 2015, Michael has been on a path of redemption. He believes that making people with mental illness part of the paradigm of diversity and inclusion can help change the societal stigma toward people with mental illness, and especially help heal the self-stigma that is so damaging and even deadly.

National Book Award Finalist Winner of the New York Public Library Young Lions Fiction Award Winner of the American Academy of Arts & Letters Rosenthal Family Foundation Award Winner of the Anisfield-Wolf Award Winner of the Bard Fiction Prize One of the New York Times Book Review’s Ten Best Books of the Year One of Granta’s Best Young American Novelists A Washington Post Notable Fiction Book of the Year PEN Center USA Literary Award Finalist for Fiction Simpson Family Literary Prize Finalist Shortlisted for the DSC Prize for South Asian Literature Longlisted for the FT/Oppenheimer Emerging Voices Award Named a Best Book of the Year by: Buzzfeed, Esquire, New York magazine, The Huffington Post, The Guardian, The AV Club, The Fader, Redbook, Electric Literature, Book Riot, Bustle, Good magazine, PureWow, and PopSugar “Wonderful. . . . Smart, devastating, unpredictable. . . . I suggest you go out and buy this one. Post haste.” —Fiona Maazel, The New York Times Book Review “Brilliant.” —Sam Sacks, The Wall Street Journal “[Mahajan’s] eagerness to go at the bomb from every angle suggests a voracious approach to fiction-making.” —The New Yorker One of the most celebrated novels of recent years, The Association of Small Bombs is an expansive and deeply humane novel that is at once groundbreaking in its empathy, dazzling in its acuity, and ambitious in scope When brothers Tushar and Nakul Khurana, two Delhi schoolboys, pick up their family’s television set at a repair shop with their friend Mansoor Ahmed one day in 1996, disaster strikes without warning. A bomb—one of the many “small” bombs that go off seemingly unheralded across the world—detonates in the Delhi marketplace, instantly claiming the lives of the Khurana boys, to the devastation of their parents. Mansoor survives, bearing the physical and psychological effects of the bomb. After a brief stint at university in America, Mansoor returns to Delhi, where his life becomes entangled with the mysterious and charismatic Ayub, a fearless young activist whose own allegiances and beliefs are more malleable than Mansoor could imagine. Woven among the story of the Khuranas and the Ahmeds is the gripping tale of Shockie, a Kashmiri bomb maker who has forsaken his own life for the independence of his homeland. Karan Mahajan writes brilliantly about the effects of terrorism on victims and perpetrators, proving himself to be one of the most provocative and dynamic novelists of his generation.

Explore new worlds in this riveting sci-fi novel In David Vann’s searing novel Goat Mountain, an 11-year-old boy at his family’s annual deer hunt is eager to make his first kill. His father discovers a poacher on the land, a 640-acre ranch in Northern California, and shows him to the boy through the scope of his rifle. With this simple gesture, tragedy erupts, shattering lives irrevocably. In prose devastating and beautiful in its precision, David Vann creates a haunting and provocative novel that explores our most primal urges and beliefs, the bonds of blood and religion that define and secure us, and the consequences of our actions—what we owe for what we’ve done. David Vann is the award-winning author of Legend of a Suicide, Caribou Island, A Mile Down, and Last Day on Earth.

A young man and woman meet on a train in Europe, and wind up spending one romantic evening together in Vienna. Unfortunately, both know that this will probably be their only night together.

This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.

From the author of How We Die, the extraordinary story of the development of modern medicine, told through the lives of the physician-scientists who paved the way. How does medical science advance? Popular historians would have us believe that a few heroic individuals, possessing superhuman talents, lead an unselfish quest to better the human condition. But as renowned Yale surgeon and medical historian Sherwin B. Nuland shows in this brilliant collection of linked life portraits, the theory bears little resemblance to the truth. Through the centuries, the men and women who have shaped the world of medicine have been not only very human, but also very much the products of their own times and places. Presenting compelling studies of great medical innovators and pioneers, Doctors gives us a fascinating history of modern medicine. Ranging from the legendary Father of Medicine, Hippocrates, to Andreas Vesalius, whose Renaissance masterwork on anatomy offered invaluable new insight into the human body, to Helen Taussig, founder of pediatric cardiology and co-inventor of the original "blue baby" operation, here is a volume filled with the spirit of ideas and the thrill of discovery.

The Animal That Therefore I Am is the long-awaited translation of the complete text of Jacques Derrida's ten-hour address to the 1997 Cérisy conference entitled "The Autobiographical Animal," the third of four such colloquia on his work. The book was assembled posthumously on the basis of two published sections, one written and recorded session, and one informal recorded session. The book is at once an affectionate look back over the multiple roles played by animals in Derrida's work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction--dating from Descartes--between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single "the animal." Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses to the question in the work of each of them. The book's autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida's experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of "man's dominion over the beasts" and trace a history of how man has systematically displaced onto the animal his own failings or bêtises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of "life" to which he returned in much of his later work.