Even before he was shot and killed in 1881, Billy the Kid’s charisma and murderous career were generating stories that belied his brief life—and that only multiplied, growing to legendary proportions after his death at age twenty-one. In Thunder in the West, Richard W. Etulain takes the true measure of Billy, the man and the legend, and presents the clearest picture yet of his life and his ever-shifting place and presence in the cultural landscape of the Old West. Billy the Kid—born Henry McCarty in 1859, and also known as William H. Bonney—emerges from these pages in all his complexity, at once a gentleman and gregarious companion, and a thief and violent murderer. Tapping new depths of research, Etulain traces Billy’s short life from his mysterious origins in the East through his wanderings in New Mexico, Arizona, and Texas. As we move from his peripatetic early years through the wild West to his fatal involvement in the Lincoln County Wars, we see the impressionable boy give way to the conflicted young man and, finally, to the opportunistic and often amoral outlaw who was out for himself, for revenge, and for whatever he could steal along the way. Against this deftly drawn portrait, Etulain considers the stories and myths spawned by Billy’s life and death. Beginning with the dime novels featuring Billy the Kid, even during his lifetime, and ranging across the myriad newspaper accounts, novels, and movies that alternately celebrated his outlaw life and condemned his exploits, Etulain offers a uniquely informed view of the changing interpretations that have shaped and reshaped the reputation of this enduring icon of the Old West. In his portrayal, Billy the Kid lives on, not as a cut-throat desperado or a young charmer but as both—hero and villain, myth and man, fully realized in this twenty-first-century interpretation.

Even before he was shot and killed in 1881, Billy the Kid’s charisma and murderous career were generating stories that belied his brief life—and that only multiplied, growing to legendary proportions after his death at age twenty-one. In Thunder in the West, Richard W. Etulain takes the true measure of Billy, the man and the legend, and presents the clearest picture yet of his life and his ever-shifting place and presence in the cultural landscape of the Old West. Billy the Kid—born Henry McCarty in 1859, and also known as William H. Bonney—emerges from these pages in all his complexity, at once a gentleman and gregarious companion, and a thief and violent murderer. Tapping new depths of research, Etulain traces Billy’s short life from his mysterious origins in the East through his wanderings in New Mexico, Arizona, and Texas. As we move from his peripatetic early years through the wild West to his fatal involvement in the Lincoln County Wars, we see the impressionable boy give way to the conflicted young man and, finally, to the opportunistic and often amoral outlaw who was out for himself, for revenge, and for whatever he could steal along the way. Against this deftly drawn portrait, Etulain considers the stories and myths spawned by Billy’s life and death. Beginning with the dime novels featuring Billy the Kid, even during his lifetime, and ranging across the myriad newspaper accounts, novels, and movies that alternately celebrated his outlaw life and condemned his exploits, Etulain offers a uniquely informed view of the changing interpretations that have shaped and reshaped the reputation of this enduring icon of the Old West. In his portrayal, Billy the Kid lives on, not as a cut-throat desperado or a young charmer but as both—hero and villain, myth and man, fully realized in this twenty-first-century interpretation.

NATIONAL BESTSELLER • From the author of Ghost Soldiers comes an eye-opening history of the American conquest of the West—"a story full of authority and color, truth and prophecy" (The New York Times Book Review). In the summer of 1846, the Army of the West marched through Santa Fe, en route to invade and occupy the Western territories claimed by Mexico. Fueled by the new ideology of “Manifest Destiny,” this land grab would lead to a decades-long battle between the United States and the Navajos, the fiercely resistant rulers of a huge swath of mountainous desert wilderness. At the center of this sweeping tale is Kit Carson, the trapper, scout, and soldier whose adventures made him a legend. Sides shows us how this illiterate mountain man understood and respected the Western tribes better than any other American, yet willingly followed orders that would ultimately devastate the Navajo nation. Rich in detail and spanning more than three decades, this is an essential addition to our understanding of how the West was really won.

The West Virginia mine war of 1920-21, a major civil insurrection of unusual brutality on both sides, even by the standards of the coal fields, involved thousands of union and nonunion miners, state and private police, militia, and federal troops. Before it was over, three West Virginia counties were in open rebellion, much of the state was under military rule, and bombers of the U.S. Army Air Corps had been dispatched against striking miners.The origins of this civil war were in the Draconian rule of the coal companies over the fiercely proud miners of Appalachia. It began in the small railroad town of Matewan when Mayor C. C. Testerman and Police Chief Sid Hatfield sided with striking miners against agents of the Baldwin-Felts Detective Agency, who attempted to evict the miners from company-owned housing. During a street battle, Mayor Testerman, seven Baldwin-Felts agents, and two miners were shot to death.Hatfield became a folk hero to Appalachia. But he, like Testerman, was to be a martyr. The next summer, Baldwin-Felts agents assassinated him and his best friend, Ed Chambers, as their wives watched, on the steps of the courthouse in Welch, accelerating the miners' rebellion into open warfare.Much neglected in historical accounts, Thunder in the Mountains is the only available book-length account of the crisis in American industrial relations and governance that occured during the West Virginia mine war of 1920-21.

The vast unsettled lands of Florida in the 1850s are a magnet drawing men and women from all backgrounds toward the promise of fresh beginnings. Most of them are honest, hard-working citizens. But there is another element, as on any frontier: the violent, the greedy, the power-hungry. Will the honest homesteaders prevail over those who would destroy their dreams even before they can begin to build?

Photographs show cowboys and Indians, actors, stuntmen, and film crews in scenes from the making of Western movies

“Beautifully wrought and impossible to put down, Daniel Sharfstein’s Thunder in the Mountains chronicles with compassion and grace that resonant past we should never forget.”—Brenda Wineapple, author of Ecstatic Nation: Confidence, Crisis, and Compromise, 1848–1877 After the Civil War and Reconstruction, a new struggle raged in the Northern Rockies. In the summer of 1877, General Oliver Otis Howard, a champion of African American civil rights, ruthlessly pursued hundreds of Nez Perce families who resisted moving onto a reservation. Standing in his way was Chief Joseph, a young leader who never stopped advocating for Native American sovereignty and equal rights. Thunder in the Mountains is the spellbinding story of two legendary figures and their epic clash of ideas about the meaning of freedom and the role of government in American life.