This book tells the story of the early modern astronomer Johannes Kepler’s Somnium, which has been regarded by science historians and literary critics alike as the first true example of science fiction. Kepler began writing his complex and heavily-footnoted tale of a fictional Icelandic astronomer as an undergraduate and added to it throughout his life. The Somnium fuses supernatural and scientific models of the cosmos through a satirical defense of Copernicanism that features witches, lunar inhabitants, and a daemon who speaks in the empirical language of modern science. Swinford’s looks at the ways that Kepler’s Somnium is influenced by the cosmic dream, a literary genre that enjoyed considerable popularity among medieval authors, including Geoffrey Chaucer, Dante, John of Salisbury, Macrobius, and Alan of Lille. He examines the generic conventions of the cosmic dream, also studying the poetic and theological sensibilities underlying the categories of dreams formulated by Macrobius and Artemidorus that were widely used to interpret specific symbols in dreams and to assess their overall reliability. Swinford develops a key claim about the form of the Somnium as it relates to early science: Kepler relies on a genre that is closely connected to a Ptolemaic, or earth-centered, model of the cosmos as a way of explaining and justifying a model of the cosmos that does not posit the same connections between the individual and the divine that are so important for the Ptolemaic model. In effect, Kepler uses the cosmic dream to describe a universe that cannot lay claim to the same correspondences between an individual’s dream and the order of the cosmos understood within the rules of the genre itself. To that end, Kepler’s Somnium is the first example of science fiction, but the last example of Neoplatonic allegory.

If the Demon Gate is Opened, Nothing Can Ever Close it Again . . . Valdar, heir to the throne of Dhulon, was in the fabled city-state of Schaerisa to pay his kingdom's respects to the recently deceased co-emperor. But then he ran into his old mentor, the sorcerer Nyrthim-who was supposed to be dead. The sorcerer's death had been faked so that he could be free to investigate tales that demons, once banished, were returning to the world. And unfortunately, the tales understated the danger. Once demons ranging from deadly imps to evil demigods had ruled the world. They had been cast out and confined to the nether world only with powerful sorcery, using spells long lost. Now someone is trying to summon the most powerful-and unspeakably dangerous-of these accursed creatures back to the world of men, hoping to conquer it through them. And unless Valdar and his companions at arms can thwart the plan, creatures evil beyond all human conception will return to rule the world. And this time, nothing will drive them back into the darkness. Instead darkness will rule the world forever . . . At the publisher's request, this title is sold without DRM (Digital Rights Management).

This book is about the weird and wonderful lesser-known ‘spirit’ entities of ancient Egypt –daemons, the mysterious and often fantastical creatures of the Egyptian ‘Otherworld’ – and the closely related spirits of the dead, which together conjure the excitement of all things otherworldly. Daemons and spirits are generally defined in Egyptology as creatures not of this world, which do not have their own cult centre, and both groups are frequently listed together in protective spells. This volume explores the general nature of daemons and spirits in ancient Egypt and discusses a selection in more detail: it uses artefacts from Wales’s important collection of Egyptian objects at the Egypt Centre at Swansea University, in which are to be found a dwarf daemon with sticking out tongue; several guardian daemons of the Otherworld; creatures who are part snake and part feline; spirits of deceased humans; and a Greek satyr Silenus, companion to the wine god Dionysus.

Jake and Lindsey are the perfect digital warriors. When Jake's father, a renowned physicist, unlocks the secrets of quantum energy, he awakens a sleeping giant. A secret life form that has remained hidden for many years must now take matters into its own hands to defend itself against human ignorance. Small events wind up sparking a strange journey that takes Jake and Lindsey to the edge of reality and beyond. Angels and Demons are no longer matters of myth or speculation, and the concept of friend or foe is bent like a pretzel. BlueGene is the ultimate achievement, but could also be the ultimate weapon in the wrong hands. Jake and Lindsey are thrust into a chain of events that will decide who will have final control over the world's most powerful weapon.

This is a print on demand book and is therefore non- returnable. The Bible portrays King David as an exceptional man and a paragon of godly devotion. But was he? Some scholars deny that he existed at all. Did he? This challenging book examines the written and archaeological evidence critically in an effort to paint an accurate picture of one of the Bible's central figures. Neither defending nor rejecting the traditions about David, Baruch Halpern, a leading scholar of biblical history and the ancient Near East, traces the origins of development of David's persona. Because the biblical text clearly responds to concerns that can only be contemporary with David himself, we can believe that David was both real and a central actor in the historical drama of ancient Israel. Yet at the same time, the written record also shows that contemporaries understood David's character to be much more unsavory trhan the tradition has hitherto allowed. Halpern digs beneath the layers of tradition to understand David as an individual, as a person. The man he uncovers turns out to have been complex, ambiguous, and -- above all -- surprising. According to Halpern, the image of David grew over time. He was the founder of the dynasty that perpetuated the texts about him, and they progressively exaggerated his accomplishments. But in the earliest writings David remains a modest figure, as this book shows for the first time. To understand David as a human being, one must keep in mind that he was primarily a politicians who operated in a rough-and-tumble environment in which competitors were ready literally to slit throats. Halpern's work raises many provocative questions: Was David an Israelite or a Philistine? Was Solomon really David's son? Did David take the throne of Israel by the consent or against the will of the people? How many murders did he commit on his way to the crown? Indeed, was David someone it would have been wise to even invite to dinner? The challenging arguments in David's Secret Demons are sure to provoke all kinds of discussion among biblical scholars and general readers alike. In addition -- a big bonus -- Halpern's accessible, at times humorous prose will itself draw readers everywhere into the compelling story of David found between these covers.

In The Divine/Demonic Seven and the Place of Demons in Mesopotamia, Gina Konstantopoulos analyses the Sebettu, a group of seven divine/demonic figures found across a wide range of Mesopotamian textual and artistic sources in Mesopotamia from the late third to first millennium BCE. The Sebettu appeared both as fierce, threatening demons and as divine, protective, figures. These seemingly contradictory qualities worked together, as their martial ferocity facilitated their religious and political role. When used in royal inscriptions, they became fierce warriors attacking the king’s enemies, retaining that demonic nature. This flexibility was not unique to the Sebettu, and this study thus provides a lens through which to examine the place of demons in Mesopotamia as a whole.