Three women, all philosophers, all of Jewish descent, provide a human face for a decade of crisis in this powerful and moving book. The dark years when the Nazis rose to power are here seen through the lives of Edith Stein, a disciple of Husserl and author of La science et la croix, who died in Auschwitz in 1942; Hannah Arendt, pupil of Heidegger and Jaspers and author of Eichmann in Jerusalem, who unhesitatingly responded to Hitler by making a personal commitment to Zionism; and Simone Weil, a student of Alain and author of La pesanteur et la grâce.Following her subjects from 1933 to 1943, Sylvie Courtine-Denamy recounts how these three great philosophers of the twentieth century endeavored with profound moral commitment to address the issues confronting them. Condemned to exile, they not only sought to understand a horrible reality, but also attempted to make peace with it. To do so, Edith Stein and Simone Weil encouraged a stoic acceptance of necessity while Hannah Arendt argued for the capacity for renewal and the need to fight against the banality of evil.Courtine-Denamy also describes how as a student each woman caught the eye of her famous male teacher, yet dared to criticize and go beyond him. She explores each one's sense of her femininity, her position on the "woman question," and her relation to her Jewishness. "All three," the author writes, "are compelling figures who move us with their fierce desire to understand a world out of joint, reconcile it with itself, and, despite everything, love it."

Jacqueline Rose's new book begins with three remarkable women: revolutionary socialist Rosa Luxemburg; German–Jewish painter Charlotte Salomon, persecuted by family tragedy and Nazism; film icon and consummate performer Marilyn Monroe. Together these women have a shared story to tell, as they blaze a trail across some of the most dramatic events of the last century – revolution, totalitarianism, the American dream. Enraged by injustice, they are each in touch with what is most painful about being human, bound together by their willingness to bring the unspeakable to light. Taking the argument into the present are today's women, courageous individuals involved in some of the cruellest realities of our times. Grappling with the reality of honour killing – notably through the stories of Shafilea Ahmed, Fadime Sahindal and Heshu Yones – Rose argues that the work of feminism is far from done. In the final three chapters, she celebrates the work of three brilliant contemporary artists – Esther Shalev-Gerz, Yael Bartana and Thérèse Oulton – whose work grows out of an unflinching engagement with all that is darkest in the modern world. Women in Dark Times shows us how these visionary women offer a new template for feminism. Taking their stand against the iniquities of our times, they tread a path between public and private pain, confronting us with what we need most urgently, but also often, cannot bear to see.

Spanning over nine hundred years, Eight Women Philosophers is the first singly-authored work to trace the themes of standard philosophical theorizing and feminist thought across women philosophers in the Western tradition. Jane Duran has crafted a comprehensive overview of eight women philosophers--Hildegard of Bingen, Anne Conway, Mary Astell, Mary Wollstonecraft, Harriet Taylor Mill, Edith Stein, Simone Weil, and Simone de Beauvoir--that underscores the profound and continuing significance of these thinkers for contemporary scholars. Duran devotes one chapter to each philosopher and provides a sustained critical analysis of her work, utilizing aspects of Continental theory, poststructuralist theory, and literary theory. She situates each philosopher within her respective era and in relation to her intellectual contemporaries, and specifically addresses the contributions each has made to major areas such as metaphysics/epistemology, theory of value, and feminist theory. She affirms the viability and importance of recovering these women's overlooked work and provides a powerful answer to the question of why the rubric "women philosophers" remains so valuable.

As the serial disasters of capitalism’s current crisis—economic, political, environmental—continue to batter the world, Black Box: A Record of the Catastrophe is a device for recording, analyzing, and transmitting events as they happen. But it offers neither dire predictions nor false hopes. Instead, it embraces the mystery of what might transpire. The word “catastrophe” has not always signified “disaster”; during the sixteenth century, especially in theater, it came to mean “a reversal of what is expected.” Black Box is ultimately a documentary project, a record of the catastrophe, but it’s an open question where the inquiry will take us. It may be a record of the disastrous end. Or it may be a record of the turning. The first volume contains an eclectic but accessible collection of reportage, interviews, letters, fragments, and theoretical responses from some of the brightest minds in critical theory. Its authors have sent dispatches from American prison yards, the shipping graveyards of India, fatal overseas drone strikes, roads crisscrossing the Mississippi Delta, childhoods in revolutionary Zimbabwe, and kitchens where undocumented workers wash dishes. By taking a broad geographical and aesthetic stance, Black Box will be a constellation of ideas and information that points toward the future—whatever it may hold. Contributors to Black Box include scholars (Nina Power, Silvia Federici, Sami Khatib, Chris O’Kane, Tanya Erzen), cultural critics (Richard Dyer, Charles Mudede), authors (Ursula K. Le Guin, Miranda Mellis), poets (Emily Abendroth, Cathy Wagner, Alli Warren), and many others.

This book is about mapping the future of eighteenth-century women’s writing and feminist literary history, in an academic culture that is not shy of declaring their obsolescence. It asks: what can or should unite us as scholars devoted to the recovery and study of women’s literary history in an era of big data, on the one hand, and ever more narrowly defined specialization, on the other? Leading scholars from the UK and US answer this question in thought-provoking, cross-disciplinary and often polemical essays. Contributors attend to the achievements of eighteenth-century women writers and the scholars who have devoted their lives to them, and map new directions for the advancement of research in the area. They collectively argue that eighteenth-century women’s literary history has a future, and that feminism was, and always should be, at its heart. Featuring a Preface by Isobel Grundy, and a Postscript by Cora Kaplan.

The definitive history of conversion and assimilation of Jews in Europe and America from the eighteenth century to the present Between the French Revolution and World War II, hundreds of thousands of Jews left the Jewish fold—by becoming Christians or, in liberal states, by intermarrying. Telling the stories of both famous and obscure individuals, Leaving the Jewish Fold explores the nature of this drift and defection from Judaism in Europe and America from the eighteenth century to today. Arguing that religious conviction was rarely a motive for Jews who became Christians, Todd Endelman shows that those who severed their Jewish ties were driven above all by pragmatic concerns—especially the desire to escape the stigma of Jewishness and its social, occupational, and emotional burdens. Through a detailed and colorful narrative, Endelman considers the social settings, national contexts, and historical circumstances that encouraged Jews to abandon Judaism, and factors that worked to the opposite effect. Demonstrating that anti-Jewish prejudice weighed more heavily on the Jews of Germany and Austria than those living in France and other liberal states as early as the first half of the nineteenth century, he reexamines how Germany's political and social development deviated from other European states. Endelman also reveals that liberal societies such as Great Britain and the United States, which tolerated Jewish integration, promoted radical assimilation and the dissolution of Jewish ties as often as hostile, illiberal societies such as Germany and Poland. Bringing together extensive research across several languages, Leaving the Jewish Fold will be the essential work on conversion and assimilation in modern Jewish history for years to come.

This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.