Mirimar, Mirabel and Mirana were three ladies of Moreton Bay. Elegant, white passenger launches belonging to Hayles Cruises, they are well remembered in Brisbane for their popular bay and river excursions. First came the legendary Mirimar running to Stradbroke Island, opening the way to the jewel of Point Lookout. The diminutive Mirabel soon followed with the excellent Mirana, joining the fleet after the war. Centred in the city under the shadow of Victoria Bridge, they ran to all corners of Moreton Bay as well as upstream to Lone Pine. Built in Brisbane for Brisbane, they were a vital part of the city’s river scene and its way of life for half a century.

To commemorate the 200 years since the exploring and naming of the Brisbane River by John Oxley in 1823, David Jones has compiled 100 maritime stories of Queensland. The book is in seven sections covering the early days, colonial era, shipwrecks, wartime and others. Australia’s First Nations people lived in and around the Brisbane River for thousands of years. Though they did not have a name for the entire river, sections of the river were called ‘Meanjin’, ‘Maiwar’ and ‘Toowong’. Other names have been lost over time. Similarly, the Brisbane River was broken up into reaches by the new arrivals. They include Hamilton Reach, Bulimba Reach, Humbug Reach, Shafston Reach, Town Reach and others. The first Europeans to discover the Brisbane River was documented by Thomas Welsby in The Discoverers of the Brisbane River, published in 1913. He states that Richard Parsons, Thomas Pamphlet and John Finnegan were the original discoverers though John Oxley gave them no credit for this. In 200 years the river has been the backbone of the city of Brisbane. Today it is used for trade, tourism, transport, pleasure and Brisbane’s water supply.

In the decades after World War II, the literary scene in Australia flourished: local writers garnered international renown and local publishers sought and produced more Australian books. The traditional view of this postwar period is of successful male writers, with women still confined to the domestic sphere. In "Nine Lives," Susan Sheridan rewrites the pages of history to foreground the women writers who contributed equally to this literary renaissance. Sheridan traces the early careers of nine Australian women writers born between 1915 and 1925, who each achieved success between the mid 1940s and 1970s. Judith Wright and Thea Astley published quickly to resounding critical acclaim, while Gwen Harwood's frustration with chauvinistic literary editors prompted her pseudonymous poetry. Fiction writers Elizabeth Jolley, Amy Witting and Jessica Anderson remained unpublished until they were middle-aged; Rosemary Dobson, Dorothy Hewett and Dorothy Auchterlonie Green started strongly as poets in the 1940s, but either reduced their output or fell silent for the next twenty years. Sheridan considers why their careers developed differently from the careers of their male counterparts and how they balanced marriage, family and writing. This illuminating group biography offers a fresh perspective on mid-twentieth century Australian literature, and the women writers who helped to shape it.

Published in 1998, Ladies in the Laboratory provided a systematic survey and comparison of the work of 19th-century American and British women in scientific research. A companion volume, published in 2004, focused on women scientists from Western Europe. In this third volume, author Mary R.S. Creese expands her scope to include the contributions of 19th- and early 20th-century women of South Africa, Australia, New Zealand, and Canada. The women whose lives and work are discussed here range from natural history collectors and scientific illustrators of the early and mid years of the 19th century to the first generation of graduates of the new colonial colleges and universities. Rarely acknowledged in publications of the British and European specialists, the contributions of these women nonetheless formed a significant part of the natural history information about extensive, previously unknown regions and their products. Rather than a biographical dictionary or a collection of self-contained essays on individuals from many time periods, Ladies in the Laboratory III is a connected narrative tied into the wider framework of 19th-century science and education. A well-organized blend of individual life stories and quantitative information, this volume is for everyone interested in the story of women's participation in 19th century science. The stories of these women make for fascinating reading and serve as a valuable source for the student of women's and colonial history.

From the creators of the hit podcast FORTY come musings, advice and real-life stories on the highs, lows and unexpected delight of life in your forties. How can I be nearing middle age when twenty-six feels like yesterday? After the craziness of my twenties and hard work of my thirties, what's next? Who am I now that youth is behind me? These were the questions Lise Carlaw and Sarah Wills (aka 'Those Two Girls') asked themselves as they entered a milestone decade - their forties. And they're not alone. The second phase of life can seem daunting. But it's so much more than declining collagen, hormonal upheavals, and a supposed descent into invisibility. There is power in knowing who you are, ditching 'nice' for what's important, and arriving at the stage in your life when you decide rather than 'slide'. In Forty Favours the Brave, Lise and Sarah, along with women from all walks of life, share insightful tales about entering their forties and beyond: the lessons learned, heartbreaks survived, things they wish they'd known, relationship changes, confidence gained ... and the surprising, wondrous joy of life in its second act. Brimming with wit, honesty and relatable 'aha!' moments, Forty Favours the Brave is the ultimate coming-of-age reading for any woman approaching (or in) her forties.