Three siblings enjoy the Indian festival of Raksha Bandhan—a celebration of the special relationship between brothers and sisters—in this vibrant reinterpretation of the classic song Frère Jacques (Are You Sleeping) from New York Times bestselling mother/son duo Surishtha Sehgal and Kabir Sehgal. It’s time for the Indian festival of Raksha Bandhan, the celebration of the special lifelong relationship shared by brothers and sisters everywhere. Join two sisters as they lovingly make rakhi—thread bracelets adorned with beads, sequins, sparkles, and tassels—for their brother. And then see their brother present them with toys and sweets and special gifts! New York Times bestselling authors Surishtha and Kabir Sehgals’ irresistible text, set to the tune of the classic song Frère Jacques (Are You Sleeping), will have little ones singing along while they learn about Indian culture. And the vibrant illustrations by Zara Gonzalez Hoang will have readers wishing they could step right into the characters’ colorful crafting world. This enchanting picture book includes instructions for making rakhi!

Fabric of Time, Book Three. Emily Sundberg has her life all planned--a respectable job as a teacher and a suitable husband. But does God have a better plan for her?

This book tells the story of ordinary women living in terror and extreme poverty under General Pinochet's oppressive rule in Chile (1973-89) and how their lives did and did not change following his reign. These women defied the military dictatorship by embroidering their sorrow on scraps of cloth and using their needles and thread as one of the boldest means of popular protest and resistance in Latin America. The arpilleras they made - patch-work tapestries with scenes of everyday life and memorials to their disappeared relatives - were smuggled out of Chile and brought to the world the story of their fruitless searches in jails, morgues, government offices, and the tribunals of law for their husbands, brothers, and sons. Marjorie Agosin, herself a native of and exile from Chile, has spent over twenty years interviewing the arpilleristas and following their work. She knows their stories intimately and knows, too, that not one of them has ever found a disappeared relative alive. Still, many of them maintain hope and continue to make their arpilleras. Even though the dictatorship ended in 1989 and democracy returned to Chile, no full account of the detained and disappeared has ever been offered. This book includes a history of the women's movement, testimonies from the women in their own words, and, for the first time, full color plates of their beautiful, moving, and ultimately hopeful arpilleras. Anyone interested in the history of contemporary Latin America will want to read this powerful story.

Collaboration between the Suzhou Embroidery Research Institute and Robert Glenn Ketchum. Photographs by Ketchum were recreated as pieces of embroidery by SERI.

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

Many autobiographers share profound questions about human life with their readers—questions like: To what extent was my life imposed on me? To what extent did I bring it about through particular choices and actions, through the activity of my own will? Indeed, the issue of the will is central to autobiographical writing, and some of the greatest autobiographies give extended consideration to the will—its nature; its powers; its limitations; the forms of freedom, constraint, and expression it finds in various cultures; its role in particular human lives. In this new study, unprecedented in subject and scope, Richard Freadman offers the first sustained account of how changing theological, philosophical, and psychological accounts of the human will have been reflected in the writing of autobiography, and of how autobiography in its turn has helped shape various understandings of the will. Early chapters trace narrative representations of the will from antiquity (the Greeks and Augustine) to postmodernism (Derrida and Barthes), with particular emphasis on late modernity's culture of the will. Later chapters then present detailed and powerfully original readings of autobiographical texts by Louis Althusser, Roland Barthes, B. F. Skinner, Ernest Hemingway, Simone de Beauvoir, Arthur Koestler, Stephen Spender, and Diana Trilling. Freadman's interdisciplinary approach to autobiography and the will includes a theoretical defense of the view that autobiographers are, in varying degrees, agents in their own texts. Threads of Life argues that late modernity has inherited deeply conflicted attitudes to the will. Freadman suggests that these attitudes, now deeply embedded in contemporary cultural discourse, need reexamining. In this, he contends, 'reflective autobiography' has an important part to play.

Kristin Eikaas has her hopes set on a new life in America. The year is 1848, and Kristin Eikaas has traveled from Norway to Wisconsin with dreams of a new life. But when she arrives, she finds one disappointment after another. Worse, her superstitious uncle now believes that his neighbor’s Oneida Indian wife has put a curse on Kristin. Everyone knows the Sundbergs put spells on people... Everyone except Kristin. Her run-ins with Sam Sundberg only prove that he is a good man from a Christian family. But when her uncle discovers she’s been associating with Sam, his temper flares. To escape his wrath, Kristin gratefully accepts a job as the Sundbergs’ house girl, finding solace at the family’s spinning wheel. In the time Sam and Kristin spend together, their friendship develops into much more, and Sam prays about a match between them. But opposition threatens to derail their newfound love. Will they have the courage to stand up for what is right--even against their own families?