Kristin Eikaas has her hopes set on a new life in America. The year is 1848, and Kristin Eikaas has traveled from Norway to Wisconsin with dreams of a new life. But when she arrives, she finds one disappointment after another. Worse, her superstitious uncle now believes that his neighbor’s Oneida Indian wife has put a curse on Kristin. Everyone knows the Sundbergs put spells on people... Everyone except Kristin. Her run-ins with Sam Sundberg only prove that he is a good man from a Christian family. But when her uncle discovers she’s been associating with Sam, his temper flares. To escape his wrath, Kristin gratefully accepts a job as the Sundbergs’ house girl, finding solace at the family’s spinning wheel. In the time Sam and Kristin spend together, their friendship develops into much more, and Sam prays about a match between them. But opposition threatens to derail their newfound love. Will they have the courage to stand up for what is right--even against their own families?

Can they find a way to stitch their suffering into hope and embrace an uncertain future? Tally Smucker's quiet life of reading and quilting hides her sorrow over her mother's declining health and the lack of a fulfilling future for herself. When her daily life is shaken by her free-spirited neighbor Danielle--who grew up Plain but joined the Army at eighteen--Tally's instinct is to distance herself. Yet she finds she can't turn away when Danielle's brother, Kenan, specifically asks for her help. She invites Danielle to visit Plain Patterns quilt shop with her, where the story of the plight of a WWI soldier and the girl he left behind resonates with both Tally and Danielle, but for different reasons. When Tally's mother suffers a setback at the same time Danielle's PTSD becomes unmanageable, it seems Tally's efforts to aid them only make things worse. Can the soldier's story, along with the care of Kenan, help Tally accept the hope that waits just around the corner? From the talented pen of Leslie Gould comes a moving tale of restoration and renewed hope within the Amish community.

This book tells the story of ordinary women living in terror and extreme poverty under General Pinochet's oppressive rule in Chile (1973-89) and how their lives did and did not change following his reign. These women defied the military dictatorship by embroidering their sorrow on scraps of cloth and using their needles and thread as one of the boldest means of popular protest and resistance in Latin America. The arpilleras they made - patch-work tapestries with scenes of everyday life and memorials to their disappeared relatives - were smuggled out of Chile and brought to the world the story of their fruitless searches in jails, morgues, government offices, and the tribunals of law for their husbands, brothers, and sons. Marjorie Agosin, herself a native of and exile from Chile, has spent over twenty years interviewing the arpilleristas and following their work. She knows their stories intimately and knows, too, that not one of them has ever found a disappeared relative alive. Still, many of them maintain hope and continue to make their arpilleras. Even though the dictatorship ended in 1989 and democracy returned to Chile, no full account of the detained and disappeared has ever been offered. This book includes a history of the women's movement, testimonies from the women in their own words, and, for the first time, full color plates of their beautiful, moving, and ultimately hopeful arpilleras. Anyone interested in the history of contemporary Latin America will want to read this powerful story.

I am so very humbled by the life in which I am living, because I know the devastation, & destruction it has taken to get to where I am today, but I also feel accomplished to a certain degree, knowing that life doesn't have to stay the way it has always been.What I hope to gain by sharing my thoughts, is that my words can give hope to those whom have also been at rock bottom, battled their inner demons, or drawn the short end of the stick in life - and for them to know that life doesn't always have to be that way, that we hold within ourselves, the power to turn it all around...Though, in order for there to be change, one must first face, all that is feared to be seen, but all that is ugly through accepting harsh truths of your own reality is the path to your healing journey - which in the end, can be, such a messy, yet beautiful thing.

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

Many autobiographers share profound questions about human life with their readers—questions like: To what extent was my life imposed on me? To what extent did I bring it about through particular choices and actions, through the activity of my own will? Indeed, the issue of the will is central to autobiographical writing, and some of the greatest autobiographies give extended consideration to the will—its nature; its powers; its limitations; the forms of freedom, constraint, and expression it finds in various cultures; its role in particular human lives. In this new study, unprecedented in subject and scope, Richard Freadman offers the first sustained account of how changing theological, philosophical, and psychological accounts of the human will have been reflected in the writing of autobiography, and of how autobiography in its turn has helped shape various understandings of the will. Early chapters trace narrative representations of the will from antiquity (the Greeks and Augustine) to postmodernism (Derrida and Barthes), with particular emphasis on late modernity's culture of the will. Later chapters then present detailed and powerfully original readings of autobiographical texts by Louis Althusser, Roland Barthes, B. F. Skinner, Ernest Hemingway, Simone de Beauvoir, Arthur Koestler, Stephen Spender, and Diana Trilling. Freadman's interdisciplinary approach to autobiography and the will includes a theoretical defense of the view that autobiographers are, in varying degrees, agents in their own texts. Threads of Life argues that late modernity has inherited deeply conflicted attitudes to the will. Freadman suggests that these attitudes, now deeply embedded in contemporary cultural discourse, need reexamining. In this, he contends, 'reflective autobiography' has an important part to play.

NEW YORK TIMES BESTSELLER • A “thrilling” (The New York Times), “dazzling” (The Wall Street Journal) tour of the radically different ways that animals perceive the world that will fill you with wonder and forever alter your perspective, by Pulitzer Prize–winning science journalist Ed Yong “One of this year’s finest works of narrative nonfiction.”—Oprah Daily ONE OF THE TEN BEST BOOKS OF THE YEAR: The Wall Street Journal, The New York Times, Time, People, The Philadelphia Inquirer, Slate, Reader’s Digest, Chicago Public Library, Outside, Publishers Weekly, BookPage ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, The New Yorker, The Washington Post, The Guardian, The Economist, Smithsonian Magazine, Prospect (UK), Globe & Mail, Esquire, Mental Floss, Marginalian, She Reads, Kirkus Reviews, Library Journal The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every kind of animal, including humans, is enclosed within its own unique sensory bubble, perceiving but a tiny sliver of our immense world. In An Immense World, Ed Yong coaxes us beyond the confines of our own senses, allowing us to perceive the skeins of scent, waves of electromagnetism, and pulses of pressure that surround us. We encounter beetles that are drawn to fires, turtles that can track the Earth’s magnetic fields, fish that fill rivers with electrical messages, and even humans who wield sonar like bats. We discover that a crocodile’s scaly face is as sensitive as a lover’s fingertips, that the eyes of a giant squid evolved to see sparkling whales, that plants thrum with the inaudible songs of courting bugs, and that even simple scallops have complex vision. We learn what bees see in flowers, what songbirds hear in their tunes, and what dogs smell on the street. We listen to stories of pivotal discoveries in the field, while looking ahead at the many mysteries that remain unsolved. Funny, rigorous, and suffused with the joy of discovery, An Immense World takes us on what Marcel Proust called “the only true voyage . . . not to visit strange lands, but to possess other eyes.” WINNER OF THE ANDREW CARNEGIE MEDAL • FINALIST FOR THE KIRKUS PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • LONGLISTED FOR THE PEN/E.O. WILSON AWARD