Throughout his works, Thomas Pynchon uses various animal characters to narrate fables that are vital to postmodernism and ecocriticism. Thomas Pynchon’s Animal Tales: Fables for Ecocriticism examines case studies of animal representation in Pynchon’s texts, such as alligators in the sewer in V.; the alligator purse in Bleeding Edge; dolphins in the Miami Seaquarium in The Crying of Lot 49; dodoes, pigs, and octopuses in Gravity’s Rainbow; Bigfoot and Godzilla in Vineland and Inherent Vice; and preternatural dogs and mythical worms in Mason & Dixon and Against the Day. Through this exploration, Keita Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings. Furthermore, by conducting a comparative study of Pynchon’s narratives and his contemporary documentarians and thinkers, Thomas Pynchon’s Animal Tales leads readers to draw great lessons from the fables, which stimulate our ecocritical thought for tomorrow.

What separates us from animals? What connects us? Award-winning cartoonists Peter and Maria Hoey probe these mysteries across six surreal and interconnected stories. After tremendous acclaim for their series Coin-Op Comics, two brilliant creators present their first graphic novel: a menagerie of wild tales. Pushing the boundaries of their dazzling and unique narrative style, Animal Stories weaves together six short stories exploring the mysterious relationships between humans and other animals. A girl who keeps pigeons starts receiving messages from a new bird in her flock. A ship’s crew rescues a dog, only to find far stranger things in the sea around them. A reincarnated cat with criminal intentions, a parrot who leads a revolution, and a squirrel who tempts a woman in a beautiful garden glade. Drawing inspiration from Aesop’s Fables, film noir, and the Old Testament, Peter and Maria Hoey apply their singular and sophisticated visual storytelling to create a new set of modern animal tales for modern times.

Presents a collection of eight folk tales in which animals are the protagonists.

Offering a transdisciplinary journey across Thomas Pynchon’s California trilogy, “From Faraway California” addresses the representation of (city)space in the Crying of Lot 49, Vineland, and Inherent Vice through “geourban” lenses. Drawing on specific concepts in urban and regional studies, the book provides a thorough examination of Pynchon’s spatial imaginary, where the reader comes to understand how his fiction tackles the socio-political and cultural consequences of urban restructuring in the contemporary city and the lives of its citizens. Pynchon’s depiction of California is further analyzed from mythical and environmental standpoints to shed light on his planetary vision and (post)postmodernist poetics in the span of nearly half a century. More broadly, the book’s geocritical and urban analyses of Pynchon’s fiction indicate what might take place concerning the future of urbanism, toward “planetary urbanization” and the formation of the “city region.”

How cross-species companionship is figured across a variety of media--and why it matters.

Here's the third entry in Claudia Mills' charming middle-grade series. Mason Dixon survived the school choir. He survived adopting his now-beloved dog named, uh, Dog. But now he faces his biggest challenge yet: joining the local basketball team. Not by choice, of course. Not only do his parents encourage it, but his dad even volunteers to be his coach. Now, with his best pal Brody and a team of misfits even worse at basketball than him (if that's possible), Mason must try to rally to beat his arch-rival, the school bully Dunk. Just another day-in-the-life of a disaster-prone fourth grader.

In The Human-Animal Relationship in Pre-Modern Turkish Literature: A Study of The Book of Dede Korkut and The Masnavi, Book I, II, Dilek Bulut Sarikaya explores medieval Anatolia, where humans' connectivity to nonhuman animals was not yet disrupted by the capitalist economic systems and demonstrates how ancient societies treated nonhuman animals as self-conscious, spiritual individuals, capable of feeling pain with highly advanced forms of intentionality.