This Strange Loneliness is the first comprehensive account of the poetic relationship between Seamus Heaney and William Wordsworth. Peter Mackay explores how Heaney repeatedly turns to the Romantic poet's work for inspiration, corroboration, and amplification, and as a model for the fortifying power of poetry itself, which offers the fundamental lesson that "it is on this earth 'we find our happiness, or not at all.'" Through an in-depth look at archival materials, and at uncollected poems and prose by Heaney, Mackay traces the evolution of Heaney's readings of Wordsworth throughout his career, revealing their shared interest in the connections between poetry and education, the possibility of a beneficial understanding of poetic influence, the complexities of place and displacement, ideas of transcendence, and ultimately the importance of "late style": later poems by Wordsworth might prove a cautionary tale, as well as example, for any poet. Placing Heaney's readings within their political, historical, and poetic contexts the book also explores how he negotiated the complex relationship between Irish and British culture and identity to claim a persistent form of kinship, and forge a strange community, with the Romantic poet. With illuminating readings that reveal new contexts to and currents in Heaney's work, This Strange Loneliness is a powerful evocation of the Irish poet's sense of the "uplift" that poetry can provide.

In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

Before Maggie Nelson’s name became synonymous with such genre-defying, binary-slaying writing as The Argonauts and The Art of Cruelty, this collection of poetry introduced readers to a singular voice in the making: exhilarating, fiercely vulnerable, intellectually curious, and one of a kind. These days/the world seems to split up/into those who need to dredge/and those who shrug their shoulders/and say, It’s just something/that happened. While Maggie Nelson refers here to a polluted urban waterway, the Gowanus Canal, these words could just as easily describe Nelson’s incisive approach to desire, heartbreak, and emotional excavation in Something Bright, Then Holes. Whether writing from the debris-strewn shores of a contaminated canal or from the hospital room of a friend, Nelson charts each emotional landscape she encounters with unparalleled precision and empathy. Since its publication in 2007, the collection has proven itself to be both a record of a singular vision in the making as well as a timeless meditation on love, loss, and―perhaps most frightening of all―freedom.

ONE OF THE BEST BOOKS OF THE YEAR: Forbes • Lit Hub • Electric Lit A gorgeous graphic memoir about loss, love, and confronting grief When Kristen Radtke was in college, the sudden death of a beloved uncle and the sight of an abandoned mining town after his funeral marked the beginning moments of a lifelong fascination with ruins and with people and places left behind. Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted cities in the American Midwest, an Icelandic town buried in volcanic ash, islands in the Philippines, New York City, and the delicate passageways of the human heart. Along the way, we learn about her family and a rare genetic heart disease that has been passed down through generations, and revisit tragic events in America’s past. A narrative that is at once narrative and factual, historical and personal, Radtke’s stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind? (With black-and-white illustrations throughout; part of the Pantheon Graphic Novel series)

Shirley Jackson Award Finalist: A “deeply compelling” literary thriller about two siblings and a man who could be the brother they never knew (George Saunders, #1 New York Times–bestselling author of Lincoln in the Bardo). Lydia and Lucas Moore are in their late twenties when a stranger enters their small world on Wolf Island. Lydia, the responsible sister, has cared for her pathologically shy brother ever since their mom’s death a decade before. They live, comfortable yet confined, in their family house by the sea, shadowed by events from their childhood. When Lydia sees the stranger step off the ferry, she feels an immediate connection. Lucas is convinced the man, Cole Anthony, is the reincarnation of their brother, who died as a baby. Cole knows their mannerisms, their home, the topography of the island—what else could that mean? Lydia is doubtful, but she can’t deny she is drawn to his magnetism, his energy, and his warmth. To discover the truth about Cole, Lydia must finally face her anxiety about leaving the island, and summon the strength to challenge Cole’s grip on her family’s past and her brother. “One of the best literary thrillers you’ll read this year.” —Cosmopolitan “Gault finesses the mechanics of her puzzle . . . an intriguing subtext about the infantilizing hazards of familial devotion.” —The New York Times Book Review “Taut, evocative . . . shows us what binds us to places and what sets us free.” —The Boston Globe “Quietly chilling . . . A suspenseful meditation on the many ways in which the past, consciously or not, shapes the present, the novel flirts with fantasy but ultimately stays grounded in the elemental realities of wind, tides, and the eroding foundations of memory.” —Booklist “Reminds me of Karen Russell, Donna Tartt, Gillian Flynn, and Marilynne Robinson all at once . . . a monster debut.” —Daniel Torday, author of The Last Flight of Poxl West Longlisted for the Center for Fiction First Novel Prize

There is a particular flavor to the loneliness that comes from living in a city, surrounded by thousands of strangers. This roving cultural history of urban loneliness centers on the ultimate city: Manhattan, that teeming island of gneiss, concrete, and glass. How do we connect with other people, particularly if our sexuality or physical body is considered deviant or damaged? Does technology draw us closer together or trap us behind screens? Laing travels deep into the work and lives of some of the century's most original artists in a celebration of the state of loneliness.

From the Man Booker Prize–winner of The Promise: “This tale of ill-fated journeys through Greece, Africa and India shows” the author of The Quarry “at a superb new high” (The Guardian). In this newest novel from South African writer Damon Galgut, a young loner travels across eastern Africa, Europe, and India. Unsure what he’s after, and reluctant to return home, he follows the paths of travelers he meets along the way. Each new encounter—with an enigmatic stranger, a group of careless backpackers, and a woman on the verge—leads him closer to confronting his own identity. Traversing the quiet of wilderness and the frenzy of border crossings, every new direction is tinged with surmounting mourning, as he is propelled toward a tragic conclusion. Shortlisted for the 2010 Man Booker Prize, In a Strange Room is a hauntingly beautiful evocation of life on the road. It was first published in the Paris Review in three parts—“The Follower,” “The Lover,” and “The Guardian”—one of which was selected for a National Magazine Award and another for the O. Henry Prize.