The stories in Things Kept, Things Left Behind explore the ambiguities of kept secrets, the tangles of abandoned pasts, and uneasy accommodations. Jim Tomlinson’s characters each face the desire to reclaim dreams left behind, along with something of the dreamer that was also lost. Starkly rendered, these spiraling characters inhabit a specific place and class---small-town Kentucky, working-class America---but the stories, told in all their humor and tragedy, are universal.In each story the characters face conflict, sometimes within themselves, sometimes with each other. Each carries a past and with it an urge to return and repair. In “First Husband, First Wife,” ex-spouses are repeatedly drawn together by a shared history they cannot seem to escape, and they are finally forced to choose between leaving the past or leaving each other. LeAnn and Cass are grown sisters who conspire to help their prideful mother in “Things Kept.” “Prologue” is a voyeuristic journey through the surprisingly different lives of two star-crossed friends, each with its successes and pitfalls, told through their letters over thirty-five years. In “Stainless,” Annie and Warren divide their possessions on the final night of their marriage. Their realtor has advised them to “declutter” the house they are leaving, but they discover that most of the clutter cannot be so easily removed. The choices are never simple, and for every thing kept, something must be abandoned. Tomlinson’s characters struggle but eventually find their way, often unknowingly, to points of departure, to places where things just might change.

While this book is being published as fiction, the very essence of the story is a true one. The gentleman this book is actually about felt that his sins were far too horrible to be forgiven. While the names and certain events have been altered in order to avoid sharing any inaccurate information, therefore making it fiction, he did, in fact, grow up in a small rural community in the south. The innocence of that idyllic childhood was shattered due to the draft during the Vietnam War. Then he struggled to rebuild his life from that point forward. However, he found that there was no returning to the things he left behind. The innocence of youth was forever lost. While he survived physically, although narrowly, any semblance of normal life was gone. From that point forward, he dealt with overwhelming guilt. Guilt for going and leaving loved ones behind, some he would never see again. Guilt for coming home and leaving his men behind, many whom would never make it home. Guilt for things he had to do during the terror that was an integral part of war. He tried to seek relief by rebuilding and helping as much as he could. He was, however, overwhelmed with the fear that nothing would ever be good enough to bring about forgiveness for his seemingly unthinkable sins. Like many who have been through such traumas, he suffered silently, and this took its toll. He was fortunate enough to have had many caring people who tried to help through the years. In the end, he was blessed to finally find the answer through one seemingly simple question that allowed him to find the peace he so desperately sought. His dying wish was that his story might help others.

Escape into the warmth and charm of this big-hearted modern fable - and discover a European country you've never heard of. Nestling in the picturesque mountains between Italy and Austria is the beautiful but isolated country of Vallerosa, a land of stopped clocks, full employment, pungent tea, patriotism, rival cafés and a slower way of life. The world has finally started to take notice of this hidden gem, and when a letter arrives, announcing the imminent arrival of a Very Important Person, the Vallerosans hurry to make preparations for this once-in-a-lifetime opportunity to show off their country. But the visitor is not quite what they had in mind . . .

Jessica Verdi, the author of My Life After Now and The Summer I Wasn't Me, returns with a heartbreaking and poignant novel of grief and guilt that reads like Nicholas Sparks for teens. It's all Ryden's fault. If he hadn't gotten Meg pregnant, she would have never stopped her chemo treatments and would still be alive. Instead he's failing fatherhood one dirty diaper at a time. And it's not like he's had time to grieve while struggling to care for their infant daughter, start his senior year, and earn the soccer scholarship he needs to go to college. The one person who makes Ryden feel like his old self is Joni. She's fun and energetic—and doesn't know he has a baby. But the more time they spend together, the harder it becomes to keep his two worlds separate. Finding one of Meg's journals only stirs up old emotions. Ryden's convinced Meg left other notebooks for him to find, some message to help his new life make sense. But how is he going to have a future if he can't let go of the past? "Ryden's story is a moving illustration of how sometimes you have to let go of the life you planned to embrace the life you've been given. A strong, character-driven story that teen readers will love."—Carrie Arcos, National Book Award Finalist for Out of Reach

Settled amid the seasonal amusements and condominium-lined beaches of the Florida coast, the characters who inhabit Kevin Moffett’s award-winning stories reach out of their lives to find that something unexpected and mysterious has replaced what used to be familiar.Some are stalled in the present, alone or lonely, bemused by mortality and disappointment. Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.

From the acclaimed author of Lies We Tell Ourselves comes an empowering YA novel of what happens when love may not be enough to conquer all. Toni and Gretchen are the couple everyone envied in high school. When they go off to different colleges—Toni to Harvard and Gretchen to NYU—they’re sure they’ll be fine. Where other long-distance relationships have fallen apart, theirs is bound to stay rock-solid. The reality of being apart, though, is very different than they expected. Toni, who identifies as genderqueer, meets a group of transgender upperclassmen and immediately finds a sense of belonging that has always been missing. Gretchen, meanwhile, struggles to remember who she is outside their relationship. As distance and Toni’s shifting gender identity begin to wear on their relationship, the couple must decide—have they grown apart for good, or is love enough to keep them together?