Marshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire. In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie. They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream. Co-published with the Country Music Foundation Press

Marshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire. In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie. They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream. Co-published with the Country Music Foundation Press

"Ray Stevens' Nashville" is much more than an extensive and entertaining biography of a Comedy Music Legend who brought us multimillion selling hits like "The Streak" and "Gitarzan" or the Grammy winning cultural classics "Misty" and "Everything is Beautiful" along with the all-time top selling "Comedy Video Classics." It is the story of how the sleepy southern city of Nashville grew and blossomed into the international music mecca that it is today. Ray Stevens was there as it all came together, whether playing on recording sessions with Elvis and singing backup for Waylon Jennings or as a part-time substitute background singer with the famous Jordanaires among many others. All of this in addition to winning the "Comedian of the Year" award, for his unique comedy music 9 years in a row. "Ray Stevens' Nashville" is an entertaining insider's behind the scenes look at Nashville with one of the architects and laborers who built it and constructed the world famous "Nashville Sound." This is a fun and informative read that will have you laughing and learning with the turn of every page.

Among Nashville's many slogans, the one that best reflects its emphasis on manners and decorum is the Nashville Way, a phrase coined by boosters to tout what they viewed as the city's amicable race relations. Benjamin Houston offers the first scholarly book on the history of civil rights in Nashville, providing new insights and critiques of this moderate progressivism for which the city has long been credited. Civil rights leaders such as John Lewis, James Bevel, Diane Nash, and James Lawson who came into their own in Nashville were devoted to nonviolent direct action, or what Houston calls the “black Nashville Way.” Through the dramatic story of Nashville's 1960 lunch counter sit-ins, Houston shows how these activists used nonviolence to disrupt the coercive script of day-to-day race relations. Nonviolence brought the threat of its opposite—white violence—into stark contrast, revealing that the Nashville Way was actually built on a complex relationship between etiquette and brute force. Houston goes on to detail how racial etiquette forged in the era of Jim Crow was updated in the civil rights era. Combined with this updated racial etiquette, deeper structural forces of politics and urban renewal dictate racial realities to this day. In The Nashville Way, Houston shows that white power was surprisingly adaptable. But the black Nashville Way also proved resilient as it was embraced by thousands of activists who continued to fight battles over schools, highway construction, and economic justice even after most Americans shifted their focus to southern hotspots like Birmingham and Memphis.

In 1998, roughly 2 million visitors came to see what there was to see in Nashville. By 2018, that number had ballooned to 15.2 million. In that span of two decades, the boundaries of Nashville did not change. But something did. Or rather, many somethings changed, and kept changing, until many who lived in Nashville began to feel they no longer recognized their own city. And some began to feel it wasn't their own city at all anymore as they were pushed to its fringes by rising housing costs. Between 1998 and 2018, the population of Nashville grew by 150,000. On some level, Nashville has always packaged itself for consumption, but something clicked and suddenly everyone wanted a taste. But why Nashville? Why now? What made all this change possible? This book is an attempt to understand those transformations, or, if not to understand them, exactly, then to at least grapple with the question: What happened?

A pictorial journey to one of the legendary hearts of country music reveals a place where the spirit of authenticity held out against commercialism to retain its old-time roots, depicted in ninety stunning duotone photographs.

Author and former pastor Jim Palmer should be dead. Over the course of a year that included two near-death experiences, as Palmer set out to disentangle Jesus from the religious machinery of Christianity, he discovered a profound and unexpected answer to the question on his mind: “What would Jesus do?” Exploring what it really means to “be Jesus” in his hometown of Nashville, Tennessee, Palmer learns that Jesus was special not because he was more divine than the rest of us, but because he was courageously more human than most. Unfortunately, this realization crystallized for him while he was hanging upside down in his overturned car, expecting to die. When Palmer was miraculously pulled from the wreckage alive, he emerged with a new courage to embrace his life as never before. In Being Jesus in Nashville, Palmer shares his personal stories, ideas, concepts, and an innovative approach to humanity as he learns that being Jesus means seeing people as they truly are; letting it happen, not making it happen; being at peace, whatever happens; putting no limitations on God; living without separation from God; following your own path; living as everyone’s neighbor. With spiritual insight and refreshing theological glimpses, Palmer shares how he traded in his Christianity for Jesus and how this brought him closer to God.