For use in schools and libraries only. The true story of an abandoned child's struggle for emotional survival.

Burch was left at an orphanage and never stayed at any one foster home long enough to make any friends. This is the story of how he grew up and gained the courage to reach out for love.

The heartbreaking, iconic true story of an abandoned little boy’s horrific journey through the American foster care system. On a misty evening in Brooklyn, Jennings Michael Burch’s mother, too sick to care for him, left her eight-year-old son at an orphanage with the words, “I’ll be right back.” She wasn’t. Shuttled through a bleak series of foster homes, orphanages, and institutions, Jennings never remained in any of them long enough to make a friend. Instead, he clung to a tattered stuffed animal named Doggie, his sole source of comfort in a frightening world. Here, in his own words, Jennings Michael Burch reveals the abuse and neglect he experienced during his lost childhood. But while his experiences are both shocking and devastating, his story is ultimately one of hope—the triumphant tale of a forgotten child who somehow found the courage to reach out for love, and found it waiting for him.

This roomy trim size is perfect for sharing with groups and lap sitters, and will stand up to years of repeat readings.

Since the first edition of Between Pets and People in 1983, the authors' then-startling contention that pets benefit our mental and physical health has found wide acceptance. Evidence in our daily lives - in television pet food ads, in doctor's offices outfitted with aquaria - attests to how widely the belief in pets' therapeutic influence is now held. This revised edition of Between Pets and People, with additional data and case studies and expanded references - including a listing of Internet resources - and a foreword by Elizabeth Marshall Thomas, analyzes the surprisingly complex relationships we have with our pets. This book contains an important lesson for everyone - to accept ourselves and others in the uncritical way that pets accept us, and come to terms with our own animal nature.

This is the first book in English exclusively devoted to the long take, one of the key elements of film style. Increasingly visible in contemporary international media, the long take currently attracts a good deal of attention in criticism and commentary. There are also significant strands of film theory in which duration has become a recurrent concern. In keeping with the approach of Palgrave Close Readings in Film and Television, this collection is devoted to the detailed critical analysis of specific long takes, explored in terms of how they function within their contexts, how they shape the visual field, the meanings they generate and the effects they create. The Long Take: Critical Approaches brings together essays by established and emerging scholars (all but one essay commissioned for this volume) in an exciting collection that analyses works from a range of filmmaking traditions, from the 1930s to the present day, selected to represent varied long take practices and to explore associated debates.

Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.