Zombies spar with humans for dominance of a post-apocalyptic Manhattan in the Stoker-nominated "A Plague on Both Your Houses." The King returns to prove that rock 'n' roll will never die in "The Elvis Syndrome." And a dying boy is the catalyst for a deal with a decidedly different devil in "Making Peace with the Leader." These and 10 other nightmarish tales form a bizarre baker's dozen in Scott Edelman's long-awaited first short story collection.

Aspiring to be the fastest sprinter on his elite middle school's track team, gifted runner Ghost finds his goal challenged by a tragic past with a violent father.

Now expanded: The definitive visual guide to writing science fiction and fantasy—with exercises, diagrams, essays by superstar authors, and more. From the New York Times-bestselling, Nebula Award-winning author, Wonderbook has become the definitive guide to writing science fiction and fantasy by offering an accessible, example-rich approach that emphasizes the importance of playfulness as well as pragmatism. It also embraces the visual nature of genre culture and employs bold, full-color drawings, maps, renderings, and visualizations to stimulate creative thinking. On top of all that, it features sidebars and essays—most original to the book—from some of the biggest names working in the field today, among them George R. R. Martin, Lev Grossman, Neil Gaiman, Michael Moorcock, Charles Yu, Kim Stanley Robinson, and Karen Joy Fowler. For the fifth anniversary of the original publication, Jeff VanderMeer has added fifty more pages of diagrams, illustrations, and writing exercises, creating the ultimate volume of inspiring advice. “One book that every speculative fiction writer should read to learn about proper worldbuilding.” —Bustle “A treat . . . gorgeous to page through.” —Space.com

We are all haunted by things we fear, repress, and those things of which we have no conscious knowledge. We are thus haunted by a variety of "ghosts" in our lives so that, at times, we might notice those things we have ignored, and so too allow the repressed elements of our world a chance to speak more directly to us. Being honest with ourselves means listening better to what haunts us, and to wrestle with our own ghosts, as humans have often claimed throughout history to wrestle with God. Recognizing how we are ceaselessly haunted by that which threatens to undo our representations of ourselves is what draws together a series of reflections in this book on how we will never be able to rid ourselves of such hauntings. By examining a series of "hauntings," this study looks at what continues to haunt the field of continental philosophy, the various things that haunt our sovereign construction of ourselves, the church, our words and language in general, and even how our texts are endlessly haunted by the autobiographical "I" we are often taught to exclude from our writings.

*Includes "The House on Ashley Avenue," currently in development as a NETFLIX FEATURE FILM! There are haunted places in the world, all existing in reality and every bit as tangible and accessible as the house next door. Sometimes it is the house next door. In this brilliant debut collection, Ian Rogers explores the border-places between our world and the dark reaches of the supernatural. A mysterious double murder draws the attention of an insurance company with a special interest in the paranormal. A honeymoon cabin with an unspeakable appetite finally meets its match. A suburban home is transformed into the hunting ground for a new breed of spider. A nightmarish jazz club at the crossroads of reality plays host to those who can break a deal with the devil...for a price. With remarkable deftness, Rogers draws together the deadly and the disturbing in twenty-two showcase stories that will guide you through terrain at once familiar and startlingly fresh. Blurbs: "Ian is a fantastic storyteller of horror. He has an ability to create a unique reading experience with great scares and memorable characters. I knew the moment I finished reading Every House Is Haunted that Ian was someone I wanted to work with." - Sam Raimi, Director of Doctor Strange in the Multiverse of Madness "...the 22 stories in Rogers's debut collection demonstrate the author's talent for finding the terrifying in the seemingly ordinary... This work of classic horror in the style of Shirley Jackson, Richard Matheson, and early Stephen King should attract fans of a more refined kind of horror." - Library Journal "...Rogers offers some real gems. Every House Is Haunted is a harbinger of great things to come." - San Francisco Book Review IAN ROGERS is an award-winning author whose short fiction has appeared in Tor.com, Cemetery Dance, Broken Pencil, and Shadows & Tall Trees. His work has been selected for The Best Horror of the Year and Imaginarium: The Best Canadian Speculative Writing. For more information, visit www.ian-rogers.com..

When spooky things begin to happen on his farm, Farmer Greg contacts a team of ghost-hunting pigs, who discover there's something suspicious about the chicken coop up on the hill, but the pigs soon realize that perhaps all is not quite as it seems.

This is a book of ghost stories, and for the most part, ghosts are jealous monsters, intent upon our destruction. They never appear overtly here, yet we gradually become aware of their presence the way spirits in haunted houses trod over creaky floors, slam doors, and issue sudden gusts of wind. The poems are Koan-like—the fewer the words, the more charged they are. The engine driving this sense of haunting and loss is money, which Davis describes as “federal bone” boiling around us. Bison in Nebraska are reduced to bones, “seven/standing men/tall” fodder for the fertilizer used by farmers in the 1800s. Though they often specify dates, there’s an equality to the hauntings—every instance has its moment, and persists, despite being in the past, present, or future. If there really was a 1980 or 1848 or 1499, Davis implies it is somewhere. Index of Haunted Houses is spooky and sad—a stunning debut, one that will surprise, convince, and most of all, delight.