Georgia Peach Award Nominee • Florida Teens Read Award Nominee • ABC Best Books for Young Readers • Bank Street College Best Children’s Books of the Year • A Junior Library Guild Selection • Hugo & Locus award finalist In Other Lands is an exhilarating novel from bestselling author Sarah Rees Brennan about surviving four years in the most unusual of schools - friendship, falling in love, diplomacy, and finding your own place in the world — even if it means giving up your phone. Excerpt: The Borderlands aren’t like anywhere else. Don’t try to smuggle a phone or any other piece of technology over the wall that marks the Border — unless you enjoy a fireworks display in your backpack. (Ballpoint pens are okay.) There are elves, harpies, and — best of all as far as Elliot is concerned — mermaids. "What’s your name?" "Serene." "Serena?" Elliot asked. "Serene," said Serene. "My full name is Serene-Heart-in-the-Chaos-of-Battle." Elliot’s mouth fell open. "That is badass." Elliot? Who’s Elliot? Elliot is thirteen years old. He’s smart and just a tiny bit obnoxious. Sometimes more than a tiny bit. When his class goes on a field trip and he can see a wall that no one else can see, he is given the chance to go to school in the Borderlands. It turns out that on the other side of the wall, classes involve a lot more weaponry and fitness training and fewer mermaids than he expected. On the other hand, there’s Serene-Heart-in-the-Chaos-of-Battle, an elven warrior who is more beautiful than anyone Elliot has ever seen, and then there’s her human friend Luke: sunny, blond, and annoyingly likeable. There are lots of interesting books. There’s even the chance Elliot might be able to change the world. Chapter illustrations by Casey Nowak.

Alanna the knight, Numair the mage, Daine the wolf-speaker and more! Favorite and unfamiliar characters in 11 tales, including three brand new stories! Collected here for the first time are six tales from the land of Tortall, featuring both previously unknown characters as well as old friends. Filling some gaps of time and interest, these stories, some of which have been published before, will lead Tammy's fans, and new readers into one of the most intricately constructed worlds of modern fantasy. Also included are four other fantasy stories . . . one set in a remote desert, two in an unknown town, and one set in a very familiar locale: New York City, in the present day. Also, as a bonus, there is a non-fantasy story set in contemporary Idaho that proves that Pierce's ability to spin a tale is not limited to realms of dragons and magic.

“David Anthony Durham has serious chops. I can’t wait to read whatever he writes next." —George R. R. Martin Welcome to Acacia . . . Born into generations of prosperity, the four royal children of the Akaran dynasty know little of the world outside their opulent island paradise. But when an assassin strikes at the heart of their power, their lives are changed forever. Forced to flee to distant corners and separated against their will, the children must navigate a web of hidden allegiances, ancient magic, foreign invaders, and illicit trade that will challenge their very notion of who they are. As they come to understand their true purpose in life, the fate of the world lies in their hands.

To the Boys and Girls Who Will Read This Book You all want to cross the ocean in a big steamship, I'm sure. Perhaps some of you are looking forward to going by air some day. But there is an easier way to travel than that. It is the book way. Without the trouble of packing even an over-night bag, this book will take you to many far away and fascinating lands. Watty Piper hopes that it will do more than that. One of the pleasantest things about going to new places is making new friends, isn't it? The little folks from far away, whom you will meet in these pages, do not wear clothes like yours. They do not eat the same kind of food. But under their skins, you will find they are not so different from you after all. Surely you can be friends. And now we're off. A pleasant journey. WATTY PIPER. Text and illustrations introduce The Everyday Life Of Children In Various Countries Around The World. Written by the same man as "The Little Engine that Could".

“Immersive . . . bracingly ambitious . . . rewinds the story of life on Earth—from the mammoth steppe of the last Ice Age to the dawn of multicellular creatures over 500 million years ago.”—The Economist LONGLISTED FOR THE BAILLIE GIFFORD PRIZE • “One of those rare books that’s both deeply informative and daringly imaginative.”—Elizabeth Kolbert, author of Under a White Sky ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Prospect (UK) The past is past, but it does leave clues, and Thomas Halliday has used cutting-edge science to decipher them more completely than ever before. In Otherlands, Halliday makes sixteen fossil sites burst to life on the page. This book is an exploration of the Earth as it used to exist, the changes that have occurred during its history, and the ways that life has found to adapt―or not. It takes us from the savannahs of Pliocene Kenya to watch a python chase a group of australopithecines into an acacia tree; to a cliff overlooking the salt pans of the empty basin of what will be the Mediterranean Sea just as water from the Miocene Atlantic Ocean spills in; into the tropical forests of Eocene Antarctica; and under the shallow pools of Ediacaran Australia, where we glimpse the first microbial life. Otherlands also offers us a vast perspective on the current state of the planet. The thought that something as vast as the Great Barrier Reef, for example, with all its vibrant diversity, might one day soon be gone sounds improbable. But the fossil record shows us that this sort of wholesale change is not only possible but has repeatedly happened throughout Earth history. Even as he operates on this broad canvas, Halliday brings us up close to the intricate relationships that defined these lost worlds. In novelistic prose that belies the breadth of his research, he illustrates how ecosystems are formed; how species die out and are replaced; and how species migrate, adapt, and collaborate. It is a breathtaking achievement: a surprisingly emotional narrative about the persistence of life, the fragility of seemingly permanent ecosystems, and the scope of deep time, all of which have something to tell us about our current crisis.

These haunting stories beautifully evoke the oppressive lives of modern women in the Islamic Republic of Iran. Anis, a computer programmer, is at the end of her rope, putting up with the bullying criticism of a no-good, unemployed lout of a husband; Azar is a young divorcee, and the only person she can talk to is Reza; but she can see him only late at night when "they" are not around; Sharmin has Down's syndrome and hopelessly loves Azad; he loves Kazhal, beautiful and blessed; but Kazhal is married off and is divorced at twenty and now awaits a hopeless future . . . For these and other characters the weight of traditional attitudes, the harrassment of the religious establishment, and the attitudes of men make for a frustrating, confining, and sometimes unlivable existence.

First published in 1922, "The Waste Land" is T.S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions. Kenneth Rexroth was not alone in calling Eliot "the representative poet of the time, for the same reason that Shakespeare and Pope were of theirs. He articulated the mind of an epoch in words that seemed its most natural expression." As influential as his verse, T.S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition of The Waste Land and Other Writings includes a selection of Eliot's most important essays. In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience.