“A theologically rich, spiritually edifying exploration of all that the Bible says about an awe-striking reality.” —Dennis Johnson Each time God appears to his people throughout the Bible—in the form of a thunderstorm, a man, a warrior, a chariot, etc.—he comes to a specific person for a specific purpose. And each of these temporary appearances— called theophanies—helps us to better understand who he is, anticipating his climactic, permanent self-revelation in the incarnation of Christ. Describing the various accounts of God’s visible presence from Genesis to Revelation, theologian Vern S. Poythress helps us consider more deeply what they reveal about who God is and how he dwells with us today.

A Survey of the Old Testament goes far beyond simply rephrasing biblical material to provide balanced insights on the literary, historical, and theological issues of each Old Testament book and of the Old Testament as a whole. This revised edition makes the exceptional scope of the first edition more accessible to contemporary readers. A redesigned interior complete with new visuals--maps, photos, timelines, and charts--makes this book more attractive and useful than ever. Treating the books of the Old Testament in the order of the English canon, A Survey of the Old Testament explores the purpose and message of each book and shows how its literary structure has been applied to accomplish the intention of its inspired author. The book also introduces the reader to issues such as Israelite and Near Eastern history, archaeology, the formation of the canon, and geography Written by two widely respected scholars and educators, A Survey of the Old Testament is designed to help readers develop a broad grasp of the Old Testament.

Theophanies, or manifestations of God, occur throughout the Old Testament. In this in-depth look at God's self-manifestations, Niehaus reveals their unity and how they relate to and differ from ancient Near Eastern myths and legends. *Lightning Print On Demand Title

Using light as fil rouge reuniting theology and ritual with the architecture, decoration, and iconography of cultic spaces, the present study argues that the mise-en-scène of fifth-century baptism and sixth-century episcopal liturgy was meant to reproduce the luminous atmosphere of heaven. Analysing the material culture of the two sacraments against common ritual expectations and Christian theology, we evince the mannerin which the luminous effect was reached through a combination of constructive techniques and perceptual manipulation. One nocturnal and one diurnal, the two ceremonials represented different scenarios, testifying to the capacity of church builders and willingness of Late Antique bishops to stage the ritual experience in order to offer God to the senses.