Theatrical Theology
Title | Theatrical Theology PDF eBook |
Author | Trevor Hart |
Publisher | Lutterworth Press |
Total Pages | 296 |
Release | 2015-03-26 |
Genre | Performing Arts |
ISBN | 0718843517 |
Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume 'Theo-Drama', a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a
Theatrical Theology
Title | Theatrical Theology PDF eBook |
Author | Trevor Hart |
Publisher | Lutterworth Press |
Total Pages | 380 |
Release | 2015-03-26 |
Genre | Performing Arts |
ISBN | 0718843533 |
Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume 'Theo-Drama', a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a
Performing the Sacred
Title | Performing the Sacred PDF eBook |
Author | Todd E. Johnson |
Publisher | Baker Academic |
Total Pages | 176 |
Release | 2009-08 |
Genre | Drama |
ISBN | 080102952X |
A theologian and a theatre artist examine both the nature of theatrical performance within contemporary culture and its relationship to Christian life, faith, and worship.
The Works of Aurelius Augustine
Title | The Works of Aurelius Augustine PDF eBook |
Author | Saint Augustine (of Hippo) |
Publisher | |
Total Pages | 592 |
Release | 1871 |
Genre | Theology |
ISBN |
Living Theodrama
Title | Living Theodrama PDF eBook |
Author | Dr Wesley Vander Lugt |
Publisher | Ashgate Publishing, Ltd. |
Total Pages | 257 |
Release | 2014-04-28 |
Genre | Religion |
ISBN | 147241943X |
A fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
The Theater of God
Title | The Theater of God PDF eBook |
Author | Robert Paul Roth |
Publisher | Wipf and Stock Publishers |
Total Pages | 202 |
Release | 2004-12-10 |
Genre | Religion |
ISBN | 1597520136 |
This exploration in creative theology aims to discover what will happen to Christian doctrine if the category of story is substituted for all the philosophical metaphors and scientific models that have been previously used to give intellectual shape to the gospel . As a systematic theologian, Robert Paul Roth constructs an ontology of story and applies it to the doctrines of the church.
The Performative Ground of Religion and Theatre
Title | The Performative Ground of Religion and Theatre PDF eBook |
Author | David V. Mason |
Publisher | Routledge |
Total Pages | 302 |
Release | 2018-10-26 |
Genre | Religion |
ISBN | 1351785826 |
Religious practitioners and theatregoers have much in common. So much, in fact, that we can say that religion is often a theatrical phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, premodern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views of both. Featuring attention to influential notions from Plato and Aristotle, from the Natyashastra, from Schleiermacher to Sartre, Bourdieu, and Butler, and considering contemporary theories of performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, or philosophy.