This volume deals with the architectural history of the theatre in Roman Palestine and Provincia Arabia, a region which comprised a Jewish, Nabataean, and Hellenized population but lacked any tradition of classical theatre. The earliest examples, erected by Herod, were actually a foreign imposition upon the landscape of Judaea, while the theatres built in the Nabataean kingdom provided no more than an architectural setting for activities which were often unrelated to theatre in the accepted sense. When the Hellenized cities in the region began building their theatres, classical plays were already disappearing from the stage throughout the Roman world, their place taken by lighter, less select forms of public entertainment. The author then offers a comprehensive architectural analysis of each of the thirty theatres so far uncovered in the area. Richly illustrated, it provides a vivid reconstruction of a world which, though long gone, continues to fascinate.

Examines how socioeconomic relations between Judaean elites and non-elites changed as Palestine became part of the Roman Empire.

The studies presented in the book express the spirit of A. Segal research work and reflect his interest and curiosity in a wide spectrum of Classical archaeology, such as town planning and architecture in the Graeco-Roman world, Roman theatres, Roman temples, Herodian art and architecture, Nabataean art and architecture, architectural decoration, and more.

The book deals with leisure, pleasure and healing at the thermo-mineral sites in the Levant since the biblical era throughout the Hellenistic, Roman, Byzantine, and early Muslim periods. It looks closely at the question of whether the spas, which are models for social interaction between pagans, Christians and Jews, served as sacred cult places or popular sites of healing. The main objectives of the book are as follows: • Clarifying the leisure-time activities at the spas based on Classical and Rabbinic literature, pilgrims’ travel-books, Syriac and Arabic texts, the Geniza fragments, cartographic evidence, and archaeological findings. • Lightening the daily life, healing cults, medical recommendations and treatments. • Examining the social history of medicine at the curative baths.

This lavishly illustrated volume presents a comprehensive architectural study of 87 individual temples and sanctuaries built in the Roman East between the end of the 1st century BCE and the end of the 3rd century CE, within a broad region encompassing the modern states of Syria, Lebanon, Israel and Jordan. Religious architecture gave faithful expression to the complexity of the Roman East and to its multiplicity of traditions pertaining to ethnic and religious aspects as well as to the powerful influence of Imperial Rome. The source of this power lay in the uniformity of the architectural language, the inventory of forms, the choice of styles and the spatial layout of the buildings. Thus, while temples have an eclectic character, there is an underlying unity of form comprising the podium, the stairway between the terminating walls (antae) and the columns along the entrance front - in other words, the axiality, frontality and symmetry of the temple as viewed from outside. The temples and sanctuaries studied in this volume demonstrate individual nuances of plan, spatial design, location in the sanctuary and interrelations with the immediate vicinity but can be divided into two main categories: Vitruvian temples (derived from Hellenistic-Roman architecture) and Non-Vitruvian temples (those with plans and spatial designs that cannot be analysed according to architectural criteria such as those defined by Vitruvius). The individual descriptions presented focus solely upon the analysis of the external and internal space of the temples of all types and do not involve any cultural or ethnic discussion.

Public Spectacles in Roman and Late Antique Palestine introduces readers to the panoply of public entertainment that flourished in Palestine from the first century BCE to the sixth century CE. Drawing on a trove of original archaeological and textual evidence, Zeev Weiss reconstructs an ancient world where Romans, Jews, and Christians intermixed amid a heady brew of shouts, roars, and applause to watch a variety of typically pagan spectacles. Ancient Roman society reveled in many such spectacles—dramatic performances, chariot races, athletic competitions, and gladiatorial combats—that required elaborate public venues, often maintained at great expense. Wishing to ingratiate himself with Rome, Herod the Great built theaters, amphitheaters, and hippodromes to bring these forms of entertainment to Palestine. Weiss explores how the indigenous Jewish and Christian populations responded, as both spectators and performers, to these cultural imports. Perhaps predictably, the reactions of rabbinic and clerical elites did not differ greatly. But their dire warnings to shun pagan entertainment did little to dampen the popularity of these events. Herod’s ambitious building projects left a lasting imprint on the region. His dream of transforming Palestine into a Roman enclave succeeded far beyond his rule, with games and spectacles continuing into the fifth century CE. By then, however, public entertainment in Palestine had become a cultural institution in decline, ultimately disappearing during Justinian’s reign in the sixth century.

This new edition of Rome in the East expands on the seminal work of the first edition, and examines the lasting impact of the near Eastern influence on Rome on our understanding of the development of European culture. Warwick Ball explores modern issues as well as ancient, and overturns conventional ideas about the spread of European culture to the East. This volume includes analysis of Roman archaeological and architectural remains in the East, as well as links to the Roman Empire as far afield as Iran, Central Asia, India, and China. The Near Eastern client kingdoms under Roman rule are examined in turn and each are shown to have affected Roman, and ultimately European, history in different but very fundamental ways. The highly visible presence of Rome in the East – mainly the architectural remains, some among the greatest monumental buildings in the Roman world – are examined from a Near Eastern perspective and demonstrated to be as much, if not more, a product of the Near East than of Rome. Warwick Ball presents the story of Rome in the light of Rome’s fascination with the Near East, generating new insights into the nature and character of Roman civilisation, and European identity from Rome to the present. Near Eastern influence can be seen to have transformed Roman Europe, with perhaps the most significant change being the spread of Christianity. This new edition is updated with the latest research and findings from a range of sources including field work in the region and new studies and views that have emerged since the first edition. Over 200 images, most of them taken by the author, demonstrate the grandeur of Rome in the East. This volume is an invaluable resource to students of the history of Rome and Europe, as well as those studying the Ancient Near East.