Theatre Culture in America, 1825-1860
Title | Theatre Culture in America, 1825-1860 PDF eBook |
Author | Rosemarie K. Bank |
Publisher | Cambridge University Press |
Total Pages | 316 |
Release | 1997-01-28 |
Genre | Drama |
ISBN | 9780521563871 |
A study of pre-Civil War American theatre.
The Theatre of Empire
Title | The Theatre of Empire PDF eBook |
Author | Douglas S Harvey |
Publisher | Routledge |
Total Pages | 282 |
Release | 2015-10-06 |
Genre | History |
ISBN | 131732403X |
Focusing on the years between 1750 and 1860, this study follows the creation and perpetuation of an imperial culture, from the London metropole to the Great Plains.
Melodrama Unveiled
Title | Melodrama Unveiled PDF eBook |
Author | David Grimsted |
Publisher | Univ of California Press |
Total Pages | 307 |
Release | 1987 |
Genre | Performing Arts |
ISBN | 0520059964 |
David Grimsted's Melodrama Unveiled explores early American drama to try to understand why such severely limited plays were so popular for so long. Concerned with both the plays and the dramatic settings that gave them life, Grimsted offers us rich descriptions of the interaction of performers, audiences, critics, managers, and stage mechanics. Because these plays had to appeal immediately and directly to diverse audiences, they provide dramatic clues to the least common denominator of social values and concerns. In considering both the context and content of popular culture, Grimsted's book suggests how theater reflected the rapidly changing society of antebellum America.
Theatre, Culture and Temperance Reform in Nineteenth-Century America
Title | Theatre, Culture and Temperance Reform in Nineteenth-Century America PDF eBook |
Author | John W. Frick |
Publisher | Cambridge University Press |
Total Pages | 284 |
Release | 2003-07-21 |
Genre | Drama |
ISBN | 0521817781 |
This book examines the role of temperance drama in American theatre and compares the American genre to its British counterpart.
Melodramatic Formations
Title | Melodramatic Formations PDF eBook |
Author | Bruce A. McConachie |
Publisher | Studies Theatre Hist & Culture |
Total Pages | 346 |
Release | 1992 |
Genre | Performing Arts |
ISBN |
The Cambridge History of American Theatre
Title | The Cambridge History of American Theatre PDF eBook |
Author | Don B. Wilmeth |
Publisher | Cambridge University Press |
Total Pages | 554 |
Release | 1998-02-28 |
Genre | Drama |
ISBN | 9780521472043 |
The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
Theatre Symposium, Vol. 15
Title | Theatre Symposium, Vol. 15 PDF eBook |
Author | M. Scott Phillips |
Publisher | University of Alabama Press |
Total Pages | 140 |
Release | 2007-09-23 |
Genre | Performing Arts |
ISBN | 0817354573 |
The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform. Essays consider, among other subjects, ethnographic depictions of the savage “other” in Buffalo Bill’s engagement at the Columbian Exposition of 1893; the so-called “Moral Reform Melodrama” in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth and early twentieth-century moral and sexual discourse; Aphra Behn’s subversion of Restoration patriarchal sexual norms in The Feigned Courtesans; and the controversy surrounding one production of Tony Kushner Angels in America, during which officials at one of the nation’s more prominent liberal arts colleges attempted to censor the production, a chilling reminder that academic and artistic freedom cannot be taken for granted in today’s polarized moral and political atmosphere.