Observes life on an old-fashioned farm through the four seasons, celebrating the seasonal changes and growth in the lives of the people, the animals, and the countryside

Describes animals on the authors' own farm in New York, including dogs, horses, pigs, geese, chickens, cows, goats, sheep, and cats.

The winner of the 1956 Newbery Medal is reissued. When Marly's father comes back from the war a different man, the family moves to Grandma's old house on Maple Hill, where miracles begin to happen. Illustrations.

In the tradition of his well-loved The Outermost House, Henry Beston's Northern Farm captures "the elusive magic of a year on a Kennebee farm...in truly beautiful prose" (Kirkus Reviews). Among the blue-white shadows and graceful curves of freshly fallen snow, the first rains of spring, and the quiet green of an early summer morning, Beston brings the reader into an inescapable alliance with the natural world. He translates the philosophy of the Maine farmer into terms as applicable in Manhattan as on the Kennebee. One of the great classics of American nature writing, Northern Farm is inspiring reading and ranks as one of Beston's most memorable and lyrical works. HENRY BESTON (1888-1968) was the author of many books, including The Outermost House, White Pine and Blue Water, and The St. Lawrence.

This endearing favorite, now back in print, celebrates the four seasons on the farm and reacquaints readers with some of their animal friends. Full-color illustrations.

Now back in print, a beautifully illustrated collection of twelve reimagined fairy tales, including classics like "Beauty and the Beast" and literary tales like Oscar Wilde's "The Happy Prince." Alice and Martin Provensen were one of the most talented husband-and-wife author-illustrator teams of the twentieth century. A long-out-of-print cult classic first published 50 years ago, The Provensen Book of Fairy Tales is a treasury of their illustrations accompanied by fairy tales from authors such as A. A. Milne, Hans Christian Andersen, and Oscar Wilde. Here too are clever retellings and newly imagined tales: refined old favorites like Arthur Rackham’s “Beauty and the Beast,” feminist revisions like Elinor Mordaunt’s “The Prince and the Goose Girl,” and sensitive stories by literary stylists like Henry Beston’s “The Lost Half-Hour” and Katharine Pyle’s “The Dreamer.” Full of magic, ingenuity, and humor, The Provensen Book of Fairy Tales is a witty modern descendant of Grimm’s Fairy Tales and a classic in its own right, sure to be beloved by a new generation.