Are the Writings a miscellaneous collection of books, as is so often asserted, or do they have a purposeful design or arrangement? Over the past 35 years, there has been a significant amount of scholarly interest in the shape of the Law, Former Prophets, Twelve Minor Prophets and the Psalms, while examinations of the shape of the Writings were almost nonexistent until very recently. The 11 essays in this volume explore this often-neglected issue from a variety of critical perspectives—reader-centered approaches, canonical, structural-canonical, and redactional—made more robust by the mix of German- and English-language scholarship on this question, including 4 articles translated from German into English. Essays range from the historical development of the collection, to analysis of the collection’s different arrangements, to the relationship of books and subcollections within the Writings, to the reception of the collection in Jewish and Christian sources. Every book in the Writings is discussed, with particular attention given to Job, Ruth, and 1 and 2 Chronicles. The volume closes with 3 critical responses from John Barton, Tamara Cohn Eskenazi, and Christopher Seitz.

The Writings of Aleister Crowley 2 presents three essential texts by the black magick master: White Stains, The Psychology of Hashish and The Blue Equinox. Each work has been updated for the digital age with new formatting and punctuation, along with original footnotes and illustrations.

This final volume of my translation of the Old Testament contains what the Hebrew Bible considers The Writings. They comprise of the poetry of the Psalms, the wisdom literature of Proverbs, Job, Ecclesiastes, the erotic love poem of The Song of Solomon, the laments over the fall of Jerusalem in Lamentations, the short stories of Ruth and Esther, the curious book of Daniel that contains both short narratives and strange apocalyptic visions, the post-exilic accounts of Ezra and Nehemiah, and the priestly overview of Israel's past found in I and II Chronicles. Whereas the first two volumes (The Torah and Former Prophets; The Major and Minor Prophets) obviously dealt with Israel's history and the prophetic interaction with that history, this third volume of The Writings is closest thing to "pure literature" you can find in the Bible. Yes, the Torah and Former Prophets are exquisitely crafted literary narratives, and yes, the Major and Minor Prophets are mostly written in the form of poetry. But the fact is, the majority of what we find in The Writings can be read and appreciated without reference to actual historical events. In other words, anyone who has gone through trials can immediately relate to Job; anyone who has pondered the fleetingness of life can soak in what Ecclesiastes says; and anyone who has been madly in love will be able to let the poetry of Song of Solomon wash over them. I was an English Literature major in college, and my focus was on poetry, and so I have a special fondness for this particular volume of my translation. And so, just as John Keating told his students in the movie Dead Poets Society, "We're not laying pipe, we're talking about poetry," I don't want to get in the way of what the poetry in this volume has to say by getting bogged down in historical background and details that, for all practical purposes, is not needed in order to appreciate much of what is in this volume.

A tender and compellling memoir of the author's grandparents, their literary salon, and a way of life that is no more. The House of Twenty Thousand Books is the story of Chimen Abramsky, an extraordinary polymath and bibliophile who amassed a vast collection of socialist literature and Jewish history. For more than fifty years Chimen and his wife, Miriam, hosted epic gatherings in their house of books that brought together many of the age’s greatest thinkers. The atheist son of one of the century’s most important rabbis, Chimen was born in 1916 near Minsk, spent his early teenage years in Moscow while his father served time in a Siberian labor camp for religious proselytizing, and then immigrated to London, where he discovered the writings of Karl Marx and became involved in left-wing politics. He briefly attended the newly established Hebrew University in Jerusalem, until World War II interrupted his studies. Back in England, he married, and for many years he and Miriam ran a respected Jewish bookshop in London’s East End. When the Nazis invaded Russia in June 1941, Chimen joined the Communist Party, becoming a leading figure in the party’s National Jewish Committee. He remained a member until 1958, when, shockingly late in the day, he finally acknowledged the atrocities committed by Stalin. In middle age, Chimen reinvented himself once more, this time as a liberal thinker, humanist, professor, and manuscripts’ expert for Sotheby’s auction house. Journalist Sasha Abramsky re-creates here a lost world, bringing to life the people, the books, and the ideas that filled his grandparents’ house, from gatherings that included Eric Hobsbawm and Isaiah Berlin to books with Marx’s handwritten notes, William Morris manuscripts and woodcuts, an early sixteenth-century Bomberg Bible, and a first edition of Descartes’s Meditations. The House of Twenty Thousand Books is a wondrous journey through our times, from the vanished worlds of Eastern European Jewry to the cacophonous politics of modernity. The House of Twenty Thousand Books includes 43 photos.

The writings of John are some of the most foundational New Testament documents for today’s Christians. Most evangelical teaching about the life of Jesus begins with the Gospel of John, and Christian teaching on the end times relies heavily on the book of Revelation.Students, pastors, and lay learners need solid, up-to-date resources like this book to responsibly study and understand John’s writings. C. Marvin Pate addresses John’s writings according to their logical divisions: the Gospel of John, the Johannine Epistles, and Revelation. Each section includes a thorough introduction to relevant interpretive issues, including historical background, cultural setting, and theological context. Pate presents a two-fold historical setting for John’s gospel, encouraging readers to consider the text from the perspective of Jesus’ day and from John’s situation in Asia Minor sixty years later. He examines the Johannine epistles on issues like authorship, audience, and theological perspective. For the Apocalypse, Pate explores the challenges of John’s first readers, the nature of apocalyptic literature, and the Roman imperial cult, including as well an explanation of how the church has interpreted Revelation over the years. With its thorough discussion, textbook design and four-color interior, The Writings of John sets the standard for introductory texts on biblical books or collections.